Sitting with his niece, they were glued to
the screen watching the story of one of sport's most infamous people, Tonya Harding.
Not exact matches
Nolan employs some unconventional
story - telling methods throughout the film, and his incredible visuals need to be
watched on the big
screen to truly be appreciated.
She also enjoys
watching great
stories on
screens of all sizes, shopping online and eating anything salty.
Look at Hollywood: Movie studios have made a fortune selling us miraculous
stories that we
watch on the big
screen with... maybe not belief but hope in our eyes.
It's kind of fun to see the guys
watching themselves on the
screen and providing
stories from the set.
«The Towering Inferno» laid the foundation for good disaster movies to come, both in being huge budget and cast wise, and with great special effects that accompany a
story that makes you glad you're not one of the people you're
watching on the
screen.
The character that really did have a
story to tell was and was exciting to
watch on
screen was Erik Killmonger.
The
Story (Alan Wake): As I sat on my couch
watching the credits for Alan Wake slide up the
screen of my television I thought «Wow, this is it.»
But at least you'll never get lost trying to follow the
story because, luckily, every so often Najafi cuts back to a group of far - too - talented actors sitting in a room together,
watching the action on a
screen and explaining the entire plot to each other.
Films that might have fit this putative strand included the charming but overlong Timeless
Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a
story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine
watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth
Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
His use of close - ups gives one the impression one is
watching a documentary, which puts the viewer more into the
story that is unfolding on
screen.
Prior to a Thursday
screening of «Winchester,» a ghost
story whose protagonist comes down on the pro-gun control side of the firearms violence debate, a smattering of multiplex attendees and I
watched a trailer for the new «Death Wish» (opening March 2).
As the
story progresses she can go a little over the top teetering into the land of bumbling female sidekicks, but for the most part, she's a joy to
watch on
screen.
In fact, it's nearly impossible to
watch the film without reflecting on the current real - life conflicts happening all around us today in the
stories that flood our endless newsfeeds and project upon our
screens.
What science fiction films do best is warp our deepest concerns and immediate dangers, so that we can
watch them bloom into larger than life
stories on the big
screen.
Though the
story of Marcus Luttrell's incredible survival is tailor - made for the big
screen, and Berg does a good job of highlighting the soldiers» brotherhood and courage under fire, it's hard to find any pleasure or entertainment value from
watching the characters (real - life men whose family and friends are still living with that loss) get brutally slaughtered.
The design of the film is strong; the prophetic dream sequences are incredible to behold, the Watchers look amazing on the
screen (introduced in silhouette, a tactic Aronofsky uses a lot here) and there is a truly awe - inspiring sequence of Noah retelling the
story so far of Genesis that could legitimately be worth owning this on physical media just to
watch again whenever necessary.
Watching Rust and Bone, which Sony Pictures Classics acquired preemptively before its first Cannes
screening, it's easy to imagine all of the ways in which Hollywood might have fouled up this
story of a killer - whale trainer (Marion Cotillard) who loses both her legs in a freak accident and, during her recovery, enters into a tentative romance with a stoic drifter (Matthias Schoenaerts) who moonlights as an amateur MMA fighter.
Wenn Emilia Clarke ditched a
screening of Solo: A Star Wars
Story so she could
watch the royal wedding.
As a result, there were long stretches where I found myself staring at the
screen watching the flashy images go by, but barely cognizant that I'm actually
watching a
story.
Today's Japanese news: second recap video for Dai Gyakuten Saiban 2,
screens for The Alliance Alive, title and visuals for the 4th Yo - kai
Watch movie,
Story of Seasons sale on the Nintendo eShop, latest DLC and merchandise for Monster Hunter XX, trailer and screenshots for Asdivine Cross, screenshots for the first batch of DLC for Attack on Titan: Shichi Kara no Dasshutsu, and trailer for Koueki Zaidan houjin Nihon Kanji Nouryoku Kentei Kyōkai Kanken Training 2!
It can get frustrating to
watch them edit out some of your best moments (such as persuading teams to do what I wanted), but they certainly tell the best
story on
screen regardless.
An almost mythic
story, excellent performances and a setting — the Missouri Ozarks — seldom seen on the silver
screen combined to make this one of the best movies I've
watched this year.
I wrote at the time: I've started this
story twice, now, and got about half - way through it each time, only to
watch it die on the
screen.
