Sentences with phrase «screening films across»

But Wiseau continues to screen the film across America.

Not exact matches

With 22 screenings across 19 Australian venues the festival will showcase some of the world's most inspiring and moving ocean short films.

NOVEMBER 9 - 16 Imagine Science Film Festival Check out 100 films screening across New York City, and explore cutting - edge research into consciousness and imagination.

Following Orgazmo (1997), the Parker film that Stone produced, and BASEketball (1998), in which he starred with Parker, South Park: Bigger, Longer, and Uncut hit movie screens across the country during the summer of 1999.

There is something of an emotional commitment brought to the storyline by the characters in this film, which really comes across well on screen.

The film opens with Wenders ruminating on the passage of time, while a time - lapse video unfolds across the screen, and it's a strange decision that otherwise adds nothing to the film.

Set in Cyprus and following the down - on - his - luck Yiannis as he tries to smuggle his dog Jimi across the buffer zone separating the Greek and Turkish sides of the island, the film is a «laidback charmer» with «droll comedy, understated political commentary and an adorable scene - stealing canine,» according to Allan Hunter of Screen Daily.

Whether gracefully gliding across the stage in dance, pounding the boards in a play, or lighting up the screen in such popular films as Pirates of the Caribbean: The Curse of the Black Pearl, the multi-faceted Saldana seems capable of achieving anything she puts her mind to.

As expected, Django Unchained is brutal, remarkably so, with copious amounts of splattery violence splashing across the screen - to be honest I'm surprised the film got away with an MA rating here in Australia.

The film, which stars Smith and Joel Edgerton as a human - orc buddy cop duo, is the streaming giant's first attempt a major tentpole release, entering the kind of waters that are normally reserved for traditional studios opening films wide across hundreds of cinema screens.

One problem is the relative inexperience of the film's stars, who exude terrific vocal talents, but not enough screen presence to come across as anything other than likeable.

If you feel like the horror genre has been ho - hum lately, rest assured as The Conjuring is one of the best horror films that has come across the screen in the last decade.

The film, which is considered the «' Citizen Kane of bad movies»,» became a cult hit, spawning midnight screenings across the nation and now worldwide where fans quote iconic lines -LSB-...]

The IFTA Awards are the highlight of Ireland's film and drama calendar and they celebrate the very best of Irish screen talent across film and television.

Fox announces their distrust of critics with this title by splaying «Property of 20th Century Fox Publicity Department» in huge letters across the screen for the duration of the film on both sides of the disc (the first time a major studio has done so since DreamWorks sent out advanced copies of the Gladiator Signature Selection in 2000 — which is why you never saw a review of it at FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the imfilm on both sides of the disc (the first time a major studio has done so since DreamWorks sent out advanced copies of the Gladiator Signature Selection in 2000 — which is why you never saw a review of it at FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the imFILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the image.

The film, which is considered the «' Citizen Kane of bad movies»,» became a cult hit, spawning midnight screenings across the nation and now worldwide where fans quote iconic lines like «Oh hi, Mark» and «You're tearing me apart, Lisa» as they watch the film onscreen — in between throwing plastic spoons.

The Orchard plans a one - day screening of the film on 50 - 75 screens across the country via Regal Cinemas.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

The 2007 TIFF program boasts more than 350 films from 55 countries, including over 70 feature directorial debuts, with screenings taking place at historic locations, modest venues, and modern multiplexes across Toronto.

Screen appraises the short film prize - winners from Cannes across Competition, Cinefondation, Directors» Fortnight and Critics» Week.

As long as the Evil Queen and the Ice Queen are parading across the screen, the film remains watchable.

In a wide - ranging career across stage and screen, Finlay starred as Porthos in the Three Musketeer films of the 1970s, alongside Oliver Reed, Richard Chamberlain and Michael York

It comes across on screen that this shoot must have been a great deal of fun... even when the film takes a dark turn.

Like «Moonlight», these acclaimed films are bringing new LGBT perspectives to the screen, representing a diverse spectrum of genres and countries from across the globe.

«Snatch» is a film with as many subplots as there are characters, but as each character is eliminated, the subplots come closer together, and in true Ritchie style, the movie doesn't end until the words «The End» are physically stamped across the screen.

Suggesting any film can be improved by kinetic text flying across the screen, YouTube user The Unusual Suspect (a.k.a. Ross Thompson) has re-edited footage from the Harry Potter films into a single trailer in the vein of Scott Pilgrim Vs. The World.

It sprawls across genres, it tackles everything from prohibition to women's voting rights, worker safety to unionism, police corruption to organized crime, and it showcases slices of our cinematic history that just don't get seen outside of film archives and «educational» screenings.

