Sentences with phrase «screenplay writing credits»

Reynolds stepped up to the plate to safeguard his «breakout» character — yes, he has screenplay writing credits.

Not exact matches

Van Dyke was director of the Friends Church media department when he wrote the screenplay, but his boss, Creative Arts Pastor Brent Martz (you met him earlier in this story) threatened to fire him if he didn't give him 50 % co-writer credit, the lawsuit said.
And that's why John shares story credit with Chris and I, and Chris and I wrote the screenplay.
At the same time, Cooper (who also wrote the screenplay) deserves credit for not providing much in the way of easy resolution and answers in Hostiles.
The big bum - note is a curiously stodgy screenplay, penned by director McQuarrie, who is also credited with writing one of the finest thriller films ever made with The Usual Suspects.
Written by Alex Ross Perry (who's maybe the last human being on Earth whose name you'd expect to see in the closing credits) and filled with all of the sincerity that he's left out of the savagely caustic screenplays he's written for himself, «Nostalgia» begins with an insurance agent named Daniel (John Ortiz) visiting Ronald, a curmudgeonly old hoarder played by BrucWritten by Alex Ross Perry (who's maybe the last human being on Earth whose name you'd expect to see in the closing credits) and filled with all of the sincerity that he's left out of the savagely caustic screenplays he's written for himself, «Nostalgia» begins with an insurance agent named Daniel (John Ortiz) visiting Ronald, a curmudgeonly old hoarder played by Brucwritten for himself, «Nostalgia» begins with an insurance agent named Daniel (John Ortiz) visiting Ronald, a curmudgeonly old hoarder played by Bruce Dern.
Director: Brian De Palma Cast: Tom Cruise, Jon Voight, Emmanuelle Béart, Henry Czerny, Jean Reno, Ving Rhames, Kristin Scott Thomas, Vanessa Redgrave, Dale Dye Writing Credits: Bruce Geller (television series), David Koepp (story and screenplay), Steven Zaillian (story), Robert Towne
The movie is credited to two directors, Wanda Tuchock and George Nichols Jr., but film scholar Jeremy Arnold believes Tuchock, who also wrote the screenplay, should be regarded as the film's sole auteur: «This one has Wanda's fingerprints all over it.»
Segel and his frequent writing partner Nicholas Stoller get screenplay credit alongside sitcom writer - producer Kate Angelo, who originated the story.
First, an almost flawless first time original screenplay by Aaron Guzikowski, whose only other writing credit was for his adaptation of the Icelandic film that became the Mark Wahlberg hit «Contraband.»
The character development involved is flawless, as we grow to like, and in some senses love, the main players, thanks in large part to the terrific Academy Award winning screenplay by Dalton Trumbo (Spartacus, Papillon), here credited as Ian McLellan Hunter due to a blacklisting that forced him to write under a pseudonym.
«The Patriot» was written by Robert Rodat, who wrote «Saving Private Ryan,» a credit that sounds impressive until we recall the «Saving Private Ryan» screenplay.
As with most other WGBH releases there are no on - disc special features, which is a shame since the closing credits indicate the existence, on the PBS web site, of an interview with Emmy - winning classic adaptation specialist Andrew Davies, who wrote the screenplay here.
If the party seems a bit far - fetched, and it does at points, Simien (who also wrote the screenplay) reminds us during the credits that scenes like this are not just the stuff of movies.
(He also wrote the screenplay but it's not his first; he shared credit for last year's Keanu.)
Among his previous credits before becoming a director, Vizcarra wrote the screenplay for 2002's Django: La Otra Cara, a crime movie about a notorious bank robber which also doubled as an erotic thriller.
And Philip Seymour Hoffman's Capote — the most impressive performance of the year in my book — works so integrally with the screenplay (Dan Futterman) and direction (Bennett Miller) that we ultimately have to credit all three for their moral indictment of Capote's careerism (not his writing per se) and how it helped to destroy him.
Leitch's first credited directorial effort is on «Atomic Blonde,» whose screenplay was written by Kurt Johnstad.
It's a strange feeling when you feel a film comes across like a neutered imitation of a recognisable artistic voice, only to realise come the end credits that the film's screenplay was actually written by that person.
Her latest, Laggies, is her first directorial outing where Shelton has not also written the screenplay (Andrea Siegel gets her first credit instead), which divorces the film from a body of work largely improvised and often careening off the cuff to mostly enjoyable effect.
Think dating advice from He's Just Not That Into You in reverse, of which both screenplay writers of «Single,» Abby Kohn and Marc Silverstein, also have writing credit for the film.
Credit screenwriter Steve Barancik, who has written a multi-layered story so intricate it reminds me of Robert Towne's award - winning screenplay for «Chinatown.»
