Sentences with phrase «screenwriter mark»

The project was then set up with Horrible Bosses director Seth Gordon and The Hurt Locker screenwriter Mark Boal, but Gordon walked away from the film in June 2015.

The film distributor will host game series lead designer Casey Hudson and film screenwriter Mark Protosevich -LSB-...]

I Am Legend screenwriter Mark Protosevich is supposedly interest in working on the film, and it will be produced by Avi and Ari Arad, as well as Legendary's Thomas Tull and Jon Jashni.

- Screenwriter Mark Protosevich and Game Creator Casey Hudson will also be there to discuss the adaptation of the hit video game Mass Effect.

Screenwriter Mark L. Smith discusses adapting The Revenant from book to screen, working with Alejandro Iñárritu, and getting that famous bear attack right.

Quentin Tarantino's Star Trek film gets The Revenant screenwriter Mark L. Smith to pen the script.

Director Matt Reeves has reteamed with screenwriter Mark Bomback who also wrote Dawn.

Last week, I had the opportunity to talk with Game Night screenwriter Mark Perez and we just had a terrific time and it was easily one of my favorite interviews to date.

Related Reviews: 2012 Oscar Nominees: Argo • Beasts of the Southern Wild • Flight • The Master • Searching for Sugar Man • Brave New: Seal Team Six: The Raid on Osama Bin Laden • The Intouchables • The Insider • Wreck - It Ralph From Director Kathryn Bigelow and Screenwriter Mark Boal: The Hurt Locker Written by Mark Boal: In the Valley of Elah Jessica Chastain: Lawless • The Help • The Tree of Life • Take Shelter • Coriolanus • Madagascar 3: Europe's Most Wanted Mark Strong: Body of Lies • Stardust Kyle Chandler: Early Edition: The First Season James Gandolfini: Welcome to the Rileys Joel Edgerton: Animal Kingdom Chris Pratt: Moneyball Jennifer Ehle: Contagion Edgar Ramirez: Vantage Point Zodiac • Traffic • Extremely Loud & Incredibly Close • Forrest Gump • The Fighter Best Sound Editing Oscar Winners: Hugo • The Incredibles • Titanic • Braveheart • Raiders of the Lost Ark • Bram Stoker's Dracula Golden Globe Best Actress in a Drama Winners: The Iron Lady • Black Swan • Revolutionary Road • The Queen • Misery

Neither Hackford nor screenwriter Mark Jacobson digs below the surface details, nor do they plumb the depth of life in a brothel and the seedy world of prostitution.

Zero Dark Thirty 2012, 157 minutes, R / Director: Kathryn Bigelow / Writer: Mark Boal / Stars: Jessica Chastain, Jason Clarke, Joel Edgerton, Jennifer Ehle, Mark Strong, Kyle Chandler, Edgar Ramirez, James Gandolfini, Chris Pratt Buy It: Blu - ray Combo • DVD • Instant Video The search for Osama bin Laden seemed as appropriate as any story for director Kathryn Bigelow and producer - screenwriter Mark Boal to tackle after their little Iraq War drama The Hurt Locker held on to win the Best Picture Oscar, defeating among other movies the behemothic blockbuster directed by Bigelow's ex-husband James Cameron.

Chris Pine co-starred in the film, which was written by Dawn of the Planet of the Apes and The Wolverine screenwriter Mark Bomback.

Director Kathryn Bigelow and screenwriter Mark Boal are photographed for USA Today on December 13, 2012 in Beverly Hills, California.

This year she's back with another war - related film, the sure - to - be controversial Zero Dark Thirty (previously referred to as Kill Bin Laden), again working with her Hurt Locker screenwriter Mark Boal.

This edited piece accompanies the theatrical cut of the movie and includes remarks from director Bernardo Bertolucci, producer Jeremy Thomas, screenwriter Mark Peploe, and composer / actor Ryuichi Sakamoto.

The film comes from the pairing of director Kathryn Bigelow and screenwriter Mark Boal.

Since their Oscar success for 2009's The Hurt Locker, director Kathryn Bigelow reunited with screenwriter Mark...

Screenwriter Mark Poirier is all over Hollywood in a non-Diablo Cody way.

The Criterion set features both versions, and the theatrical cut features commentary by Bertolucci (who launches in to the film before he remembers to introduce himself), screenwriter Mark Peploe (who calls it «the biggest screenwriting experience of my life»), producer Jeremy Thomas, and composer / actor Ryuichi Sakamoto, all recorded separately and edited together in a dense, meaty that builds on the accumulation of observations and insights.

«I'm not sure rave reviews or buzzing awards talk are enough to express the amplitude of what director Kathryn Bigelow and screenwriter Mark Boal achieve in «Detroit,» a film about race riots from half a century ago.

Supported by accomplished screenwriter Mark Burton this new film unleashes an unforgettable cast of hilarious new characters.

Opening with an incendiary recreation of the Detroit race riots that took place in July 1967, this third collaboration between screenwriter Mark Boal and director Kathryn Bigelow, after The Hurt Locker and Zero Dark Thirty, ensures viewers are lacerated by every shattered window, burnt by every Molotov cocktail.

With the movie award season at full blast, Zero Dark Thirty stands as one of the year's two strongest competitors, poised to earn chances to repeat the success director Kathryn Bigelow and screenwriter Mark Boal had on their last contemporary war drama,

Director Kathryn Bigelow is teaming up for a third time with screenwriter Mark Boal, who penned The Hurt Locker and Zero Dark Thirty, for a film about the «12th Street Riot» which sent shockwaves across America in the summer of» 67.

