Sentences with phrase «screening of a film set»

Through May 18, the Dome will offer performance, dance, yoga, gardening classes, instruction in art and ecology, a screening of a film set in the neighborhood for the Tribeca Film Festival, a showcase for suggestions on sustainable design, and more.

Not exact matches

Something Ventured was screened at South by Southwest and it is set to appear at a number of the country's independent film festivals this spring and summer, and the producers hope to have it broadcast on TV in 2012.

The manual set up of printed film after product changes can be time consuming and problematic for users of tray sealers, however by incorporating these settings into individual recipes in the screen, the Revolution automatically adjusts the reel position when the recipe is selected.

Fast set - up is via a simple - to - use colour touch screen and quick release features allow easy changeovers of film and sealing tools.

Most importantly, however, the film has a new site where people can set up their own screenings, and purchase copies of the film along with other stuff like screening kits and UNITE FOR LUNCH American Apparel T - shirts designed by the artist who did the illustrations in the film.

But Assembly Democratic spokesman Michael Whyland told the Daily News that the chamber's leadership is not allowing the films to be screened because it does not want to set a precedent of members using government property to screen films.

Set in Cyprus and following the down - on - his - luck Yiannis as he tries to smuggle his dog Jimi across the buffer zone separating the Greek and Turkish sides of the island, the film is a «laidback charmer» with «droll comedy, understated political commentary and an adorable scene - stealing canine,» according to Allan Hunter of Screen Daily.

A Girl, a Guy and a Gob was one of two RKO Radio films produced by silent - screen great Harold Lloyd, who reportedly dropped in on the set from time to time to offer a bit of sage comedy advice (note the «handkerchief» bit utlized by Edmond O'Brien; it had previously done service in Lloyd's own Welcome Danger).

The film remains a creepy story with a lot of morbid fascination, set off by the captivating young Florencia Bado in her first screen role.

Highlights among the 26 episodes in this seven - disc set include a great time - travel tale involving a previous starship Enterprise, with a surprise guest spot from deceased crew member Tasha Yar (Denise Crosby), and the season - ending cliffhanger, the assimilation of Capt. Picard (Patrick Stewart) by the cybernetic Borg, the lynchpin to the big - screen «Trek» film «First Contact.»

Peyton Reed (who is also signed on to direct the screen version of comic book The Fifth Beatle) is now set to direct and the film just might have a chance of keeping up its momentum.

This is a rapturously beautiful and important restoration, complemented by a complex soundtrack that delicately and coherently balances the noises of the film's island setting with the on - screen dialogue with two voiceover narrations with John Barnes's score, which is, itself, an intricate tapestry of the musical heritages of many cultures.

Yet the horrific circumstances of his chemical castration and the very real realities of his life as a gay man are sidestepped by the faux thriller set - up of the film, a device that conveniently allows a heterosexual writer like Moore (who's Oscar acceptance speech granted us insight into how his version of Turing lacks any on - screen interiority as a gay man) to touch upon the subject as a clichéd trope.

Some of these are only implicit; during the film's big softball - game set - piece, I was staring dumbly at the screen, trying to figure out if the guys in tight, bulging shorts and / or cut - off, midriff - baring T - shirts were being subtly coded as gay, or if those outfits were simply part of the tough - guy fashion repertoire of the time.

Upon man meeting the man who was The Shape in Halloween IIat an intimate screening of the film in Williamsburg, Virginia (you can read about it here), I was simply in awe, not only of his entertaining storytelling style but also candid humor and unbelievably impressive wealth of tales from some of the most iconic movies sets in history.

To learn more about the latest Play Set, Shacknews attended a late night Thursday screening of the film before speaking to Avalanche Software Play Set Director Vince Bracken.

While the films marks Olsen's screen debut and is certainly the most anticipated of her upcoming features, it's hardly the only place she'll appear: The 22 - year - old has already shot four other films, including the dramatic comedy «Peace, Love and Misunderstanding» opposite Jane Fonda and Catherine Keener, and she plays Josh Radnor's younger friend and love interest in the college - set «Liberal Arts.»

