Sentences with phrase «screens out of paper»

So you can print to create these disposable screens out of paper — but only on one condition.

Not exact matches

Keep files on your computer instead of in file cabinets, review documents on your screen rather than print them out, and send emails instead of paper letters.

For many BWF readers, getting their complete stories out of their minds and onto paper (or a screen) has helped them to understand, organize, and gain perspective on the things that happened to them.

A starshade is a sunflower - shaped, paper - thin screen half as big as a football field that would float tens of thousands of kilometers directly ahead of WFIRST, blocking out a target star's light in much the same way one might blot out the sun in the sky with an extended thumb.

This includes paper ballots; punch cards; two types of touch - screen electronic voting systems (one that prints out a receipt verifying your vote and one that does not); optical scanners used to digitize paper ballots; or some combination of these.

Dr. Sievenpiper's systematic review and meta - analysis included nine clinical trials involving 126 participants out of more than 2,000 papers screened.

The recent Nature paper «High - throughput discovery of novel developmental phenotypes» describes the systematic high - throughput phenotyping screens used in the knock out mice and gives insight into a variety of gene function while a strong correlation was found between genes causing lethality in mice and genes causing diseases in humans, including cardiovascular defects, spina bifida, and metabolic disorders, among many others.

Recent updates: Added 1/14: First Showing (additional critic), Slashfilm (additional critic) Added 1/8: Birth.Movies.Death (additional critics), Parallax View, The Tracking Board Added 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic) Added 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste of Cinema Added 1/3: CBS News, Den of Geek [UK], Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics), PopCulture.com, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita Eagle Added 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion [The Daily], Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter / Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World - Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver Sun Added 12/29: The Arts Desk, Austin American - Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review - Journal, New Orleans Times - Picayune, New York Post, Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian - Pilot, Washington City Paper, White City Cinema Added 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UK Added 12/22: Chicago Sun - Times, Den of Geek [US], The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, Wired Added 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village Voice Added 12/20: A.V. Club, Crave, Esquire, The Independent, Spectrum Culture Added 12/19: The Atlantic, Birth.Movies.Death., CineVue, Newsday, NPR, WhatCulture Added 12/18: Arizona Republic, Yahoo! Added 12/17: Dazed, Flood Magazine, New Zealand Herald, Salon, ScreenCrush, The Star - Ledger (NJ.com), Time Out London, Total Film Added 12/15: BuzzFeed, Christian Science Monitor, Detroit News, Los Angeles Times, Philadelphia Daily News, Vox Added 12/14: Associated Press, Chicago Tribune, Consequence of Sound, Little White Lies, Los Angeles Daily News, RogerEbert.com, TheWrap Added 12/13: Evening Standard, Variety Added 12/12: The Hollywood Reporter, Huffington Post, PopCrush Added 12/11: CBC, The Observer [UK], Wall Street Journal Added 12/8: The New Yorker, Rolling Stone, Slant Added 12/7: Culture Trip, IMDb, The Ringer, Slate, Time, Us Weekly Added 12/6: Cahiers du Cinéma, New York Times, Vogue, Vulture (Yoshida), Washington Post Added 12/5: Scorecard launched with 15 lists.

The accidental similarity, plain as day on paper, becomes even plainer on the screen: Minutes into the film, stage and cinema veteran Simon Axler (Al Pacino, himself a veteran of both Broadway and Hollywood) ambles out of his dressing room, the camera following close behind; gets locked out of the back entrance of the theater, and must come in through the front; and dramatically inflicts some violence upon himself before a shocked live audience.

Seeing heads transplanted between humans and Chihuahuas might have seemed like a funny, surreal sight gag on paper, but it plays out like a mildly horrific turn of events when you see it on the big screen.

You might print out the page for each student or student pair or you might save paper by projecting the image of the page on a screen.

PPA is OK but not if it takes a staff member we are paying to teach out of the classroom and away from children so they can sit in front of a computer screen and produce a time wasting piece of paper that nobody will ever really read.

The reMarkable screen isn't made out of glass, but rather a more durable and fricative material that really does feel like writing on paper with a pen or pencil.

