I came away from the exhibits... convinced that Picasso was more naturally
a sculptor than a painter.
I've heard it expressed by some artists that as a consequence Picasso (through cubism) ends up being more
a sculptor than a painter and Matisse (through flatness) more a painter than a sculptor simply because one (Picasso) chose to deal with dimension more than the other even though both worked in the two mediums.
Modigliani (1884 - 1920) is said to have seen himself as more of
a sculptor than a painter, though fewer than 30 sculptures by him survive today, compared with hundreds of paintings.
This is when I started making the move towards being more of
a sculptor than a painter.»
Not exact matches
But I think we have risen above this distinction and can recognize in the activity of the
painter and the
sculptor, no less
than in that of the poet and the dancer, the emancipation from the «deadliness of doing» that distinguishes art from «work.»
More
than 40
painters,
sculptors, and photographers are bringing their work into the alleys, hidden gardens, and courtyards of Beacon Hill.
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sculptors live longer
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More: Exercise delays aging as much as caloric restriction does 02.02.2012 Why
sculptors live longer
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If you are spatially intelligent and oriented toward the arts, you are more likely to become a
painter or a
sculptor or an architect
than, say, a musician or a writer.
Authors, actors,
painters,
sculptors, photographers, and musicians have captured and celebrated their majesty for more
than a century; George Catlin, Ansel Adams, and Rudyard Kipling are among the earliest artists who promoted the preservation and protection of these unique American landscapes.
The
painters and
sculptors of the Italian Renaissance are most noted for their melding of religion and realism; the Romantic movement in England, appropriately, centered on the artist's individual feelings and motivations while still making the language accessible to the common reader; China's Tang Dynasty allowed art and poetry became more popular among the middle and lower classes
than ever before, and while landscapes and nature remained the focal point of most art, increased contact with new foreign countries expanded their own artists» techniques.
There are no obstacles in the way of a woman becoming a
painter or
sculptor other
than the usual obstacles that any artist has to face.
After all, there are few areas that are really «denied» to men, if the level of operations demanded be transcendent, responsible or rewarding enough: men who have a need for «feminine» involvement with babies or children gain status as pediatricians or child psychologists, with a nurse (female) to do the more routine work; those who feel the urge for kitchen creativity may gain fame as master chefs; and, of course, men who yearn to fulfill themselves through what are often termed «feminine» artistic interests can find themselves as
painters or
sculptors, rather
than as volunteer museum aides or part time ceramists, as their female counterparts so often end up doing; as far as scholarship is concerned, how many men would be willing to change their jobs as teachers and researchers for those of unpaid, part - time research assistants and typists as well as full - time nannies and domestic workers?
Art schools, perceived as little more
than a breeding ground for near - do - wells and bohemians, have been disenfranchised in this country, their buildings abandoned or reallocated, and the treasured notion of being tutored by professional
painters and
sculptors who could pass on many hard earned skills, abandoned.
The importance of the print in British art couldn't be better illustrated
than it is today when some of the most significant contemporary
painters and
sculptors, are also the most exciting printmakers.
Louise Nevelson was a
sculptor rather
than a
painter, and thus outside TCOP's usual focus, but I saw Albee's play last weekend, and I'm sure all artists will appreciate it.
The exhibition includes works by more
than 20 contemporary artists with ties to Asia, from
sculptors and mixed media artists to
painters, ceramicists, and photographers.
Major exhibitions realized under her leadership include México 1900 — 1950: Diego Rivera, Frida Kahlo, José Clemente Orozco, and the Avant - Garde; Jackson Pollock: Blind Spots; Jim Hodges: Give More
Than You Take; From the Sidewalk to the Catwalk: The Fashion World of Jean Paul Gaultier; Tutankhamun and the Golden Age of the Pharaohs; J. M. W. Turner; Van Gogh's Sheaves of Wheat; and Matisse:
Painter as
Sculptor; as well as the DMA's centennial exhibition and its accompanying publication.
This month, the British
painter and
sculptor Allen Jones returns to New York for his first solo show in more
than two decades, a mini retrospective at Michael Werner that includes key examples of his work from the early 1960s to the present.
I knew of Dorothea Tanning and Leonora Carrington as names rather
than painters, Claude Cahun or a
sculptor named simply Maria as not even that.
Painters have a totally different perspective on sculpture
than sculptors do.
It is the work of visual artists,
painters and
sculptors who, on rare occasion, chose to express themselves through the design and creation of jewellery rather
than through the medium for which they are best known.
As you move from one collision of modernist styles to another, it makes sense that the
painter -
sculptor Frank Stella has called Hofmann «the artist of the century,» who «produced more successful color explosions
than any other artist.»
Josh Lilley have a strong stable of young
painters and
sculptors in an interesting space that is much larger underground
than its street level gallery suggests.
