Sentences with phrase «script feel»

While Coogler escapes many of the pitfalls that superhero movies fall into, the general beats of his script feel rather rote.

My feeling is that the cast makes a terrible script feel somewhat coherent and emotionally grounded, and for that the unlucky few who actually see this movie in a theater should be thankful.

The performances throughout this film are all top notch and the script feels very inspired, as if the writer has experienced these specific things or knows someone who has.

For all its sincere intentions, Kruishoop's script feels cobbled together from newspaper headlines and bits of other movies rather than real, lived experience.

The script feels less like an organic whole than an effort to keep building up a scrawny central premise until it felt like a movie.

At its best, the movie feels like an extended skit, but the script feels witless and is far too focused on moving along the convoluted plot.

If the script feels as familiar as an 80s action buddy film, it might be because Black wrote the script for Lethal Weapon and was a character advisor for Lethal Weapon 2 and 3.

Unfortunately this script feels like nothing more than a vehicle for Black who cavorts, chatters and cracks jokes through the biggest chunk of this film — as well as exposing some of his posterior.

While he does capture the essence of those films in his rhythms, the script feels much more like the potboiler John Grisham films prevalent in the 1990s.

The mean - spirited tone of script feels like it's coming from a position of a person with an axe to grind rather than a historian searching for the truth or offering a alternative theory of events.

And the multi-layered plot also keeps us involved, even though the script feels rather under - developed.

But the script feels the need to cram in the obviously scheming railroad tycoon Latham Cole (Tom Wilkinson), corrupt cavalry officer Fuller (Barry Pepper), and a perfunctory love story between Dan's widow, Rebecca (Ruth Wilson) and John.

There are events that have been moved around and subplots axed, but in the long run, the script feels more economic.

More unsettling than actually scary, this slow - burning horror movie is directed and acted with style even though the script feels rather under - developed.

Quite honestly, the script feels like it's already been in the world, in some ways.

Hitting all the expected chords, including a romantic interest between a high school girl and a nonhuman, the script feels like a repeat of a repeat.

The script feels a bit choppy at times as it is trying to cover a lot of ground but in a short period of time.

Swanberg's inclusion is a notable one, as the film has been referred to as helping to establish a new (and somewhat on the nose) subgenre that mixes the low budget and improvisational style of mumblecore with the horror setting («mumblegore» if you will), and the conversations here take on a casual, loosely scripted feel that would not seem out of place in a film like Computer Chess or The Puffy Chair.

The script itself feels like it is missing something, but I won't be forgetting Katrina in a hurry, that's for sure.

At ninety minutes, Mercurio's script feels like a solid stage adaptation rather than a filmic adaptation.

The script feels like it was written by a committee desperate to get something, anything on - screen.

This is a decent first attempt — however, this script feels like it could have been something spectacular in the hands of a more gifted director than he.

Part of the blame is on the Coen Brothers» writing, because the script feels like a solid first draft that still needed rewrites to conclude which subplots should remain in the final cut.

The script feels effortlessly funny which might be thanks to the talent or the writing, it's likely both.

As I noted in my review from Sundance earlier this year, «Burnham just perfectly understands life as a Millennial teen, and the script feels like it was lifted from the conversations of real teens somewhere in the United States.»

The characters are sad, sad human beings (not the outlandish caricatures that made Guest's earlier films so compelling), the script feels hurried and unfinished, and the cast appear to have been given carte blanche over what they think is funny.

Neil Cuthbert's (Mystery Men, Hocus Pocus) script feels at times like an extremely bad rip - off of Star Wars, mirroring the plot and some of the characters.

And albeit rushed in a few spots, the script feels pretty true to life, respecting and not embellishing Paz's story.

In fourth grade, we chose a sample script we felt would help our students be successful and began adding key learning targets that were the focus of our most recent project.

Yet the script felt intentionally bad this time, with a particular flute scene that probably could have been fine if not for the tongue - in - cheek words they decided to use.

In previous installments, each mission had more of a scripted feel.

Long - standing problems which have plagued the series for years need to be addressed once and for all (horrendous referees, scripted feeling to matches, and glitches and terrible goalkeepers).

In the early going especially, the script feels rushed, as if Benson is in a hurry to get past establishing the character and push on toward the commune.

Not exact matches

We felt as if we had been playing parts in a fascinating movie that suddenly took a bad turn, in which we had worked like dogs for two weeks to produce something really spectacular and then were written out of the script.»

«Some patients feel embarrassed to go to the pharmacy and dump their medications,» said Snezana Mahon, vice president of product development at Express Scripts.

If you feel overwhelmed by fear in your professional life, read on to see how I flipped the script and turned fear into one of my greatest allies.

So when you feel one of those Groundhog Day - type conversations coming on, instead of following the usual script, just surprise yourself (and the other party).

«I knew the second John [Krasinski] sent me the script it was going to be personally fulfilling, so even if I don't feel like it will set my career on fire, why on earth would I say no?»

(LAUGHTER) I got a feeling I'm off script.

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Speaking to Francis Chan however, it doesn't feel like there's a script.

Reality is constantly measured in terms of self, of personal feelings and desires, which, as soap opera script writers never tire of telling us, will not, must not, can not be denied.

Women are impoverished by being culturally scripted to overdevelop their nurturing Parent (and thus to exist for the purpose of taking care of and pleasing «their man» and their children) and to feel powerless because they have not developed their potential Adult competencies.

Some people are «programmed» with tragic scripts, which cause them to live as losers with overwhelming feelings of powerlessness and joylessness.

To the degree that a person's games and scripts are functioning outside their awareness, they are locked into feelings and behavior programmed by their old Parent and Child tapes.

You've said in other places that you felt God's strong hand on you over the years since you first read the Selma script.

It didn't feel staged or scripted.

Kirk is excellent at running Jay's offence but I always feel that if he has to go off script he struggles a lot, he misses far too many wide open receivers and seems to be missing that little extra something that makes the difference between a very good player and one that is elite.

Sure, it's reality television, and reality can certainly be scripted, but there was nothing fake about Bryan's pain — no script was going to capture what he felt better than his actual feelings and his natural responses to his new lot in life.

«It didn't feel scripted, it felt like it really came from him being sincere and saying, «I'm really sorry that you're going through this,» and it made me feel awesome.»