Sentences with phrase «screentime with»

They're not the only ones; R2 - D2 — who shares his some of his minimal screentime with a double — is «Artooie» and the «Huttling» they have to find and rescue is dubbed «Stinky.»

In short order they are run off the highway by some cartoon banditos led by John Goodman, and Doug (poor Justin Bartha, who in the course of these films has spent more screentime with a bag on his head than anyone since John Hurt in The Elephant Man) is taken hostage until such time as the guys can locate the whereabouts of... wait for it... yes, Lesley Chow (Ken Jeong)-- who has made off with a goodly pile of Goodman's loot.

Cox is so good that, if they can get him in a reasonable costume, I would love to see him share screentime with the Marvel movie heroes - the first character to originate on TV about whom I can say that.

Not exact matches

We do not need to see her rise to prominence to understand her interactions with Howard Hughes; this narrow focus allows Blanchett to carve out a character an inch wide but a mile deep, a markedly different approach than the man with which she's sharing screentime.

The two high school friends reunited in 2010 with the common goal to redefine screentime: to create media for kids that would benefit (rather than harm them) and help promote lessons that lay the social - emotional foundation essential for a happy, healthy life.

Filed Under: UrbanFamily Tagged With: advice, parenting, parenting advice, screentime, urbanfamily, urbansitter

Screentime can also be a great time to get in lots of nurturing touch through cuddles with our little ones.

This list of ways to engage with your children without the use of screentime is great.

The team ably assists Ethan, with Simon Pegg's Benji getting the most screentime.

Mike Tyson does some memorable screentime, dispensing an off - key singing performance that packs a punch, and Heather Graham takes the prostitute - with - a-heart-of-gold stereotype to a whole new level.

The cast also contributed tremendously well with Carell, in my opinion, being the standout and once again showing us that he can definitely do more dramatic roles like this, Bale as always was freakin fabulous with his complex character, Gosling was pretty much the narrator but he was once again really funny and Pitt is the moral center, he didn't had more screentime but he delivers.

With their backstory removed the motorcycle guys just become a way to waste seven or eight minutes of screentime, for instance.

Albertine has most of the screentime and she goes a long way in selling her attachment to both her home and her husband through her heartfelt pleas for H not to go wandering the city at night and later her running outside to confirm the ambulance down the block has nothing to do with H.

That said, it's tough to predict a guaranteed nomination without first seeing what he does with the role and how much screentime he holds in Quentin Tarantino's latest, so we'll have a clearer idea once Django screens for critics.

Since the story unfolds at such a brisk clip (and spends a lot of time with a good amount of supporting characters such as Michael Caine, Morgan Freeman, Mark Ruffalo, and Melanie Laurent), the Horsemen don't really have enough screentime to create believable characters, but that's not the main attraction here anyway.

She's surrounded by new tributes this time out; Finnick Odair is the one with the most screentime, and he's introduced in an intriguingly schizophrenic way.

Get Out Oscar nominee Daniel Kaluuya has less screentime and even less effect as a vengeful Wakandan who sympathizes with Killmonger.

The clarity with which Singer and Co. are able to track the various storylines — Wolverine and the kids, Storm and Nightcrawler, Professor X and Jason / Stryker, Magneto and Mystique — is impeccable, and each storyline gets enough screentime to play through a full and fulfilling arc while not overstaying its welcome.

It's also jam - packed with more characters all fighting for more screentime, more plot, more exposition, more storylines, and more dead spaces in between all of the good stuff.

Dunst and Shepard communicate volumes with minimal screentime.

Kathy Bates was very funny and does a lot with small screentime.

With his typical off kilter style of jokes and improbable situations, there's plenty of laugh out loud moments to be had, particularly with Watiti favourite Rhys Darby, who manages to leave a solid impression and delivers the lines despite his very limited screentime, and late appearaWith his typical off kilter style of jokes and improbable situations, there's plenty of laugh out loud moments to be had, particularly with Watiti favourite Rhys Darby, who manages to leave a solid impression and delivers the lines despite his very limited screentime, and late appearawith Watiti favourite Rhys Darby, who manages to leave a solid impression and delivers the lines despite his very limited screentime, and late appearance.

Riggs doesn't get anywhere the same treatment, let alone the same amount of screentime, as King, in large part because there's far less of a story to tell with Riggs without going into unnecessary repetition in the interests of «balance.»

Meanwhile, the Mad Titan ended up taking a majority of the screentime in Avengers: Infinity War - a packed movie with almost two dozen key players.

