Sentences with phrase «sculptural language»

What are you showing there, and how do you see the intimacy of your own sculptural language?

Following on from the solo shows of sculptors Roberto Almagno, Herbert Golser and Keita Miyazaki and the «wood» exhibition in 2014, rosenfeld porcini continues its exploration of sculptural language with...

«This exhibition will mark a distinctive change of visual and sculptural language within my work.

The lineage leads to Holly Hendry, a young artist whose unique sculptural language abstracts the body into layers of organs and dermis, akin to the sedimentary buildup of soil.

Spanning the late «40s through the early «60s, these works examine Abstraction based upon oblique evocations of the fragmented body and the influence of the unconscious, with seriality and repetition emerging as essential idioms of a new sculptural language.

Works on view reveal how César challenged traditional notions of form and space, and proposed a fresh and highly personal sculptural language via his pioneering experiments with postwar industrial materials.

Her individual sculptural language reveals Bircken's deep understanding of the materials she employs and a highly sensitive approach to both natural and artificial materials.

It was a ground - breaking approach to sculpture, in much the same way as his St Martin's mentor, Anthony Caro's own subversion of sculptural language in removing the plinth from the sculptural form.

The addition of bronze to de Jong's sculptural language represents an engagement with mortality, monumentality and world history that is more nuanced and less visceral than the use of modern synthetic compounds that defined the first 15 years of the artist's practice.

Áine McBride utilises the «aesthetic» prompts and signifiers of the familiar yet sterile habitats of office receptions, waiting rooms, airport terminals, and bank lobbies to construct her complex sculptural language.

At Frieze London (Booth B5), Lisson seems to have remembered the recent collaboration by the artists, placing their works in situ with each other, focusing on the relationship between colour and material juxtaposing the two artists differing sculptural languages.

Over the past forty years, Lynda Benglis has developed a distinctive and influential sculptural language.

This new, fascinating sculptural language established him as a key figure in the development of 20th century sculpture alongside David Smith, Mark Di Suvero and Richard Serra.

«In many ways, Dimitri's sculpture, like his life, straddled dual cultures, still believing in the vitality and worth of post-Cubist art, insisting that this European legacy did not have to be forestalled by the War, as it had been in America, that there was still something to say in modernist sculptural languages that had their origins in Paris.

Over the twenty - five years that Pratt has been making art, she has developed a thoughtful sculptural language that examines the structures and «failures» of various materials and architectural forms.

This is the gallery's second solo show of Peters» work, which expands upon her exploration of formal sculptural languages and themes ranging from power and authority to psychology, gender, and humanity.

This exhibition will feature a representative selection of artists born in the 1970s and»80s who are now successfully establishing themselves on the international scene and collectively generating an image of a Czecho - Slovakian sculptural language, with its own specifities of thought and expression.

Peters» sculptural language draws from diverse iconographic influences which include Assyrian antiquities, Greco - Roman tragedy masks, Egyptian funerary figures and Cypriotic portraits, as well as the work of Elie Nadelman, early American folk art, Constantin Brâncusi, and early modernist figuration.

For the artist who grew up working on his neighbour's farm in Kent, these mobile sculptures may seem like a natural progression for Capper, but to tackle these complex problem - solving processes of innovation and engineering, the artist has had to develop his own unique sculptural language.

This understanding of sculptural language and a preoccupation with forms in space, translated into two - dimensional images, underpins her pictorial practice.

Spanning the late 1940s through the early 1960s, these works examine abstraction based upon oblique evocations of the fragmented body and the influence of the unconscious, with seriality and repetition emerging as essential idioms of a new sculptural language.

Von Rydingsvard has evolved a distinctive, highly personal sculptural language that has become synonymous with cedar, the wood that lies at the heart of her practice.

Throughout her long and prolific career she has developed a distinctive sculptural language that is specific to her recollections of life in Communist - ruled Eastern Europe while remaining open to universal readings of human struggle.

«Over the past few years, Bircken has developed an individual sculptural language that reveals a deep understanding of the materials she employs and a sensitive approach to both natural and artificial materials.

But Genzken has few contemporary rivals in her command of sculptural language — of solid and void, light and shadow, form and surface, and interior and exterior.

This informal conversation between London - based artist Francis Upritchard and German - born jeweller Karl Fritsch will explore the artist's unique sculptural language and the multiplicity of artisan and craft traditions Upritchard has incorporated into her practice, including collaborations with UK fashion house Peter Pilotto, Karl Fritsch and Italian designer Martino Gamper.

Using a pared down sculptural language, Colclough's meticulously built structures both suspend and frame hand - drawn images.

Over the last twenty - five years, Pratt has developed a sculptural language that is largely dictated by her choice of materials and their juxtapositions.

After completing his bachelor's degree in fine art, to pursue his sculptural language he apprenticed at a traditional neon sign craftman's studio; this one - on - one training equipped him to him to freely form and deform glass.

Her sculptural language is formed by her surrounding landscapes and nature, and engages with themes of memories, identity, and place.

The sculptural language of Strong - Cuevas originates from the basic form of the human head.

Boldly experimenting with her sculptural language, Xiang Jing is also mindful about engaging space and mirror images when creating and installing her works.

Blitz's sculptural language of manipulated natural imagery explores beauty, magic and myth, with an otherworldly sensibility.

He developed a sculptural language, experimenting with figurative and abstracted elements of the human figure, in particular the female body, in combination with organic lines.

This exhibition surveys the visual lexicon of Serge Spitzer, who over the past twenty years has devised a kind of sculptural language.

Ordinary Things is a consideration of the ways in which Lucas uses the sculptural languages of the figure and the cast.

This connection is made strongest with Lamp (2016), a work produced in collaboration with Wilddogs International, which - along works like Bachelor or Tatami (both 2016)- bridges the sculptural language with the painterly gestures in the show into one of Scherer's signature environments.

The exhibition will include three major sculptures from integral though distinct bodies of work in the artist's sculptural language: voids, mirrors, and the auto - generated.

From his early Cubist and Surrealist assemblages to later ceramic and cut sheet - metal works, this major exhibition from the quintessential Modernist master is bound to elevate this «painter's» brilliant and unique sculptural language.

The works of Guy Martin, John Gibbons, Ian Dawson and John Wallbank all demonstrate the different ways in which the evolution of sculptural language has been negotiated.

29 March - 10 June 1994 Galleries 1, 2 and 3 This exhibition surveys the visual lexicon of Serge Spitzer, who over the past twenty years has devised a kind of sculptural language.

Constantly searching for new expressive languages, Serra has created many series of drawings that, while independent of his sculptures, correspond to the founding elements of his sculptural language: time, process, and materiality.

Their sculptural language is highly reduced, in some cases so schematic that the body form is rendered purely abstract, but without any loss of human empathy.

Referring to the art of representational criticism as well as to concept art, Olesen's works are spatial interventions transforming theoretical concepts into a sculptural language.

I'm interested in making paintings that speak a sculptural language within a compressed two - dimensional abstracted pictorial space, in other words, I see my work as micro-sculpture that hinge on the brink of the pictorial.

«I'm interested in making paintings that speak a sculptural language within a compressed two - dimensional abstracted pictorial space,» says Scott.

The exhibition in Moscow will include three major sculptures from integral though distinct bodies of work in the artist's sculptural language: voids, mirrors, and the auto - generated.

With an acute understanding of sculptural language, Woods» interpretations shift between figuration and abstraction imbuing this central tension with volume, weight and interior mystery.

Renowned for his large - scale sculptures, innovative mobiles, as well as stabiles, wire sculptures, paintings, toys and jewelry, Calder developed a unique abstract sculptural language.