Sentences with phrase «sculptural language in»

Not exact matches

Ultimately, the needs of the student are met by the Waldorf curriculum itself; in addition to the class teacher, the students experience continuity and expertise through involvement with subject teachers who teach handwork, movement and games, a world language, eurythmy, sculptural arts, gardening, music, and fine arts.

The exhibition features paintings — a language in which light plays an essential role — as well as sculptural investigations and installations that use optical and luminous elements, like mirrors and light bulbs.

But Genzken has few contemporary rivals in her command of sculptural language — of solid and void, light and shadow, form and surface, and interior and exterior.

This exhibition is the first large - scale installation of Simmons» ongoing Index series, photographic works whose core are found in the language of the sculptural.

Recent sculptural installations, such as Cracks in the Clouds (2010) at New York's Seagram Building and At Least They Died Together (2014) at the Brant Foundation, Greenwich, CT, imbue the spare language of Minimalism with emotional depth.

This understanding of sculptural language and a preoccupation with forms in space, translated into two - dimensional images, underpins her pictorial practice.

Exemplifying a strong resurgence in material practices across the UK, the three artists produce sculptural works exhibiting precise languages of process, material or contextual manipulation.

His repeated minimal palette correlates to his obsessive interest in line and form, drawing, and monochromatic and tonal values, while developing a complex language of pictorial and sculptural signs.

His influence — whether through his affectless, task - based performances, his sculptural castings of negative space, or his intermedia mash - ups of language, video and noise — is everywhere apparent in contemporary art.»

Several artists in the exhibition explore the use of text, light, mixed - media and language in their sculptural works.

At A+P, McMillian, whose artistic practice embodies a wide range of media and techniques, will discuss how he manipulates a multitude of materials, including those found in his everyday life, to create striking sculptural works, paintings, and videos that challenge the relationships between language, aesthetics and content.

The boards lined with neo-woven plastic film fabric, decorated with a grid pattern mark familiar sculptural, architectural and industrial languages and constitute themselves in relation to processes of manufacture.

After completing his bachelor's degree in fine art, to pursue his sculptural language he apprenticed at a traditional neon sign craftman's studio; this one - on - one training equipped him to him to freely form and deform glass.

Housed within sophisticated sculptural installations, his spoken word performances oscillate between extreme didacticism and poetry, ultimately serving to undermine our belief in language as a form of communication in the age of over-sharing.

Mateo's sculptural work makes use language as a tool of narrative and of absurd abstraction, shifting in scale, and exchanging mediums in an attempt find a means a performative production.

In his pursuit of a new language, the artist helped to move sculptural practice from the «modern'to the «contemporary.»

For his sculptural bird nests, he has asked people from all over the world to send stories of their youth to him, written in their native language.

Themes will examine artists using video as a personal / political tool, the cinematic in video production, the sculptural, language, narrative and non-narrative.

In Nathan Carter's fifth solo exhibition at the gallery, the visual language of his two - dimensional abstractions evolves into a multi-dimensional, sculptural stage set.

This new, fascinating sculptural language established him as a key figure in the development of 20th century sculpture alongside David Smith, Mark Di Suvero and Richard Serra.

All of the books on display deal with language and explore artists» interest in words in connection with sculptural practice.

«In many ways, Dimitri's sculpture, like his life, straddled dual cultures, still believing in the vitality and worth of post-Cubist art, insisting that this European legacy did not have to be forestalled by the War, as it had been in America, that there was still something to say in modernist sculptural languages that had their origins in PariIn many ways, Dimitri's sculpture, like his life, straddled dual cultures, still believing in the vitality and worth of post-Cubist art, insisting that this European legacy did not have to be forestalled by the War, as it had been in America, that there was still something to say in modernist sculptural languages that had their origins in Pariin the vitality and worth of post-Cubist art, insisting that this European legacy did not have to be forestalled by the War, as it had been in America, that there was still something to say in modernist sculptural languages that had their origins in Pariin America, that there was still something to say in modernist sculptural languages that had their origins in Pariin modernist sculptural languages that had their origins in Pariin Paris.