With Lionsgate's big screen reboot of Saban's Power Rangers hitting cinemas this Friday, THR is reporting that the film is set to make history by being the first big - budget superhero movie to feature a LGBT protagonist in Becky G's Trini, a.k.a. the Yellow Ranger, with the character revealed to be having «girlfiend problems» in what director -LSB-...]

The film mightn't have set the box office aflame like many predicted it would (based on those early word - of - mouth screenings that the...

The 30 - year - old actor is set to helm the forthcoming film, based on the David Barclay Moore novel of the same name, after Endeavor Content acquired the big screen rights to the project - and he can't wait to get started behind the camera.

The film's historical accuracy and attention to detail in telling the story was of equal importance to director and cast alike, with John Boyega relating how he met Melvin Desmukes, who he portrays in the film, and Bigelow describing how the real Julie (played on screen by Hannah Murray) was on set with her every day during filming.

Outrage from exhibitors over the selection of films not set for theatrical release prompted the festival to issue a new directive: all future competition films must also be screened in French cinemas.

The film feels very much like a low - budget version of another big screen Star Wars - tinged film based on existing franchises, Flash Gordon, with its cheesy sets and costumes, and juvenile presentation.

Set for a 2016 release, the film has found it's fantasy setting in former Middle Earth New Zealand, instead of just green screens (thank goodness).

The Toronto After Dark Film Festival has announced the first wave of films set to screen at the 11th annual edition, which takes place between October 13th and October 21st.

Verdict: The second directorial feature from «Eastern Promises» writer Steven Knight after so - so Jason Statham vehicle «Hummingbird,» «Locke» was both more stripped down and more ambitious: a film set entirely within a moving car, shot in real time, with only one actor on screen (the rest of the cast are heard over the phone, but never seen).

We got our first official still from Guy Ritchie's big screen take on the classic spy series The Man from U.N.C.L.E. earlier this week [see here], and now we have another image from the film featuring the two leads Henry Cavill (Man of Steel) and Armie Hammer (The Lone Ranger)... Set against the backdrop of -LSB-...]

It was set to debut in theaters but after North Korean hackers called the film an act of war and made threats, many cinema chains chose not to screen the movie.

Galleries of production stills, production art, filmmaker biographies, posters, lobby cards, merchandise, set documents (call sheets and the like), and a screenplay excerpt of the film's climax (Felton had a beautiful command of language), three radio spots, storyboard - to - screen comparisons for the scuba and squid scenes, an outtakes reel, and 20,000 Leagues Under the Sea's 1954 theatrical trailer finish off this exhaustive treasure chest of a DVD.

As West explained in an impressive question and answer session after the film's first Melbourne screening, the aforementioned return is of the literal as well as stylistic kind, with the supposedly spooked location visited whilst shooting the earlier feature inspiring and providing the setting for the current ghost tale.

France has been consistently and increasingly at the forefront of those depressing headlines, and Winocour's film feels all the more prescient for it: First screened at the 2015 Cannes Film Festival, it arrives in American theaters just a month after the Bastille Day attacks in Nice, not far from where its story is set.

Though Ng dropped out of film school with one semester left for the chance to document Willard's journey to the screen, I can't imagine she'll live to regret it: She's the best I've seen at compiling on - set footage with momentum since David Prior and should find steady employment in the specialized field of DVD production.

In between it offers, among other things, meditations on Spanish architecture and landscapes, an outdoor concert where the conductor is on an elevated platform in a shopping arcade and the musicians are on nearby balconies, a lavish state party thrown for the novelist, a verbal chess match at the party, a credit sequence 20 - odd minutes into the film, a concert inside a cathedral, extended lovemaking, a recitation of part of the novelist's book, an opera performed at a gigantic fish market, a university lecture on algae, another opera set (though not staged) in a Turkish bath, a TV interview, a meal prepared and eaten by the three lovers, a film screening, and a plane trying to extinguish a forest fire.

