Sentences with phrase «screening of a romantic comedy»

The Texas Theater presents a special 4th of July outdoor screening of the romantic comedy One Crazy Summer (1986), 9 pm, July 4, in Kiest Park.

Not exact matches

Two of the screen's finest comic actors, Dudley Moore and My List of Best Romantic Comedy Korean Drama - Most Recommended, My List of Best Romantic Comedy Korean Drama in 2009, 2010, 2011, 2012, 2013, 2014 - Most

Real - life sweethearts and film directors Ken Kwapis and Marisa Silver co-directed this throwback to the silver - screen romantic comedies of the 1940s, examining the different ways men and women view reality.

A dweeby and unenchanting concoction as romantic comedies go, Mark Decena's debut feature also juggles enough storylines to fill five or six movies in barely 80 minutes of screen time, ending up with a whole distinctly less than the sum of its parts.

He made his big screen debut in Spike Lee's Crooklyn (1994), and he subsequently appeared in Lee's Clockers (1995), Girl 6 (1996), and Get on the Bus (1996), the last of which cast him as a gay man on his way to the 1995 Million Man March in Washington, D.C.Some of Washington's other memorable credits during the»90s included the Hughes brothers» Dead Presidents (1995), the warmly received ensemble romantic comedy Love Jones (1997), Steven Soderbergh's Out of Sight (1998), in which Washington gave a memorable turn as a scheming con's violent brother - in - law; Warren Beatty's Bulworth (1998), and Clint Eastwood's True Crime (1999), which cast Washington as a man awaiting execution on death row after being falsely accused of murder.

Sony low - budget division Screen Gems released his first feature in 2000, «The Broken Hearts Club: A Romantic Comedy,» which followed the lives of a group of gay friends living in West Hollywood.

Perhaps that's why they programmed a special screening of one of the most purely enjoyable romantic comedies in a long time and a world premiere of a wacky, broad, gigantic ensemble laugher that equally allowed moviegoers to leave the real world behind for 90 minutes.

A Screen of Their Own: Scherfig Concocts Winning WWII Romantic Comedy Danish director Lone Scherfig, best...

The films in Next, the festival section devoted to innovation in storytelling, are writer - director Michael Tully's «Ping Pong Summer,» a coming - of - age comedy that was the recipient of a $ 70,000 SFFS / KRF postproduction grant, and writer - director Gillian Robespierre's romantic comedy «Obvious Child,» the subject of a January 2013 SFFS «Off the Page» screen - writing workshop.

Instead, The Happening is a Larry Cohen-esque thriller along the lines of God Told Me To, delivered with a heavy hand, to be sure, but full of some of the most delicious misanthropy to hit screens since Julia Roberts was making romantic comedies.

No disrespect to those child actors who grew up on screen, this is a more mature entertainment in which Fogler and Sudol (pictured below) lay in a good supply of laughs from the playbook of oddball romantic comedy.

As directed by veteran Norman Jewison (Agnes of God, Rollerball), this is an ensemble comedy that relies on good cast chemistry and charm for most of its laughs, and along those lines, the on - screen charisma does make for an enjoyable romantic comedy for most audiences.

In the long line of romance on the big screen, films usually tend to veer in one of two directions: straight - up romantic comedies, or dramatic, sometimes tragic, love stories.

So far the Hollywood movies screening at Cannes — Woody Allen's romantic roundelay «Cafe Society,» starring Kristen Stewart, Shane Black's hit - man comedy «Nice Guys» starring Ryan Gosling, and Jodie Foster's Wall Street thriller «Money Monster» starring George Clooney and Julia Roberts — have played out of competition, more as red - carpet plays and marketing junkets than surefire Oscar launches.

While I wasn't the most dedicated viewer of The Sopranos (I have yet to see a single episode), it just seemed appropriate that I go catch his last big - screen performance in Nicole Holofcener's Enough Said, which pairs him with Seinfeld star Julia Louis - Dreyfus in a romantic comedy that is both timely and by the same token, almost unbearably bittersweet.

Based on an immensely popular novel by John Green, The Fault in Our Stars has been adapted for the screen with an apparent respect for the source material by Scott Neustadter and Michael H. Weber, the writers of the above - average romantic comedy / dramas (500) Days of Summer and The Spectacular Now.

Instead of taking one movie and cleverly spoofing it (as Mad magazine does), or ribbing the conventions of romantic comedies we get two hack writers throwing stuff on screen to see what sticks.

Despite plenty of on - screen parties, there's little to celebrate regarding this predictable romantic comedy about a midlife crisis, with a central narrative gimmick.

It might be 14 years since the original romantic comedy, Love Actually, hit our screens but for some actors the death of one of the film's pivotal...

At the center of this romantic comedy are two television legends (Gandolfini and Julia Louis - Dreyfus from The Sopranos and Seinfeld respectfully) that share a tremendous amount of chemistry in their big screen roles.

Screenwriters: Jean - Pierre Jeunet and Guillaume Laurant Drawing on one of France's most popular screen stars, the incorrigible Dany Boon from the comedy megahit Bienvenue chez les Ch ’ t is, as well as a cast of some of the country's best - known actors, Jeunet turns on the afterburners in this searing piece of romantic filmmaking set against the storm clouds of warring arms dealers.

He never specifically said the words «Sony hack,» although that's clearly what Crowe was referring to: the release of embarrassing e-mails that revealed his star - studded romantic comedy was in trouble based on early screenings.

Danny Rubin, co-writer of Groundhog Day, deconstructs the unconventional romantic comedy's progression from script to screen and reminisces on his unique collaboration with the legendary Harold Ramis.

In Maum's charming and funny mix of romantic comedy and acid social critique, trend - forecaster Sloane accepts a job at a showy tech firm, but instead of initiating luxury electronics, she finds herself advocating for less screen time and more human - to - human contact.