David Mathews («Narcos,» «Boardwalk Empire») writes from an original
screenplay by crime writer James Ellroy («L.A. Confidential»).
Not exact matches
The
screenplay is based on on a book
by a couple of Boston Globe journalists which exposed Bulger's catalogue of racketeering, murder and extortion, and while movies and real life should never be mistaken for one another, Black Mass successfully depicts a seamy, sleazy, blue collar milieu where blood is thicker than water and
crime is just what you do to get
by.
Comprised of three separate films, shot
by three different directors (Julian Jarrold, James Marsh, and Anand Tucker), and held together
by a painstakingly crafted and exceedingly nuanced series of
screenplays by Tony Grisoni (adapting three novels of a quartet
by David Peace), the Red Riding trilogy weaves a byzantine labyrinth of sordid
crimes and crooked cops.
Live
by Night (October 7, 2016) A Prohibition
crime drama starring Ben Affleck, who directs from a
screenplay he adapted from a novel
by Dennis Lehane (Gone Baby Gone, Shutter Island).
The
screenplay (
by Sicario's Taylor Sheridan) has earned well - deserved praise for its dialogue, but is just as impressive for the richly novelistic structure it gives to a fairly straightforward tale of
crime and pursuit.
Director Harold Daniels is no visual stylist and there's a slackness to many of the scenes, but he comes to life in a nighttime murder scene that he transforms into a model of noir violence, an urban street fight in the dark of the empty city picked out in shards of light (credit likely goes to cinematographer Nicholas Musuraca, RKO's
crime movie vet), and the
screenplay co-written
by Steve Fisher has a bite of irony in its twists.
Deliver Us From Evil is a
crime - thriller horror movie directed
by Scott Derrickson who also co-wrote the
screenplay with Paul Harris Boardman.
Now showing in theaters is Prisoners, a chilling new
crime drama featuring a Black List
screenplay by Aaron Guzikowski, directed
by French - Canadian filmmaker Denis Villeneuve.
A Brooklyn
crime drama with this cast, directed
by Roskam and written
by Lehane in his first feature
screenplay (he's written some for HBO shows The Wire and Boardwalk Empire) should have been an event film for me, but The Drop ultimately remains a little too undercooked and over-familiar to amount to more than the sum of its parts.
Outstanding
Screenplay / Writing, TV Movie or Limited Series «American
Crime» (Season Two, Episode One) Written
by: John Ridley (ABC) Jean of the Joneses Written
by: Stella Meghie (TV One) Love Under New Management: The Miki Howard Story Written
by: Christine Swanson & Rhonda Baraka (TV One) «The People v. OJ Simpson: American
Crime Story» («The Race Card») Written
by: Joe Robert Cole (FX) «The People v. OJ Simpson: American
Crime Story» («A Jury in Jail») Written
by: Joe Robert Cole (FX)
The
screenplay by director Attila Till unfolds in mostly contrived fashion, yet capably juggles tones between dark
crime saga and lighthearted poignancy.
But before he headed off to film what may be his biggest blockbuster - style film to date — the highly anticipated reboot Terminator: Genisys — he returned home to shoot Felony, an intriguingly moody
crime drama with a
screenplay written
by his co-star Joel Edgerton.
«He seems to be working on becoming a better Batman than Batman even is — not
by fighting
crime, but
by controlling it,» says writer Judd Winick, who adapted his 2005 - 06 comic storyline into the
screenplay.
Also interesting is that the
screenplay by Biderman (Primal Fear), Mann and Bennett (Lucky Break) touches on the broader scope of Burrough's book, which is a broad, non-fiction account of the gangster era and the creation of the FBI, and made it a personal film about Dillinger as a lover and a fighter, and Purvis as a love of
crime fighting.