Despite all of the (old) people clamoring about how no one wants to read comics on a computer screen and what about holding the paper and blah blah blah you kids get off my lawn with that rock music, there is an entire generation of people out there who have been reading comics on the web.

At this point I should probably point out that anyone who prefers reading ink on paper, to reading text on a screen should not just dismiss the Sony Reader; in fact you're in for something of a revelation.

Whereas LCDs, LEDs and plasmas will strike horror into the hearts of signage integrators by turning dark as soon as power to them is cut off, an electronic paper screen will hold the last image displayed even if disconnected from the electric grid or if its battery runs out.

This screen comes incredibly close to the look of print on paper, looks amazing in sunlight (where color screens usually wash out), and, in darkness, has its own adjustable soft backlight.

The establishment of the E Ink Corporation in 1997 led to the development of electronic paper, a technology which allows a display screen to reflect light like ordinary paper without the need for a backlight; electronic paper was incorporated first into the Sony Librie (released in 2004) and Sony Reader (2006), followed by the Amazon Kindle, a device which, upon its release in 2007, sold out within five hours.

Seeing these numbers on a piece of paper, or a computer screen, can remind you of your priorities and help you stick to them when you're tempted to upgrade to business class, or pull out the plastic for a pricey pair of shoes.

By all means get a good selection up as soon as possible (after all, your readers are going to love your content so much they'll need a few articles to pour over), just keep in mind that Writer's Diarrhoea, like Writer's Block can be a blog killer, so while you may be keen to pour all of your thoughts out onto paper (or screen as the case may be), before hitting that publish button, take a step back and ask yourself a few questions like; «Do people really want to read about my infected toe?»

Presentation is striking, taking a page out of Paper Mario's playbook by making all the on - screen characters paper thin (most obvious when they're turning aroPaper Mario's playbook by making all the on - screen characters paper thin (most obvious when they're turning aropaper thin (most obvious when they're turning around).

My favourite use of the touch screen has to be the craft mode, which lets you create an item by drawing on a coloured piece of paper and cutting it out and sticking several bits together to make a sticker that you can customise Iota with, the options are almost endless.

And what about the easter egg where if you fill the top score places with the name of the initial top score thats preloaded you get to the screen that tells you to bust out a piece of paper and write to SEGA to get free stuff?

Celebrate the tradition of classic pen and paper roleplaying games by using the bottom touch screen to chart out your path and the dangers you have encountered.

On paper it looks like a more thought - out version of the Wii U Gamepad, with a smaller design and a unique integration of the screen.

Everything had that nice, flat paper look, but the way things were laid out it also had a lot of depth to what was happening on screen.

The graphic style mixes cell shading and an almost paper - like effect, resulting in visuals that are aesthetically appealing and feel like they could pop out of the screen at any moment.

And because of that (as well as the fact the paper talks about how such a revision could be out in all regions by summer, indicating previous development time and prior plans by Nintendo), I'd honestly think Nintendo would address more pressing issues with the 3DS hardware than just the size of the screens if they were planning a hardware revision due some time this year.

Out of the blue 2014 cast and polished bronze from wooden burl, extruded aluminum, cast acqua resin, wood, wood putty, papier mâché, foam, Japanese paper, aluminum screening, acrylic paint, chalk 25 3/4 x 40 1/2 x 12 inches

For her solo exhibition «Filter», a result of six months residency at Leighton House Museum in 1997, organised in collaboration with Iniva, Evans created delicate paper screens ornamented with cut out silhouettes and symbols.

Just as you are wondering what would happen if Matisse didn't use magenta, cobalt and gold, say, the very next gallery presents an ocean of white paper cut - outs floating on taupe screens with no loss of power or effect.

, Tony Shafrazi Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato, Small Dead End Courts Around Venice, IT 2008: FREEDOM - American Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale of Sydney, Museum of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.

The goal of the phone interview — or phone screen — is to weed out the most desirable candidates from a larger pool of candidates who, at least on paper, appear to be qualified.

Brief, concise, brand - focused statements of value surrounded by enough white space to make them stand out will have the greatest impact, whether your resume is reviewed on a screen or on paper.

However, standing out from others may be quite a struggle, especially that the first stage of the hiring process of your dream company is profiling and paper screening.