Sentences with phrase «script with»

David Yates May Reboot «Scarface:» Universal Pictures has been especially careful handling plans for their «Scarface» reboot, refining the script with a number of screenwriters and ensuring the project remains top secret.

The brothers are working on the script with Christopher Markus and Stephen McFeely.

Braff co-penned the script with his brother Adam, which will also mark Braff's first feature directorial effort since 2004's «Garden State.»

Laura Bickford and Holly Gent Palmo co-wrote the script with Chadwick.

Cooper will also write the script with Josh Singer, who wrote «Spotlight,» «The Post» and «First Man,» most recently.

That Susco has populated his script with characters that are superficially developed and uniformly uninteresting certainly doesn't help matters, as there's never a point at which the viewer has anything even resembling a rooting interest in their survival.

For a long time, all we knew is that it was an original science fiction film from Christopher Nolan, who co-wrote the script with his frequent collaborator, younger brother Jonathan.

Wheatley wrote the script with writing partner Amy Jump.

Emmerich has co-written the script with Dean Devlin, James Vanderbilt and Carter Blanchard.

I don't know if Kaplan had a chance to work on the script with its two writers, Ken Friedman and Yolande Finch, for he took over a troubled production after Tamra Davis, its original director, was fired.

Director Todd Phillips — who wrote the script with Scot Armstrong — can't quite leave behind the brainless idiocy and physical and psychological mortification as male bonding that characterized his previous films, Starsky & Hutch and Old School, but there are hints that he's attempting to transcend such cinematically lazy falling back on Three Stooges humor.

The film version is directed with off - putting artificiality by Destin Daniel Cretton, who wrote the by - the - numbers script with Andrew Lanham.

Apparently Tarantino shared the screenplay with a «small circle of actors» and got so upset that someone let it loose that he decided not to make the film next at all and instead plans to publish the script with the potential to revisit the idea of bringing it to the big screen in the next five years.

Christian Gudegast wrote the script with original scribes Creighton Rothenberger and Katrin Benedikt, whose «Olympus Has Fallen» grossed nearly $ 100 million at the domestic box office.

Despite the comedicly unique relationship between Tonto and John, as well as the stunning the make - up and costumes, that Verbinski creatively highlights in the film, screenwriters Justin Haythe, Ted Elliott and Terry Rossio unfortunately at times infused the script with plot holes and uninspired, cliched dialogue.

As expected with del Toro, who co-wrote the script with Vanessa Taylor, the visual element of «The Shape of Water» is especially inventive.

Based on a novel by Alan Zweibel, who co-wrote the lackluster script with Andrew Scheinman, the film focuses on a fourth - grader who seems to have an enviable life.

The director co-write the script with actress Alia Shawkat.

Teaming up and co-writing the script with her director husband Ben Falcone for the third time, Life of the Party is a huge step up from the almost unwatchable, if still oddly ambitious, mediocrity of Tammy and The Boss.

Adapting mostly from the first of 11 novels in Burroughs» Barsoom series that was written over three decades, Stanton (who co-wrote the script with Pixar co-worker Mark Andrews, with revisions by novelist Michael Chabon) does try to make Carter as adventurous as Burroughs» books were, while also attempting to include allegorical complexity.

Neither have Jon Spaihts or C. Robert Cargill, who wrote the script with Derrickson.

Jon Avnet is set to direct, and is penning the current adaptation of the script with Eric Nazarian.

Manhunt, an unbelievable cheesefest directed by the Hong Kong action godhead John Woo from a script with seven credited...

All I know is that a few weeks into the catastrophe of the Trump administration, he decided to make this film, signed Meryl Streep and Tom Hanks the same day (when you're Spielberg, you can do that sort of thing), called in Josh Singer to polish the script with Hannah, and by the end of May was shooting the movie.

The screenplay is about two women battling to plan their friend's wedding party, and although it sounds like another lame Bride Wars clone, Wiig wrote the script herself with actress Annie Mumolo.

Mitchell co-wrote the script with Philippa Goslett, who also wrote «Mary Magdalene.»

