Sentences with phrase «sculptural exhibition modeled»

Looking beyond the Contemporary's first year of commissions, which will include works by Charles Atlas, Tom Friedman, Orly Genger and Charles Long, Grachos sees the museum eventually tapping Austin's festival culture to spearhead a citywide sculptural exhibition modeled after Sculpture Projects Muenster in Germany.

Not exact matches

Create sculptural and architectural models in this three - session class taught by contemporary artist Allyson Vieira and inspired by the integrated spatial and decorative forms in the exhibition Pierre Chareau: Modern Architecture and Design.

An exhibition of sculptural models of their proposed artworks will be exhibited from February 21 to April 30, 2017 on the High Line at West 14th Street.

A fragmentary array of movie theater architectural tropes, cult films stills, performative environmental settings, and photographs of cinema personas, the exhibition focuses in cinema's social space as a privileged subject in Tom Burr's sculptural model.

Radical Seafaring is a multidisciplinary exhibition, publication, and program initiative that will include two - dimensional works, sculptural objects, vessels, models, film and video, off - site commissions, and boat trips around East End waterways.

The exhibition at 303 Gallery will feature Pinsky's interpretative, sculptural model of the Wyckoff House, the oldest house in New York built in 1638.

«Radical Seafaring» is a multidisciplinary exhibition presenting two - dimensional works, sculptural objects, vessels, models, film and video, off - site commissions and boat trips around East End waterways.

A fragmentary array of movie theater architectural tropes, cult films stills, performative environmental settings, and photographs of cinema personas, the exhibition focuses in cinema's social space as a privileged subject in Tom Burrs» sculptural model.

Within the architectural and programming context of Serralves, Gillick's exhibition as intervention will contribute to the Museum's aim of articulating new models for exhibition making that respond to the distinctive practices of artists in their sculptural, discursive and temporal dimensions.

Donna Huanca's exhibition is the first performance - led commission at the Zabludowicz Collection, with daily performances from painted models activating a series of new site - responsive architectural and sculptural installations.

A scale model of the gallery space in chalk stone is carved, over the duration of the show, into an image — a sculptural copy or model — of the exhibition, reproducing the topography of works and gallery furniture.

This first UK solo exhibition by Donna Huanca at the Zabludowicz Collection is also the first performance - led commission in the space, with daily performances from painted models activating a series of new site - responsive architectural and sculptural installations in the 19th century former Methodist chapel.

Also included in the exhibition are works that suggest the body in a «post-human» hybrid state — the puppetry in Andrew Norman Wilson's Reality Models, in John Russell's large print Parallel Domination Facility, or in Pakui Hardware's series of free - standing sculptural works that contain fleshy images of indeterminable organic or artificial matter, sourced from NASA's archive.

Her first UK solo exhibition was a performance - led commission in the space, with painted models activating daily a series of new site - responsive architectural and sculptural installations in the 19th century former Methodist chapel.

A Member's Reception takes place on May 8 from 11 a.m. to 1 p.m. «Radical Seafaring» is a multidisciplinary exhibition, publication, and program initiative that will include two - dimensional works, sculptural objects, vessels, models, film and video, off - site commissions, and boat trips around East End waterways.

The signifiers of these phantasms are reflected throughout the exhibition by commercially produced, limited edition wallpapers (in collaboration with wallpaper designer George Venson of Voutsa), posters (which include re-contexutalized images of «tear - outs» of photographs of Karen Graham taken by Viktor Skebneski for Estée Lauder ads), and sculptural installations including «My Model / MySelf» paperback books.