But specs only tell part of the
story, and overall we really enjoyed using the Toshiba's
screen, it made
watching video a very pleasant experience.
In that
story, Publishers Association chief Stephen Lotinga speculated that «people are now getting
screen tiredness, or fatigue, from so many devices being used,
watched, or looked at in their week.»
Making the long
story short, the touch
screen tablets are great versatile tools that can be of great help I your day to day activities, allowing you to both write down emails and listening to music or
watching a movie.
There's lots of beautiful handmade Honduran mahogany furniture, a
screened porch with hammocks and a second
story deck for
watching those mango - papaya sunsets.
This works because it allows more wiggle room in creating a
story instead of having players go through the same sequence of events they most likely
watched on the big
screen.
- the eight protagonists won't have similar
stories to each other because the team wants players to enjoy different experiences - the other six protagonists will have jobs different from Orberic (Swordsman) and Primrose (Dancer)- Orberic and Primrose were chosen for the demo because their starting points are closer to other party members - each protagonist will have different starting points, so there may be a gap in the progress difficulty - the team is trying to even things out, but they don't want every character to have the same difficulty, as that would be boring - the demo has surpassed 1 million downloads worldwide - a demo was released because they thought simply publishing screenshots and trailers wouldn't convey this game's fun factor - more than 80 % of the overseas player base found the game interesting - there was one player who won against a high - leveled NPC in a Duel, and another who defeated all bar customers - the team had expected the former, they didn't expect the latter - the music was received very well, which comes from composer Yasunori Nishiki - overseas players complained of hard - to - read text, because the UI was based on the Japanese version, which will be adjusted - the biggest complaints were about slow map movement, and the lack of fast - travel - both of these features have been implemented, with faster movement and fast - travel between cities - players also found the
screen too dark, so devs are adding waypoints for paths and also bigger roads - there will be an Event Skip feature, as well as the ability to freely
watch events that have been already seen.
While the game mostly consists of first - person exploration through grid - like 3D environments and 2D battles, it's clear that Soul Hackers was a Sega Saturn title as it occasionally incorporates anime - style FMV content into its
story, which are a pleasure to
watch and look good on the 3DS
screen, and add life to the
story outside of its conversations with various characters.
«I've always loved
watching these characters translated to the big and small
screen, but those were passive, linear experiences and I saw video games as the one unique entertainment medium where players could actually BE the characters and actively live out the fantasy of controlling them and shaping the
story.»
Today's Japanese news: screenshots for the latest batch of DLC quests for Puzzle & Dragons X,
screens for SEGA 3D Classics Collection 3: Final Stage, latest Wii U Virtual Console releases, Yo - kai
Watch stamps on LINE, new QR code for Disney Magical World 2, holidays wallpaper for
Story of Seasons: Trio of Towns, and Defend your Crypt releasing next week on Nintendo 3DS!
There's a few more months left before you can play
Watch Dogs as super hacker Aiden Pearce on your TV and PC
screens - but Ubisoft has a bigger
screen in mind for you to experience the game's
story.
The
story of
Watch Dogs centers around Aiden Pearce, a hacker bent on revenge and inflicting his own brand of justice after a violent family tragedy and this narrative should lend itself perfectly to the big
screen.
When your audience views a video, or
watches a
story, their emotions actually start to mirror what's on
screen.
New touch
screen technology has been incorporated into the exhibit allowing visitors to
watch friends and descendants share their
stories about Nell Dorr and the lasting impact that she made on their lives and our town.
Raymond Pettibon's films Sir Drone and The Whole World is
Watching: Weatherman»69 about the paradoxes of American punk will be
screened at Garage Auditorium throughout the exhibition, while the open - air cinema on Garage Square will show a Russian premiere of Turn It Around: The
Story of East Bay Punk by Corbett Redford, exploring the 30 - year evolution of punk rock in California.
Watch a series of interviews with Ron Arad on Dezeen
Screen and see all our
stories about his work here.
If the current look of your Apple
Watch's main
screen is getting a little stale, and you're already tired of the existing Mickey and Minnie Mouse faces, you'll soon have the option adorning your smartwatch with Toy
Story characters.
Each week, millions tune in to
watch the intricate
story lines created by Shonda Rhimes come to life on their television
screens, but Rhimes... Read More