Sentences with phrase «screenwriter paul»

Oscar award - winning screenwriter Paul Haggis and his wife, actress Deborah Rennard, have sold their home in Santa Monica for its asking price of $ 5.25 million.

Casting director Kahleen Crawford and screenwriter Paul Laverty, both regular collaborators of Ken Loach's, outline the unique casting process they've developed in lockstep with the director.

Screenwriter Paul Rudnick describes his take on the story in «Stepford: The Architects» (6 minutes).

Eastwood and screenwriter Paul Haggis are more interested in following these characters than to simply let them become pawns of the situations surrounding them, and each new development simultaneously defines and is defined by them.

DuVernay does not flinch, does not give in, and working in glorious tandem with screenwriter Paul Webb and actor David Oyelowo she paints a shrewdly devastating picture of progress, resistance, and restraint that held me spellbound first moment to last.

With bulletproof performances of Cliff Robertson (Charly) and Geneviève Bujold (Anne of the Thousand Days), De Palma told a highly cinematic, Hitchcockian mystery with style, class and more than enough unique quality for the film to be able to stand solidly on its own feet, regardless of the similarities it shares with Vertigo, an inspiration that both De Palma and his screenwriter Paul Schrader acknowledged from the very get - go.

Director / screenwriter Paul Schrader at the Four Seasons hotel.

Special Features 2K digital transfer, supervised by director Ken Loach, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray Audio commentary from 2016 featuring Loach and screenwriter Paul Laverty How to Make a Ken Loach Film, a 2016 documentary on the production of I, Daniel Blake Versus: The Life and Films of Ken Loach, a 2016 documentary directed by Louise Osmond Deleted scenes Trailer PLUS: An essay by critic Girish Shambu

When screenwriter Paul Schrader heard about the attempted 1981 assassination of Ronald Reagan by John David Hinckley, his first thought was that the perpetrator was «one of those «Taxi Driver» kids.»

Based on research and interviews by the screenwriter Paul Laverty, this movie tells the fictional story of Daniel Blake, a middle - aged widower in the North East who can't work or get benefits after a near - fatal heart attack, and the story is told with stark and fierce plainness: unadorned, unapologetic, even unevolved.

It's an acknowledged classic now, but this fourth feature from director Martin Scorsese and the third produced screenplay from critic turned master screenwriter Paul Schrader was as controversial in the bicentennial year of 1976 as successful movies get.

The humanity that director Ken Loach and screenwriter Paul Laverty bring to the story prevents it from being another polemic about how the British mistreated Ireland.

The impressive ensemble of actors turn in brilliant performances, and the script by screenwriter Paul Attanasio (Sphere, The Sum of All Fears), based on a book by Richard N. Goodwin, is full of great writing and moments of serious insight.

But a year later, Taxi Driver screenwriter Paul Schrader would apply his fucked - up worldview to a straight - up revenge movie, and that movie was Rolling Thunder.

The first two acts follow a familiar structure, but screenwriter Paul Haggis (working from the stories of F.X. Toole) concentrates on the characters» personal histories, giving the material an unabashed humanity and compassion.

American writer Richard Maibum was back on board, this time with an assist from British screenwriter Paul Dehn.

The first comes from * screenwriter Paul Schrader, who provides a running, screen - specific affair.

Screenwriter Paul Wernick calls the split - second appearance from a mystery A-lister «a pinch - me moment.»

«The Last Kiss - Getting Together» (26:44, SD) allows Lucchesi, Goldwyn, screenwriter Paul Haggis, Braff, Barrett, Bilson, Lauren Lee Smith, Weston, Marley Shelton, Olsen, Blythe Danner, and Tom Wilkinson to explain how they came to the film and what they brought to the characters.

From the beginning, the creative team behind the «Deadpool» franchise has stuck to one simple rule that guides every decision they make: «We always say, «If you can't do it in another superhero movie, you'd best be doing it in a Deadpool movie,» said screenwriter Paul Wernick.

A key problem with late Loach — especially in his collaborations with screenwriter Paul Laverty — is the desire to gratify with triumphant outcomes.

Screenwriter Paul Wernick told The Playlist that he and co-screenwriter Rhett Reese «will have a hand in it,» and that «I think everything that Deadpool is involved in we will have a hand in and it's a universe that Ryan [Reynolds] and us are very close to and very protective of, so I do think we would absolutely involved in that franchise as well.»

Wisely, DuVernay and screenwriter Paul Webb don't compensate by covering the entire arc of King's life.

That said, even minor Loach films often walk away with something on awards night, so if the film is well - liked enough (and it certainly seems amiable), perhaps there could be something for star Steve Evets or previously awarded screenwriter Paul Laverty.

Director, film noir scholar and «Taxi Driver» screenwriter Paul Schrader provides the introduction.