Taken as a whole, the exhibition is a clean, a strong, and a varied one and of vast artistic, educational interest and importance, and, if I mistake not, will have as a result, and despite the unquestionably skeptical and even hostile attitude towards the merits of the new foreign movements, or an indisposition to accept them as being worthy of the title of art movements in general — the most marked effect upon the cause of art in America, and upon the coming production of American
painters and
sculptors,
than anything that has occurred since the first exhibition of the so - called Munich band of young American
painters in the old American art galleries in 1878, and of the work of Monet and his contemporaries and followers held here in 1883.
Perhaps more
than any other
sculptor of his generation, he made manifest in his sculpture of the early 50's the whole, abstract and essentially non-Cubist space that was being developed by the Abstract Expressionist
painters.
This is a fascinating opportunity to wander in and out of the studios where more
than 100
painters,
sculptors, fabric artists, jewelers, photographers, multimedia producers, and more, create their work.
The Staatliche Graphische Sammlung München has in its care more
than 260 sketchbooks — kept by
painters, illustrators,
sculptors, architects, as well as travel sketchbooks — ranging from the 18th century right up to the present day.
An expert in Latin American art, Viso oversaw curatorial projects at the Walker that included surveys of the Argentine
painter Guillermo Kuitca and American
sculptor Jim Hodges, special projects with the Guerrilla Girls, and initiatives around the Walker's 75th anniversary in 2015, which brought nearly 250 new art works donated by more
than 120 donors to the Walker's collections.
During Gowanus Open Studios 2016, which took place on Oct. 15 and 16, more
than 350
painters, printmakers, portraitists,
sculptors, furniture makers and other artists showed off their work — and their work spaces — to an estimated 5,000 - plus visitors.
This tells you more about the judges
than the times, though, for there are numerous
painters,
sculptors and film - makers who might have been chosen.
Consistently working with both established and emerging artists, Brooke Alexander has published over 1,500 editions with more
than 75
painters and
sculptors offering a particularly dynamic view of American printmaking in the last quarter century.
«Currently I am more attracted to
sculptors than to
painters.
Its new mission was to become an incubator for, as the jargon would have it, «the next generation of disruptive inventors and professional thought leaders across a multitude of global industries» rather
than a handful of
painters,
sculptors, photographers, and conceptual artists.
With the inclusion, more
than fifty years later, of Unconcerned Photographs in the 2018 Tate Modern exhibition Shape of Light: 100 Years of Photography and Abstract Art, Man Ray finally finds himself in the company not just of photographers, but of the
painters and
sculptors who contributed to the invention of abstract art.
The Atlantic Avenue Art Walk, an annual self - guided studio tour, showcases more
than 200 local designers,
painters,
sculptors and more.
It embraces all postmodernist
painters and
sculptors who focus on figurative imagery, in order to portray the «real» rather
than the ideal.
Belonging to no particular movement, or style of art, they included a diverse mix of
painters,
sculptors, video / installation artists and photographers, with no shared characteristics other
than their youth, their nationality and their involvement in contemporary art.
Herb Alpert has spent more
than half his life as a respected abstract expressionist
painter and
sculptor, whose work has been widely exhibited in the States and Europe.
Namuth becomes the major photo chronicler of the New York School, and during the period 1950 - 1988 photographs more
than 300
painters,
sculptors, and conceptual artists, usually as they worked in their studios.
He began to make his paintings more complex in structure, colour and shape, and then brought them off the wall, welding, shaping, doing what a
sculptor does, but still - in fact more recognisably
than with the Black Paintings - seeing as a
painter.
Sales for leading
painters Elizabeth Peyton and Xu Lele, and
sculptor Cady Noland — who holds the price record for a living woman artist at $ 6.6 million — have climbed more
than 3,000 percent in five years.
Herb Alpert has spent more
than half his life as a respected abstract expressionist
painter and
sculptor, whose work has been widely exhibited in the U.S. and Europe.
Pauline Boty, the pioneering British pop artist, until recently more known as muse
than painter, Zofia Styrenska, whose motifs were appropriated by the Polish state without acknowledgement or permission, and Alina Szapocznikow the avant - garde
sculptor, who represented Poland in the Venice Biennale of 1962 have all appeared as subjects of Olowska's recent exhibitions and return as echoes here.
Leonardo da Vinci, (Italian: «Leonardo from Vinci») Italian
painter, draftsman,
sculptor, architect, and engineer whose genius, perhaps more
than that of any other figure, epitomized the Renaissance humanist......
This eclectic installation features the art of prominent illustrators,
painters, and
sculptors whose autographic art spans more
than sixty years, representing many dynamic forms of visual communication.
The emphasis here is on design, rather
than accident, since it seems doubtful that a
painter or
sculptor can be accidentally avant - garde.
In its wider sense, the term Contemporary Realism encompasses all post-1970
painters and
sculptors who focus on representational art, where the object is to portray the «real» rather
than the ideal.
And to be worth having, it would perhaps need to consider more
than a difference of approach between
painters and
sculptors; by which I mean to imply that you could not be having this kind of conversation about sculpture.
Alberti suggested that the
painter deals ``... with more difficult things»
than the
sculptor for instance.