Sentences with phrase «script given»

But there's also no script given to you before you enter the booth.
Basically, anything can be done with the original script given enough effort.
To your last point, when I said choice is an illusion, I wasn't referring that it is impossible to make that choice, but rather that there is a «right» choice and a «wrong» choice, the «right» one being that you worship god, regardless of how weird some of the rituals might be, making you a little more than a robot, acting out a script your given, we're just slightly better because we can justify why we're acting out a command, but it takes years to understand that justification, in the beginning, you do these rituals because you're given a script and if you don't want to do it, tough.
Give + Gather Harvest Kitchen Towels feature script give and gather lettering set around a fall foliage pattern.
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His part's poorly written and the script gives him a lot of bad dialogue and strange behavior — the best being in the film's inert climax, accompanied by some real bad music by Howard Shore — but Armitage makes it work.
They do the most with the dialogue and characterization the script gives them, and Woodley and Teller get the most chances to shine.
More than that, what makes it a little gem of guilty pleasure is the attention the script gives the broad supporting cast.
Also, George's neuroticism occasionally gets annoying, a fault of the script giving him ridiculous lines that — once again — aren't consistent with the rest of the character.
They revealed that an earlier version of the script gave Black Tom much more to do, but thanks to a variety of reasons they cut his role down to what it is in the final edit.
Though credit is usually clearly given to the screenwriters most prominently responsible for the film's script, there's usually a few big name writers who spend a short time with a script giving it final touch ups before calling it complete.
In fact, the film is embarrassingly void of any depth and emotion, with the script giving little for audiences to engage with.
Although it is atmospheric and adequately depressing visually, the script gives the talented cast very little to work with.
Then, sadly, the film gets happier, as the Rauches» script give in a bit to the conventional Hollywood wisdom, suddenly seeming to worry if Hope has enough of an «arc,» or if there shouldn't be a «redemption moment.»
Sure, the script gives us a speech from Post editor Ben Bradlee — played here by a rather trim Tom Hanks — about the importance of publishing, and speaking truth to power, as safeguards of democracy.
Kidman and Eckhart are terrific in the central roles, conveying a lovely sense of history in their relationship, even if the script gives them no back - story at all (what does Howie do for a living that lets them live such a privileged life?).
The script gives each of the main characters the opportunity to stand out, so we're not stuck with one three - dimensional character and several support staff.
The script gives ample time to their characters and some other supernatural cases they've investigated, which proves extremely interesting and provides more material for scares.
An especially strong script gives actors plenty to chew on in this comedy - drama, in which writer - directors Faxon and Rash (The Descendants) take an observant look at the awkward connections we make with each other.
Ivan Menchell and Clare Sera's script gives the big, dumb physical gags to Sandler and the boys, but mines some real poignancy, even some melancholy, from Lauren's kindly introduction to Larry into the ways of girlhood and from Espn's insistence that she can see her dead mother everywhere.
But when those performers are Ellen Page and Allison Janney (reunited from their «Juno» days), and the script gives both women ample opportunity to flex their talents, the result is bound to be pretty superlative.
«The Boss» provides the talented Melissa McCarthy with plenty of scenery to comically chew on — she is very funny at times — but the story is paper - thin, and the script gives much of the supporting cast the proverbial pink slip.
In the back room where this assortment of mugs gathers to plan the heist, the taut script gives Hemingway a run for his money:
Though hopefully the script gives the character more to do than get flung over the shoulder of Tarzan.
Hoult also nails the inner monologue the script gives him, with it never coming off too cheesy or over-the-top.
While not exactly subtle in a few key scenes, particularly those pesky flashbacks that may or may not have drawn the ire of others, the script gives Superman a much needed emotional context for the superb visual language and iconography Snyder is able to define him through.
Here though, there's just not enough foundation for them to work with, and they're left to do what they can with the limited tools the script gives them.
The script gives him a «little guy trying to survive» thing to do and Keaton can do it.
I'm a big fan of Jordan's talents, but the script gives him little more to do than strut and spew «hood bravado, which stands in such stark contrast to the lilting, graceful accents of T'Challa and his subjects.
Because David Baddiel's script gives us interesting characters and just enough successful humor; and because director Josh Appignanesi knows when to punch a moment and when to let it reveal itself delicately, The Infidel may not be the savage satire they want it to be, but it is a thoroughly enjoyable film.
The script gives the male friendship the language of a teenage romance, which works — both comedically and not.
The script gives Molly some daddy issues, courtesy of her demanding pop played by Kevin Costner.
He's reliable as ever here, as a character considerably more altruistic than his villainous roles in Casino Royale and TV's Hannibal, but this script gives him so little to do.
The script gives Molly some daddy issues, courtesy of her demanding pop played by
I'm not saying he acts right, but his reasons are understandable, which left me irked with the treatment the script gives him.
After selecting a film and turning on the timer once the movie begins, the phone will vibrate when the script gives you a chance to escape to the loo.
A smoothly written script gives us glimpses of what these characters are going through allowing the film to drive home it's hall of fame status as one of the most well crafted films of all time.
Porterfield's script is constructed out of some whims concerning class, race, and even the rehabilitation system, but as these things are hardly emotionally grounded by story; the script gives them representation at best.
Godzilla features so many notable actors including Aaron Taylor - Johnson, Elizabeth Olsen, Bryan Cranston, Ken Watanabe, Juliette Binoche, and Sally Hawkins, however, none of them are able to showcase any of their talent with what little the script gives them to work with.
Phyllis Nagy's script gives equal weight to both Therese's journey as well as Carol's.
As Joe brings events closer to the point where Seligman found her, von Trier's script gives Joe long, philosophical speeches while Seligman serves as the vehicle for convenient straw man arguments von Trier is eager for Joe to knock down.
The spotlight's on him, and he delivers more of the same while the script gives him and Elizabeth a debate of right and wrong and a useless star - crossed love story.
As Dave Kehr points out in the New York Times, Velle also manages to soften the implied harshness of Sherman's script by making the characters enjoyable in their own right, independent of the plot: «Though the script gives us every reason to believe that Kevin despises Marianne, the two are shown forming a jolly, piratical friendship as they plan to defraud and humiliate the abusive Hansau.»
Big props to Aussie writer and director Ben Lewin, whose script gives every single character, no matter how small, a meaningful contribution to the film and backs it up with restrained but beautiful direction.
Purchase of this script gives usage to perform once within your school, but may not be shared or passed on outwith.
The classic Challenger script gives it an air old school.
From the early Foley Artist (1996)-- a celebration of the unseen sound artists of film that scripts an imaginary film entirely through the efforts of two foley artists — to the «bewilderingly intricate» Event for Stage (2015) in which actor Stephen Dillane delivers (in four performances cut into one) scripts given to him, page by page, by the artist, the exhibition examines performance and its relationship to narrative, the imagination and the collective effort of artist and audience in film, theatre, drawing and photogravure.
As the first step toward creating an extremely vigorous ecosystem, the ARK Deployer script gives enthusiasts the chance to begin learning the workings of the ARK ecosystem and familiarise themselves with the code, which is now available for demonstrations through Hackathons and conferences, the script will allow the world to test the limitations of the of the blockchain «web» that ARK so desires to produce.
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