For this special 40th - anniversary screening of the essential after - dark psychodrama, a sterling group of luminaries talk to you: Director Martin Scorsese, screenwriter Paul Schrader and costars Robert De Niro, Cybill Shepherd and Jodie Foster are all scheduled to participate in a postscreening Q&A for the ages.

The anniversary edition features the same HD video master but upgrades the soundtrack to DTS - HD MA 5.1 and adds two new supplements to the package: commentary by producer Albert Ruddy and «Million Dollar Baby: On the Ropes,» a 26 - minute featurette with cast and filmmaker interviews (including Eastwood, Hilary Swank, Morgan Freeman and screenwriter Paul Haggis).

From the very beginning, the creative team behind the «Deadpool» franchise has stuck to one very simple rule that guides every decision they make: «We always say, «If you can't do it in another superhero movie, you'd best be doing it in a Deadpool movie,» said screenwriter Paul Wernick.

There are three commentary tracks: one from film professor and writer Robert Kolker and another from screenwriter Paul Schrader recorded for the 2007 Collector's Edition DVD, and the original 1986 commentary by Martin Scorsese and Paul Schrader (recorded separately) for the (long out of print) Criterion laserdisc release.

It's unfortunate that King's estate would not grant the rights to his speeches, but DuVernay and screenwriter Paul Webb manage to rewrite them and still capture the heart and importance of his words.

The director collaborates with screenwriter Paul Haggis to lay thick, rich soil, so Frankie's relationship with Maggie can take strong root.

Director Ken Loach poses with The Palme d'Or for the movie «I, Daniel Blake» next to British producer Rebecca O'Brien (R) and British screenwriter Paul Laverty (L) at the Palme D'Or Winners Photocal during the 69th annual Cannes Film... More

Screenwriter Paul Dehn (Goldfinger, Murder on the Orient Express) returns for this sequel, the first to have a returning creative force at the forefront, to deliver what some might argue is the best of the sequels.

As mentioned above, the scope of this movie is epic, but Chadha's film, which she co-wrote with husband, frequent collaborator and accomplished screenwriter Paul Mayeda Berges, is also a very intimate one, with the heart of the story focussing on a young Hindu servant, Jeet (Manish Dayal), and his intended Muslim bride, Aalia (Huma Qureshi).

First time screenwriter Paul Webb's original screenplay for Selma doesn't use the text book bullet points one might assume a film about Dr. King might encompass.

Director Ken Loach (C) poses with The Palme d'Or for the movie «I, Daniel Blake» next to British screenwriter Paul Laverty, cinematographer Robbie Ryan and British producer Rebecca O'Brien at the Palme D'Or Winner Photocall during the... More

Director Ava DuVernay and screenwriter Paul Webb have chosen a middle course between the standard historical waxworks biopic and an intimate depiction of the public politician as private man.

I, Daniel Blake is another collaboration between Loach and screenwriter Paul Laverty, the Glasgowian law student who effectively took over writing for Loach from former miner and socialist playwright Jim Allen in the mid-1990s.

Martin Scorsese's Taxi Driver is acclaimed for its gritty realism, but it has an equal amount of cinematic reverie; screenwriter Paul Schrader contributed just as much to the film's Dostoyevskian vision.

Actor and screenwriter Paul Rudd picked up his 2018 Man of the Year award from the nation's oldest collegiate theatrical organization at Harvard University on Friday night.

Given that the opening moments of Afterlife rid her of those powers immediately shows that screenwriter Paul W. S. Anderson agreed.

With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years.

Director and screenwriter Paul Schrader, 71, is having another big moment in his long career.

Dutch director and screenwriter Paul Verhoeven heads up the jury, which includes Maggie Gyllenhaal and Diego Luna, and they'll be awarding Golden and Silver Bears to a dozen categories.

The Progressive Film Clubgratefully acknowledge the assistance of the screenwriter Paul Laverty, Deirdre Johnston at GFD Film Library, Eimhear McMahon at Sixteen Films and Frameit Productions.

For Smoke, on the other hand, they flew journalists into New York to chat with screenwriter Paul Auster, director Wayne Wang, and actor William Hurt and dispensed numerous other courtesies; if you compare the press books for The Glass Shield and Smoke, the differences in care are palpable (the one for The Glass Shield consistently misspells Elliott Gould's name, for instance).

But that's decidedly not the case with «Taxi Driver,» arguably the peak of Scorsese's three - way collaboration with screenwriter Paul Schrader and star Robert DeNiro (who also teamed for «Raging Bull» and «The Last Temptation of Christ,» which was originally a DeNiro star vehicle).

He's due to start working soon, along with screenwriter Paul Haggis, on a draft of the latest Bond screenplay by Neil Purvis and Robert Wade.

Meanwhile screenwriter Paul Laverty sought to draw attention to the UN's ruling on the UK's treatment of disabled people and he claimed that the Tories had «denied, spun and tried to discredit» the findings.

The four minute broadcast is made by Hollywood director and screenwriter Paul Greengrass, who directed two films in the Bourne thriller series.