Not exact matches
The computer
screen displays windows depicting the content of each input
video sequence.
It mounts each action
sequence with zero artistry in disguising its shameful lust to earn extra $ as a
video game (you half expect congratulatory text and bonus points on
screen a la Scott Pilgrim vs The World).
What the piece perhaps aims to prove is that so much of what one would assume is CGI was shot practically (such as the motorboat
sequence and the fire stunts), though it's also a love letter to a close - knit production whose sometimes drippily sentimental narration gives it the feeling of a
video meant for private
screening at the wrap party.
I can, however, safely say that Wright's attempts to mend cinema,
video games, and comic books work — it is the first film in which enemies turn into coins when defeated, health bars are displayed, and towering «thuds» invade the
screen during fight
sequences, and honestly, it was all awe - inspiring.
Although other films might've depicted a fun - filled female - bonding
sequence as a throwaway montage backed by an En Vogue song, Story transformed it into a full - fledged music
video set to Bell Biv DeVoe's 1990 mega-hit «Poison,» complete with MTV - and BET - style corner -
screen end credits, resulting in one of Think Like a Man Too's most memorable scenes.
Appropriately, the film's final, most elaborate
sequence takes place in a hall of mirrors where abstract
video art, some of it suggesting hellfire, blazes on
video screens.
At some point we decided that the true definition of skill in
video games was to hit a
sequence of buttons as they randomly popped up on -
screen.
The
video also claims that the Assassin's Creed 3 will have
sequences with more than 2,000 NPCs on -
screen at any given time, and that they've added in over 1,000 new animations for Connor, the lead protagonist, alone.
In a second
video work, The Intimacy Package (2018), displayed on a large TV
screen in the centre of the gallery, Deja has created a series of lessons, composed of five short
sequences set in a variety of environments, such as a contemporary at, a computer server room or an idyllic beach at sunset, in which an electronic narrator guides the viewer through various means of achieving intimacy.
Stine Deja presents the
video «Foreigner» (2018, and In a second
video work, «The Intimacy Package» (2018), displayed on a large TV
screen Deja has created a series of lessons, composed of five short
sequences set in a variety of environments.
The increased number of Asian galleries was matched by their quality: Shanghai's Leo Xu Projects offered an excellent — although very cramped — group show of the work of emerging artists in which huge mirrored
screens bearing printed images of landscapes vied for position with quieter works, such as a composition made up of hundreds of rows of tiny brown - paper squares with their bottom left corners delicately curled upwards and aaajiao's vertical
sequence of smartphones collectively displaying a
video of a long stream of water.
Now in its seventh edition, this year
Sequences presents a spectrum of
video installations, exhibitions,
screenings, performances and discussions centred on the theme of «Plumbing», highlighting the often - unseen infrastructure that underlies digital communication and its metaphorical correspondence with the physical structure of the body as well as of the earth.
Taking its starting point from the name of the women's film and
video distribution organisation co-founded by Lis Rhodes in the 1970s, this
sequence of
screenings engages with questions of representation, politics, language and perception.