Wholesomely entertaining revenge flick that both embraces the moral ingredients of a western, yet infuses the script with clever ideas and concepts.

Larry Charles is not involved this time around, but he has recruited three other Curb Your Enthusiasm writers to pen the script with him: Alec Berg, Jeff Schaffer, and David Mandel (who also collaborated on Eurotrip).

The Hotel Rwanda director has co-written the script with Robin Swicord, and will direct Bale and Isaac in the picture that is described as an «epic -LSB-...]

Note Nelson's early remark that he wanted to write a script with a smart teenage girl as the «protagonist,» citing Buffy the Vampire Slayer herself as an exemplar: sorta deciphers that Rorschach blot for you, doesn't it?

Shane Black is spearheading the reboot of the Predator concept, having written the script with Fred Dekker.

While most studios are trying to regurgitate horror remakes and prequels, Mitchell and crew went a different route in crafting an original script with a plethora of 80s and 90s horror significance.

Millar mentions that director Matthew Vaughn will most likely return for the sequel and that Vaughn is also writing the script with Jane Goldman.

«The Host» was directed by Andrew Niccol, who co-wrote the script with Stephenie Meyer.

However, on the most part, a crisp script with some great dialogue, helped move the film at a good pace, never stopping it from becoming tedious.

But this newest incarnation of the buxom video game babe offers a more simplistic script with stock good and bad guys, and a body count that prevents it from racking up a high score for family viewing.

«Meet the Blacks» was directed by Deon Taylor, who also produced the horror comedy spoof and co-wrote the script with Nicole DeMasi.

Based on a story by Hart, who penned the script with Harry Ratchford, Joey Wells and Matt Kellard, Night School follows a group -LSB-...]

Our apologies to first - time screenwriter Jason Mosberg, who we're sure dutifully watched several latter - day Nicolas Cage and John Cusack movies to imbue his script with just the right about of...

That said, not all is bleak — screenwriter Robert Rossen («The Hustler») provides a crackling good script with a sly twist, Edith Head designed the costumes, Miklós Rózsa wrote the score, the ideally cast actors nail their parts and there's an upbeat ending.

It is a political film, not in the sense of advancing an agenda (director Doug Liman approaches the detailed script with emotional restraint), but in the acknowledgment of real names and actual events, conjectured, behind - the - scenes gossip and documented, in - front - of - the - camera strikes.

X-Men: Apocalypse is directed by Bryan Singer (X-Men, X2, Superman Returns, Valkyrie, X-Men: Days of Future Past), who co-wrote the script with Michael Dougherty, Dan Harris and Simon Kinberg.

Milius's observations are interspersed with excerpts from an interview with screenwriter Phillip Yordan, who's around just long enough to tell a Lawrence Tierney story and mention how he co-wrote the script with William Castle (yep, that William Castle).

Morgan of Soda Pictures says, «It's been exciting seeing Rungano deliver on her truly original script with such emotive visual flair and her unique blend of fantasy and realism, amidst a variety of captivating Zambian landscapes.»

I say as it stands because writer / director Jill Sprecher, a Wisconsin native who wrote the script with her sister Karen Sprecher, reportedly tried to remove her name from the film after the distributor recut it without their involvement.

The film was directed by Adam McKay, who co-wrote the script with Charles Randolph.

This is a by - the - numbers script with themes from Superman, X-Men and a little bit of Twilight all wrapped up together.

Writers in every industry come cheaper and cheaper these days; surely the producers could have invested some of their financing in a script with more inventiveness and engagement power than the one they had on set.

In addition to his role as director, Wright — known for bitingly funny films like Shaun of the Dead, Hot Fuzz and The World's End, as well as Scott Pilgrim vs. the World — cowrote the movie's script with Joe Cornish, who worked on the screenplay for The Adventures of Tintin and wrote and directed Attack the Block.

First - time director Bill Holderman, who co-wrote the script with Erin Simms, said the film was inspired by their mothers, for whom they bought the «Fifty Shades» trilogy as a Mother's Day gift.