By the time we get to the climax, the film does come to life with some witty banter and fun action, but the «good bits» of The Expendables 2 would probably only culminate in 10 minutes of screentime.

It's certainly theatrical, and as with the animated film they're not likely to appear as humans for too much of the movie's screentime, but it's certainly interesting to get a look at their get - ups.

His smile - handed psycho naturally makes a big impression in limited screentime, as the menace who turns Harley Quinn crazy and keeps texting her throughout her night of activities with the Suicide Squad.

A-list actors, Oscar - nominees, veteran character actors, and heretofore unknowns of all shapes, ages, colors, and sizes, throw themselves into their roles with remarkable dedication, many making a great impact with little screentime.

Though presented as a star vehicle for Tom Hanks, this is filled with actors relishing the most of even the smallest of screentime.

Much like in the source material, our main character is mostly a bland doofus in over his head who steals too much screentime from Hit - Girl (who is too busy with high school politics to do much ass kicking this time around).

Those who have seen the film will know that Scarlett's screentime is pretty limited, but her character shares some memorable scenes with Ed Crane, played by Billy Bob Thornton.

Naturally, Scotty gets much more screentime (since Simon Pegg co-wrote the script), but he's served well with the addition of newcomer Jaylah (Sofia Boutella), a feisty but underserved warrior outcast I hope we see fleshed out in the next one.

It's cool to see all these people playing with their public images and seizing what is often mere seconds of screentime.

Oddly enough, Pegg's the only other member of the IMF team with substantial screentime.

Sheen is arguably having the most fun of his career with the character, chewing up every bit of screentime he gets.

Chandler is an undervalued talent for suggesting whole lifetimes within limited screentime (see The Spectacular Now), and here he creates a whole marriage with Blanchett even as we're watching it die.

The already swollen cast of «X-Men: Days Of Future Past» continues to become «The Butler» of comic book movies, with yet another actor on board for what we can only guess will be five seconds of screentime.

Her American accent is fine, but despite a wealth of screentime here, she doesn't do anything too memorable with her part.

The supporting cast seems to have been given more substantial dossiers with which to explore in their secondary screentime.

I'm simply referring to directors as shepherds...) Denzel Washington (Man on Fire) is really the star of this film, with first billing and the most screentime, however it isn't surprising that I thought of Owen first.

Great performances but feel like Naomi with less screentime does more.

As the relentless champion - raiser who raised Jimmy from youth, William Fichtner continues to show a flair for playing loathsome characters, even with limited screentime.

While they claim a majority of the screentime, they're backed by a capable supporting cast, which is sprinkled with other»90s «SNL» cast members (Shannon, Colin Quinn, Mark McKinney) and future stars in some of their first big screen appearances (Michael Clarke Duncan, Eva Mendes).

Shoehorned into 107 minutes, much of the novel ¹ s richness has been lost, while an appealing handful of supporting characters are left with little screentime and the score is intrusive.

Over an hour of screentime passes before the games themselves begin, allowing us plenty of time to familiarize ourselves with the competition's few rules and designs, with boldly - fashioned commentators (played by a blue - haired Stanley Tucci and Toby Jones) filling us in.

He doesn't get much screentime, and the part seems thinly written, but Turturro invests Emilio with a wonderfully sly comic energy.

The movie's so choppily configured that although a lot of screentime is devoted to Jack nursing the blue balls he gets from his bayou Mrs. Robinson, or struggling to reconcile his kneejerk racism with the country's burgeoning social conscience, it isn't clear that he's the Final Girl until he's the Final Girl.

Figuring out who the rapist is among a host of wily suspects is hardly any more difficult than solving a Scooby Doo caper, but Verhoeven and screenwriter David Birke continually insist on dedicating a chunk of screentime to a silly campaign of misdirection where so much evidence is stacked so loftily against an employee in Michèle's video game company that anyone with even a cursory knowledge of mystery storytelling couldn't possibly fall for the trick.

The two detectives (one pregnant, the other goateed) defy logic with their nonlinear procedure, and seem to come from another movie altogether, with their minimal screentime defined by clichéd banter and dramatic flourishes.

With a very compact 95 minute runtime, not a minute of screentime is wasted and it's full of memorable scenes and stunts which comes to a climax with a climactic, tense and perfectly choreographed break - out chase that remains one of cinema's truly great action sceWith a very compact 95 minute runtime, not a minute of screentime is wasted and it's full of memorable scenes and stunts which comes to a climax with a climactic, tense and perfectly choreographed break - out chase that remains one of cinema's truly great action scewith a climactic, tense and perfectly choreographed break - out chase that remains one of cinema's truly great action scenes.