Yet another reason why I need to get out of Ohio and move to Southern California — midnight
screenings of movies I like that have been out of the theatre for months.
Not exact matches
After showing footage
of «Alita: Battle Angel» at CinemaCon on Thursday, Rodriguez and producer Jon Landau («Avatar»
movies) sat down with Business Insider to talk about the evolution
of the project and why this manga won't end up
like the big -
screen version
of «Ghost in the Shell.»
Responsible for some
of the greatest visual effects pulled off on
screen in the last 40 years, he's done everything from James Bond
movies like «Moonraker» and «GoldenEye,» to Christopher Nolan's Batman trilogy and «Inception» (which he won an Oscar for).
Millarworld is known for stories
like Kick Ass and Kingsman — both
of which have been adapted into
movies for the big
screen.
The Drake is also offering special royal teas, cocktails and a series
of screenings of royal - themed
movies like «Victoria & Abdul.»
Much
like trolls» attempts to affect Black Panther «s status as a critical darling, the Twitter posts describing fake attacks at
movie screenings also seemed to be part
of a racist campaign meant to scare people away from theaters in order to hurt the film's overall box - office gross (again, a major fail).
Le, Do, and the research team pulled an all nighter; they took turns wearing a standard electrode cap — sort
of like a bathing cap coated inside with gel to improve electrical conductivity — while watching
movies, listening to jokes, arguing, and more, all while a graph on the
screen tracked excitement.
After large
movie theater chains,
like AMC (AMC.N) and Regal Entertainment (RGC.N), refused to
screen the comedy following threats
of violence from hackers who opposed the film, Sony stitched together a limited release in theaters and a $ 5.99 video - on - demand (VOD) rental and $ 14.99 purchase option on YouTube
Movies, Google Play (GOOGL.O), Microsoft Xbox Video (MSFT.O) and a dedicated site starting Dec. 24.
There are so many hopes and expectations pinned on the new film version
of «A Wrinkle in Time,» I feel
like it should be projected on giant bulletin boards instead
of movie screens.
Everyone who steps onto the
screen feels
like a fully fleshed out character, not just a cheap rendition
of something you've seen in a western or action
movie in the past.
Hear from me, Jay Bakker, Peter Rollins, Tripp Fuller, Mark Scandrette and many more... and catch a special
screening of Blue
Like Jazz, the
movie!
Make each coupon good for things
like no chores for the day, family trip for ice cream, stay up 30 minutes past bedtime,
movie outing and
movie of your choice, a special outing with mom or dad, game night or extra 30 minutes
of screen time.
The mystical Third eye — is the organ
of inner perception, it is
like a
movie with an internal
screen where fantasy, memory, archetypes and intuition weave together with imagination.
The cab window acted
like a
movie screen, and as the
movie played, one
of the frames stood still... it froze on a scene with people smiling and admiring the holiday lights and decorations.
What this app does it that it creates
movie -
like photos that are wide
screen, where you can add subtitles, use different filters, etc to make it looks
like a screenshot from a
movie, plus a bunch
of other cool features!
The film wasn't great, but I had a really lovely night, and would recommend some
of the other outdoor
movies the British Film Institute are
screening this summer, especially if,
like me, you grew up watching the film Grease with the iconic Drive - Thru
movie date scene... something it's otherwise very hard to recreate, living in the UK in this day and age.
Now married with a 6 - year - old son, the family indulges in geeky events
like «Planet
of the Apes»
screenings and at - home «Lord
of the Rings (Extended Edition)»
movie marathons.
Sad to say, the rumored intensity
of the play» «night Mother» is not on display in this filmed version that does not translate particularly well to the
screen as it feels
like just another made for television
movie of the period.
Seen on a 72 cm CRT
screen at home, though, it's
like having the negative held up to your eyes - a lot
of care and attention has gone into this transfer, and the fact that it looks so cinematic and so natural (despite Fincher's characteristically unnatural visual style) is reason enough to come back to this
movie in its newly - mastered version.
(CNN) Black superheroes have reached the
screen before, but seeing the collective weight
of Marvel / Disney thrown behind a blockbuster
like «Black Panther» still feels
like a cultural watershed, one that the
movie exuberantly embraces.
The fact that the stories contradict one another allows the
movie to do a few other things that put it in the same category as a
movie like The Big Short: It breaks the fourth wall, gives multiple perspectives on the same events, and occasionally employs a split
screen in order to emphasize how mushy the concept
of «facts» are in any sensational news story.
Finally a
movie an actress
like myself can be proud and excited
of, seeing all these strong and HILARIOUS women light up the
screen changing female comedy for what we've known it to be!
Actually, it's
like watching something other than a
movie,
like a bunch
of bad acting, cheesy dialogue and laughably crap special effects, and
like this kind
of slapstick childish unfunny type
of humour, all exploded onto your
screen!!!! It's a bit
like something you'd see on Disney Channel,
like in the same league as Lizzie McGuire.
In 1982, Claire Bloom published her autobiography, Limelight and After: The Education
of an Actress.Bloom would remain active on
screen in the decades to come, appearing most notably in
movies like Crimes and Misdemeanors, The Age
of Innocence, Mighty Aphrodite, and the King's Speech.