Its opening film is the British - produced mountaineering thriller Everest, featuring Anglo - American glamour in the shape of Jake Gyllenhaal, Keira Knightley and Josh Brolin; its competition strand has an impressive list of international auteurs, including Tom Hooper (The Danish Girl), Alexander Sokurov (Francofonia), Luca Guadagnino (A Bigger Splash) and Charlie Kaufman (Anomalisa); and a number of authentic coups, including the world premiere screening of Black Mass, the much - hyped gangster film featuring Johnny Depp as James «Whitey» Bulger, and a first look at Beasts of No Nation, the African - set war thriller that represents Netflix's most serious shot yet across Hollywood's bows.

Although other films might've depicted a fun - filled female - bonding sequence as a throwaway montage backed by an En Vogue song, Story transformed it into a full - fledged music video set to Bell Biv DeVoe's 1990 mega-hit «Poison,» complete with MTV - and BET - style corner - screen end credits, resulting in one of Think Like a Man Too's most memorable scenes.

The main menu screen is a simple montage of film clips set to the film's generic action score.

Set in mid-fifties Liverpool, this film offers snapshots of moments in in the life of Davies» stand - in Bud (Leigh McCormack) over one year, at school (where he is increasingly teased and bullied by bigger boys), at holiday celebrations (with neighbors singing and joking), and at the movies, where the camera lingers on his face, captivated by the screen.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Shorts TV and Magnolia's 2018 set of Oscar - nominated short films drew $ 615K at 180 screens for a $ 3,4 K average.

With a per - screen average of exactly that amount, the film bested the 2016 record set just last weekend by Woody Allen «s «Café Society.»

In the first, Lorraine ducks K.G.B. agents by slipping into a screening of Stalker, which leads to some fitfully gorgeous shots of nasty close - quarters combat set against images from the Andrei Tarkovsky film's transcendent climax.

With Chloe Moretz set to star in MGM / Screen Gem's «more faithful» remake of Brian De Palma's 1976 film adaptation of Stephen King's novel Carrie (phew!)

The film's narrative, set in multiple eras and told through different styles, might suggest a work aimed an audience of sophisticated film historians rather than kids, but Haynes, Lachman notes, had faith in the younger audience and he screened it for audiences of children.

This 1930s - set Woody Allen film tells of a woman (Mia Farrow) who falls in love with a character (Jeff Daniels) who steps out of the screen at the cinema, only to find herself also being wooed by the actor playing said character (also Jeff Daniels).

«The Making of Moonrise Kingdom» consists of an 18 - minute featurette shot on the set of the film plus four storyboard animatics and narrator tests, five minutes of screen tests of the child actors, and a short piece on the miniatures used in the flood sequence.

The film is set at the end of the Motion Picture Production Code, a series of laws film - makers had to endure in order to have a picture shown on screens.

Strategically set between the end of June and the beginning of July, Cinema Ritrovato has the double ambition of promoting the rediscovery of cinema through archive research and restoration and to screen films in the best possible conditions.

The Friday - night screening of Jeff Baena's «Life After Beth» (photo above) will be followed by a performance by Father John Misty; Saturday's screening of Malik Vitthal's «Imperial Dreams» will include a performance by the singer - songwriter Tinashe; and Sunday's Ana Lily Anirpour film «A Girl Walks Home Alone at Night» will be paired with a set by Warpaint.

While at the film's press day, filmmakers Jonathan Goldstein and John Francis Daley spoke to Collider for this exclusive interview about how Vacation ended up being their feature directorial debut, why their humor tends to lean more towards the R - rated, why Ed Helms and Christina Applegate were the perfect heads of this Griswold family, getting Chevy Chase and Beverly D'Angelo involved, which cameos they were most impressed with, being of the mind - set that comedy can be short, and why test screenings can be a good gauge for comedy.

Stuhlbarg came into town Tuesday on behalf of director Luca Guadagnino's beautiful idyll, set near Crema, Italy, and the film's Chicago International Film Festival screening.