Audio commentary featuring director Bernardo Bertolucci, producer Jeremy Thomas, screenwriter Mark Peploe, and composer - actor Ryuichi Sakamoto

Family drama piece Broken once again teams Irish screenwriter Mark O» Rowe up with Cillian Murphy, who previously worked together on Intermission and Perrier's Bounty.

Based on Barry Unsworth's novel Morality Play, he and screenwriter Mark Mills avoid the usual Sherlock Holmes method of crime - solving.

Lee is very good at creating a sense of free - floating dread, but he, and his screenwriter Mark Protosevich, don't have a real flair for pulp (or, as with David Lynch, the hallucinatory horrors of pulp).

Screenwriter Mark Protosevich (The Cell, I Am Legend, Thor, Oldboy) joins the Hyphenates to talk the key films of May 2015, ask how accurate the writing credits on Hollywood productions actually are, and look at the extraordinary films of the underrated Japanese director Masaki Kobayashi.

«Black Mass» screenwriter Mark Mallouk unwinds another dramatic tale in graphic novel form with the launch of «Sunflower.»

Back in 2010, Zero Dark Thirty director Kathryn Bigelow and screenwriter Mark Boal were coming off their Oscar wins for The Hurt Locker, and turning their attention to the crime drama Triple Frontier (also known as Sleeping Dogs).

Narratively, Game Night is a fairly loose spoof, with screenwriter Mark Perez (Accepted, The Country Bears) adhering closer to the rules of the dubious, aforementioned civilians - in - trouble subgenre, meaning that we get lots of scenes of Bateman, McAdams, and company pratfalling in and out of sticky situations.

Director Kathryn Bigelow and screenwriter Mark Boal, the filmmaking team behind the Oscar - winning war drama The Hurt Locker and the tremendous post-9 / 11 procedural Zero Dark Thirty, are looking to possibly turn the...

Unfortunately, Bigelow and «Hurt Locker», «ZD30» screenwriter Mark Boal spend an inordinate amount of time on the quest for stardom of the The Dramatics, whose dream of landing a Motown record contract is derailed by the racial strife in the city.

Though screenwriter Mark Malone isn't completely successful in avoiding the Obvious, there is much to cherish in Signs of Life.

What screenwriter Mark Perez («Herbie Fully Loaded») and co-directors John Francis Daley («Vacation») and Jonathan Goldstein («Horrible Bosses») put them through is an absurdly complicated, violent and self - aware farce — a night - long chase through the mean streets, often in conflict with real bad guys whom they don't realize aren't just «actors» with Murder We Wrote, the mystery staging party company.

Along with screenwriter Mark Perez, the filmmakers have created a highly - stylized, madcap caper that's alarmingly clever in the meta ways they infuse pop cinema language.

Also, crucially: Screenwriter Mark Perez knows the difference between simply making a reference and actually writing a joke — and while the jokes come ceaselessly, they are knowingly and (this turns out to be key) lightly offered.

Screenwriters Mark Burton and James Higginson clearly know the sport.

Screenwriters Mark Mallouk and Jez Butterworth also give Nicholson one of the film's creepiest scenes, where Bulger seeks her out in her bedroom and commits a form of psychological rape merely by stroking her face (pictured below).

Caesar's name (given to him by his human masters in the previous film) connotes power, nobility and vulnerability to betrayal; screenwriters Mark Bomback, Rick Jaffa and Amanda Silver may want us to remember that Koba was Stalin's nickname, although Koba is more like Jeremy Irons's ferocious Scar in The Lion King.

Obviously, screenwriters Mark Protosevich and Akiva Goldsman are terrible (Goldsman wrote, for example, Batman and Robin among other attacks on filmic decency).

Sprawling, featuring a massive cast of characters, screenwriters Mark Mallouk and Jez Butterworth (Get On Up) do the best they can to streamline the story as much as possible, chronicling events in a journalistic fashion as they analyze the various events that led to both men's conjoined rise and fall.

Thankfully, neither is «Black Mass,» which screenwriters Mark Mallouk and Jez Butterworth have adapted from the book of that title by former Boston Globe reporter Dick Lehr and Spotlight Team editor Gerard O'Neill.

In trying to fulfill this misguided requirement, screenwriters Mark Brown, Don D. Scott, and Marshall Todd succumb to temptation and lose sight of the movie's potential and strengths.

This version stars Will Smith as the final man, and while he does his best to inject some real emotional connectivity to his character — and hence the story — he's sideswiped by screenwriters Mark Protosevich and Akiva Goldsman, who set up an intriguing first act, lessen it with a hollow, unexciting, special - effects - heavy game of cat - and - mouse in the second, and completely blow the whole thing with the third.

Not exact matches

Mark Leiren - Young is a Vancouver screenwriter, playwright and journalist, and files his «Fast Rewind» summary of the news for The Tyee at the end of every month.

The film is in the hands of Kathryn Bigelow and Mark Boal (the director and screenwriter of The Hurt Locker, which you may remember for winning every Oscar ever) and will hit theaters shortly before next year's presidential election...

Among the writers who agreed to Lette's request are Curious Incident of the Dog in the Night - Time author Mark Haddon, Oscar - winning playwright and screenwriter David Hare, TV show host and writer Stephen Fry and novelist and critic Margaret Drabble.

DC comic book writers and artists such as DC Entertainment's Jim Lee, Julie Benson, Shawna Benson, Shea Fontana, Agnes Garbowska, Tom King, Steve Orlando, Alice Randall, Oscar ® - winning screenwriter John Ridley, Mark Russell, Mariko Tamaki and DC Entertainment's Geoff Johns, the best - selling author of Rebirth and Doomsday Clock.