After twenty years
of screen acting, Clea DuVall is probably someone you recognize from
movies like Girl, Interrupted, She's All That, Identity, and Argo as well as TV series
like «Heroes»,
A massively charismatic figure on
screen despite a real life stature
of just 3» 9.5», Mark Povinelli studied at Miami University before beginning an on -
screen acting career with roles on TV shows
like Fraser, and
movies like The Polar Express.
You know how easy it is to make dumb, no - brainer action
movies, and how incredibly hard it is to make a
movie like this, where every minute
of screen time can take days or weeks
of work by the animators.
An entire generation
of children will not know what it feels
like to not see themselves reflected back on costume racks, coloring books or
movie screens.
The film, which is considered the «' Citizen Kane
of bad
movies»,» became a cult hit, spawning midnight
screenings across the nation and now worldwide where fans quote iconic lines
like «Oh hi, Mark» and «You're tearing me apart, Lisa» as they watch the film onscreen — in between throwing plastic spoons.
Thanks to a voluptuous Blu - ray presentation, the
movie, which
like the Underworld flicks uses iconic creatures as action figures, is at least watchable for a spell, then the CGI begins streaming across the
screen like so many clouds
of bats.
Though fans
like me would love nothing more than a word - for - word translation
of the book onto the
screen, I do not think it is wise to go into a
movie hoping to see that.
By the way, I seem to be the only one, but what I
liked the most in the
movie were the close ups, I'm tired
of seeing
movies that look
like tv, and use the close ups thinking in the little frame, here we had real, long, uncomfortable close ups for the big
screen.
Considering how that film was not exactly a commercial success, this may not sound
like a big deal to many
of you but as someone who believes that bleak and bruising comedy - drama to be one
of the great unsung
movies of the decade — the kind
of film that the great Billy Wilder might have made once upon a time — I went into the
screening with the kind
of over-the-top sense
of anticipation that many felt as they walked into «Avengers: Infinity War.»
It also felt
like some
of the big names in small parts originally had more
screen time but that the
movie was whittled down to ninety - one minutes for the mini-mall crowd.
Like the eclectic and colourful characters portrayed on
screen, this is a
movie that has a unique aesthetic and tone: it mixes the realism
of handheld cameras and documentary footage with the colour palette
of a Japanese anime.
The
movie is meant for fanboys
like myself and the one - time
screening was full
of others such as myself who laughed giddily at the antics
of the brothers who were both self - destructive and epic in equal measure.
And Zazie Beets owns all
of her
screen time, playing someone whose superpower - luck - makes her a bit
like a walking Final Destination
movie.
Sure, every film benefits, but it's not that much
of a stretch to say vast pieces
like Lawrence
of Arabia get more out
of a big
screen presentation than, say, a James Brooks
movie, is it?
At the recent
screening of After Earth, I overheard one lady say to another, «I don't think I've ever seen a Will Smith
movie I didn't
like.»
For
like Wolverine himself, always trying to find a balance between being human and the more brutish side
of his nature, «Logan» as a comic book
movie must periodically feed the beast and partake
of the kind
of on -
screen violence that is its fanboy reason for being.
«The great thing is that tonally, how the
movie's working now everyone — it's not
like you see one person who is the lead
of the
movie,» the Faclon actor said during a set visit attended by
Screen Rant and other outlets.
You expect it from people
like Jeff Bridges and Matt Damon,
of course, but even the stuffy town merchants and the grubby, no - dialogue banditos have a heft to them and an on -
screen presence that lets you know this
movie could just as easily have been about them instead
of a 14 - year old girl with a bone to pick.
Mindadze's awful film follows a series
of characters so completely and utterly stupid that I wanted to yell at the
screen like a horror
movie.
With hundreds
of green
screens, machinery, and stunt doubles, it is hard to imagine what a typical day is
like on set
of a Marvel
movie.
It looks
like we can add Lethal Weapon to the ever - growing list
of movies getting the small
screen treatment, with Fox giving a pilot order to Warner Bros. for a TV adaptation
of the hit buddy cop franchise.
Set aside your concerns about Mark Wahlberg portraying PlayStation 3 action hero Nathan Drake in the big
screen adaptation
of Uncharted: Drake's Fortune, because it doesn't sound
like this
movie is based on the video game at all.
Still, thirteen theaters is better than one or zero, and after having watched the film, I am deeply disappointed that my first experience wasn't on the sort
of giant
screen a
movie like this deserves.
A stark, brutal, yet tender prison drama starring Jack O'Connell as a violent inmate sent to the same lock - up as his jailbird father (Ben Mendelsohn), the film's shot through with a raw energy and authenticity that's closer to «A Prophet» than to most other British films in the genre, with Mackenzie making the
movie feel
like he's bottled up a hurricane
of tension, which at any second could kick through the
screen at you and hit you with a sock full
of snooker balls.
Despite his preposterous big -
screen appearances as Loki in the Marvel
movies, it was this sizzlingly atmospheric Le Carré adaptation that suddenly made Tom Hiddleston look
like a superstar (though reports
of him toppling Daniel Craig were exaggerated).
It is a symptom
of Marvel's oppressive world - building that so much
of the film's run time is devoted to new characters
like the twins, or Vision (Paul Bettany, actually having a face on
screen for the first time in the franchise), or Ulysses Klaw (Andy Serkis, a villain for a
movie that will not see the light
of day for three more years), squeezing the interstitial moments down to little more than an afterthought.