Real research
scripts about editing the human genome are now appearing in scientific and medical journals.
Not exact matches
Hannah's
script, polished by «Spotlight» screenwriter Josh Singer before production, does a magnificent job of setting up the stakes and identifying the key players, while subtle gags
about line
editing punctuate all the rousing displays of righteousness.
A surprisingly enjoyable film
about an unlikely subject that's brought to life through a clever
script, understated wit, finely executed film
editing, and excellent performances by Christian Bale, Steve Carell and Ryan Gosling.
I know that's big words to say
about Birdman, but it's a perfect amalgamation of highly skilled acting, tight
script, phenomenal cinematography, masterful
editing, and amazing direction all intertwined with intelligent social commentary and metaphorical existentialism.
This is also true for many scenes peppered
about this footage — both previous trailers were 100 %
scripted and taken from cutscenes, whereas here we see gameplay, albeit heavily
edited.
He still doesn't give interviews, but since The Thin Red Line, the word has gotten out
about how Malick shoots fairly straightforward
scripts for months and then spends a long time in the
editing room (and the overdub booth) rendering his stories more abstract.
He starts with a few notes
about the Machete trailer before he gets into the
script and its development, working within the «grindhouse» motif, cast, characters and performances, music and
editing, sets and locations, changes made for the longer cut of the film, effects, and a few stories.
As with Bourne, car chases and hand - to - hand fights are heavily
edited, and quite exciting visually, though there is a curious lack of white - knuckle tension that should have resulted from the scenes had the
script by first - time feature film scribe David Guggenheim spent more time with the characters to get us to care
about their situations before throwing them on the run.
Also, sometimes it doesn't matter how good your
script or
editing skills are, your story is
about horrible people and stupid people, and horrible and stupid people, and as characters they rarely make for a satisfying narrative experience.
The second disc takes a more production - themed approach to the bonus material with a three - part featurette on the development of the film («Developing the
Script,» «Finding the Director» and «Focus on Sheffield»), a five - part featurette on the actual production of the film («Anatomy of a Score,» «Stocksbridge Brass Band Blues,» «Song & Dance,» «
Editing» and «Translating English to English»), and a short discussion
about the film's surprise critical and commercial success.
This is also true for many scenes peppered
about this footage — both previous trailers were 100 %
scripted and taken from cutscenes, whereas here we see gameplay, albeit heavily
edited.
The scene featured Trey Parker talking
about his technique for
editing the first draft of each show's
script.