Francis Coppola's (he dropped the «Ford» in the»80s) Life Without Zoe (34:19) is the film's insignificant weak link, although it is noteworthy for being the first writing credit of Coppola's daughter Sofia, who has since blossomed into an esteemed director herself and an original screenplay Oscar winner.
Directed by Chris Columbus, the screenplay was written by Timothy Dowling whose past credits include Role Models and Just Go With It.
Also, if the title itself doesn't give it away, then certainly the opening credits — which inform us that LeMarque is one of the movie's producers and that the screenplay is based on a book that he wrote (with Davin Seay) about his experience — do the rest of the job for us.
Affleck's writing credits are best known with such films as GONE BABY GONE, THE TOWN, and his Oscar - winning screenplay for GOOD WILL HUNTING.
While five male writers were originally credited as screenwriters at SXSW, the WGA has since confirmed that Brian Kehoe and Jim Kehoe are the ones that wrote the screenplay.
(The screenplay is credited to four people, including the husband - and - wife team of Creighton Rothenberger and Katrin Benedikt, who also wrote «Olympus Has Fallen.»)
Although del Toro didn't return to direct the sequel, he is credited with creating the story on which it's based, with the screenplay being written by DeKnight along with Emily Carmichael (Lumberjanes), Kira Snyder (The Handmaid's Tale), and T.S. Nowlin (The Maze Runner).
Oddly, Juice marks Dickerson's only writing to date, as he alone is billed with story and shares screenplay credit with the less experienced Gerard Brown, who has almost never worked in Hollywood again.
As first reported by TheWrap, Joe Robert Cole will write «Black Panther,» and while it's unclear whether Coogler will have an official screenplay credit, he'll likely work with Cole and Marvel executives to hone one cohesive vision for the film, which is an important entry in the Marvel Comic Universe.
Her talent is put to far better use in Frances, whose screenplay is credited to both Baumbach and her (her fifth and most significant writing credit to date).
Thompson's recent film credits include Pixar's Brave, Men in Black 3; and both Nanny McPhee and its sequel, Nanny McPhee Returns, for which she wrote the screenplays and starred in the title role.
The screenplay by Tony Gilroy — whose previous writing credits include The Bourne Identity (2002) and its three successors — provides a strong foundation for the film, demonstrating a solid understanding of the undercover world.
Sheridan's writing credits include last year's «Sicario,» for which he received a WGA nomination for Best Original Screenplay.
The screenplay is by Lawrence Kasdan, who wrote or co-wrote original trilogy Star Wars movies The Empire Strikes Back and Return of the Jedi, as well as 2015 franchise reboot The Force Awakens, along with his son Jonathan Kasdan, whose previous credits include writing and directing the rom - com The First Time.
Credit where credit is due, and Leslie Dixon is listed as the creator of the story, while Rob Greenberg (also the director) and Bob Fisher wrote the screeCredit where credit is due, and Leslie Dixon is listed as the creator of the story, while Rob Greenberg (also the director) and Bob Fisher wrote the screecredit is due, and Leslie Dixon is listed as the creator of the story, while Rob Greenberg (also the director) and Bob Fisher wrote the screenplay.
But on the basis of this film and his prior feature screenplay credit, his shaky 1997 debut Star Maps, writing isn't his strong suit.
The screenplay is written by acclaimed sci - fi screenwriter Jon Spaihts, credited for the films The Darkest Hour, Prometheus and the upcoming The Mummy reboot.
Since The Last Detail, Ponicsan has written a dozen more novels, one of which he adapted into a screenplay (Cinderella Liberty); meanwhile, his screenwriting credits branch out from military dramas into coming - of - age stories (Vision Quest), high - school dramas (School Ties, co-written by Dick Wolf), and political thrillers (Sydney Pollack's Random Hearts).
A two - time Oscar winner for adapted screenplay, Payne has turned for the first time to a script he does not have a writing credit on, an original by Bob Nelson, who began his career as a comedy writer before turning his attention to Woodrow T. Grant, Woody to his friends, a man on a mission.
The credits say a screenplay was written, but I find it hard to believe.
Not content with simply writing the screenplay, Garland also produced the film, becoming involved so deeply in the movie's production that rumors of him even sharing a co-directing credit with director Pete Travis made the rounds at one point.
In addition to her myriad onscreen credits, wide - ranging roles in mumblecore indies and studio rom - coms and prestige period pieces, Gerwig had written screenplays for the Noah Baumbach - directed Frances Ha and Mistress America, among others.
Stephen Leather Film Credits: Leather has written numerous screenplays for television shows and made for TV movies.
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