Its opening film is the British - produced mountaineering thriller Everest, featuring Anglo - American glamour in the shape of Jake Gyllenhaal, Keira Knightley and Josh Brolin; its competition strand has an impressive list of international auteurs, including Tom Hooper (The Danish Girl), Alexander Sokurov (Francofonia), Luca Guadagnino (A Bigger Splash) and Charlie Kaufman (Anomalisa); and a number of authentic coups, including the world premiere screening of Black Mass, the much - hyped gangster film featuring Johnny Depp as James «Whitey» Bulger, and a first look at Beasts of No Nation, the African - set war thriller that represents Netflix's most serious shot yet across Hollywood's bows.

All of this shows on the screen as The Wolfman comes across as a pieced - together film of disjointed scenes with glaring tonal shifts that makes for unsatisfactory viewing — all sewn together like Frankenstein's monster.

Actress Jessica Biel might have just shot the «ultimate catfight» with Kate Beckinsale, but says filming it wasn't as hardcore as it came across on the screen.

«Hunt continues to resonate broadly and successfully across younger and older audiences alike and the film exceeded expectations in its second frame on its way to a third frame expansion into 60 screens in the Top 30 DMAs.»

Coupled with some nice film and musical hommages, this makes for great viewing on the big screen, so you folks across the pond should head out to your cinema on September 12th if it is playing in your neighborhood.

That's a soft $ 5,385 per - screen average for the film, which recounts Robyn Davidson's nine - month journey across the Australian desert.

At 150 minutes, the epic length of the film posed a challenge to programmers trying to offer customers a choice of two evening showtimes, and there was evidence of straddling across two screens, alternating with a shorter film.

Journeyman DP Gerald Hirschfeld (Young Frankenstein, Two - Minute Warning) captures some picturesque American Southwestern landscapes without getting precious about it, and editor Michael McCroskey, hitting the big screen after cutting 28 episodes of «The Waltons», manages, somehow, to keep the pacing fairly brisk across the film's not - really - action - packed 96 minutes.

After TIFF the film will screen at several film festivals across the USA including Philadelphia, Hawaii, and Palm Springs before opening theatrically in 2018.

Plenty more will be seeing the film next week at CinemaCon, and there's a slew of advanced screenings for fans in some major cities across the country happening on April 14th.

Over the next year the film made the festival rounds fore finally reaching cinema screens across the US this January to a secondary wave of overwhelming praise.

In addition to the isolated score, there's a music video of Thrussell's more techno - based Main Title, using film clips and geometric patterns rippling across the screen.

Showing on only 1,549 screens, the film — which also stars Nick Frost and Sherlock «s Martin Freeman — nevertheless racked up $ 8.9 million in sales across its opening weekend, a take that put it in fourth place overall.

They'd been up late the night before doing a smashingly successful Q&A at a preview screening of their film and they had been doing marathon interviews in several cities across the United States for longer than they wanted to remember before then.

My biggest complaint would be regarding an absurdly aggressive film grain filter, which is fine most of the time, but in particularly dark scenes it's a vulgar haze across the screen, making the game look honestly worse than it actually does.

The reason Chris in the film is falling into this place, being forced to watch this screen, that no matter how hard he screams at the screen he can't get agency across.

The film tries to be funny (and don't get me wrong, it is pretty funny), but sometimes, the jokes come across as hollow, because the writers are 50 % trying to make the audience laugh, but 50 % trying to get some naked ladies onto the screen.

The film then cuts to images of nature, water rushing by, and a jagged road slicing across the screen like Dali's razor blade slashing an eyeball.

The film's opening pulls us right into the protagonist's perspective: We hear whispered snippets of pillow talk between James (Stevens) and his wife, Sam (Billions star Malin Akerman, underplaying beautifully), but see only blurry shapes and white spots floating across a black screen.

243 films will be screened from 67 countries, in 15 cinemas across London.

LFF achieved 180,900 attendances in London with 28,000 people enjoying the Festival through satellite screenings across the UK of Opening Night film Andy Serkis» BREATHE, Valerie Faris & Jonathan Dayton's BATTLE OF THE SEXES and Dorota Kobiela and Hugh Welchman's LOVING VINCENT.

In addition to screening many of the best documentaries and independent films from across the globe in its state - of - the - art theaters, IFC Center hosts some of New York's most anticipated film festivals, including Rendez - vous with French Cinema and DOC NYC, New York's premiere documentary film festival.

Chan's Hong Kong films were equally cheesy, but one seldom had time to notice with the people and objects flying across the screen.