He developed a sculptural language, experimenting with figurative and abstracted elements of the human figure, in particular the female body, in combination with organic lines.

Weiner considers language to be a sculptural material and believes that a construction in language can function as a sculpture, just like more traditional fabricated objects.

Ordinary Things is a consideration of the ways in which Lucas uses the sculptural languages of the figure and the cast.

In a sculptural intervention to encourage the viewers» physical interaction, Vega draws ideas from the tropes of motivational language (i.e. «the sky's the limit»), creating puns with the nature imagery embedded within the language.

Made by her own hand, her objects are produced through the languages that surround them, materials that are ready at hand, and sculptural procedures and traditions, taking in cutting, welding, moulding, handling, stuffing, assembling; monumental, ready - made, formal, quick - build, representational and abstract.

Michael Rees is an artist working in themes of figuration, language, technology, and the social to weave a sculptural mélange.

The exhibition, presented in the first floor gallery, will feature oil on canvas paintings, a large site - specific wall work, a sculptural work, and a silkscreen piece from his INDEPENDANCE series, all of which explore the relationship between politics, language, and race, and consider how history bears on the present.

Considering language to be a sculptural material and believing that a construction in language can function as sculpture as adequately as a fabricated object, Weiner's works operate beyond the specificity and constraints of traditional presentation, inspiring artists like Barbara Kruger and Felix Gonzalez - Torres.

The exhibition will include three major sculptures from integral though distinct bodies of work in the artist's sculptural language: voids, mirrors, and the auto - generated.

Frequent Public Art Fund collaborator, Hank Willis Thomas» current project, «The Truth Is I See You» at Brooklyn's MetroTech Commons, features a series of speech balloons — a mixture of open form sculptural works that served as benches for introspection and signage in 22 languages on the themes of understanding and truth.

At a new presentation of his work — titled «Flow / / Flow», curated by Paul Luckraft, and part of the Zabludowicz Collection's «Invites» series — Ireland uses ubiquitous everyday items, a mainstay in the language of his sculptural installations: burger cartons, shoelaces, cable ties, breeze blocks, plastic bags and fluorescent tubing are all utilised.

With SPREAD funding, I want refine the language of abstraction articulated in my recent ceramics, and expand my sculptural practice from objects to environments, through larger works and new installations.

You've developed a particular language in your paintings and sculptural ceramics.

The works of Guy Martin, John Gibbons, Ian Dawson and John Wallbank all demonstrate the different ways in which the evolution of sculptural language has been negotiated.

The exhibition, his first in the UK since 2008, will see the Serpentine Sackler Gallery populated by a diverse mix of sculptural forms that demonstrate Tayou's unique visual language based on archetypes, made and found objects and traditional craft.

In it the writer and curator questions the value of «doing» in favour of a sort of «undoing», which in Diagonal Z Jeans, Olabarrieta takes further by emptying these actions and objects of their function and developing a new «sculptural semi-abstract language» from all the confusioIn it the writer and curator questions the value of «doing» in favour of a sort of «undoing», which in Diagonal Z Jeans, Olabarrieta takes further by emptying these actions and objects of their function and developing a new «sculptural semi-abstract language» from all the confusioin favour of a sort of «undoing», which in Diagonal Z Jeans, Olabarrieta takes further by emptying these actions and objects of their function and developing a new «sculptural semi-abstract language» from all the confusioin Diagonal Z Jeans, Olabarrieta takes further by emptying these actions and objects of their function and developing a new «sculptural semi-abstract language» from all the confusion.

Working with bamboo, chalk, fabric, glass, thread, wood, and paint, her sculptural and painterly language enfolds the visitor in a web of associations both physical and emotional.

For the artist who grew up working on his neighbour's farm in Kent, these mobile sculptures may seem like a natural progression for Capper, but to tackle these complex problem - solving processes of innovation and engineering, the artist has had to develop his own unique sculptural language.

In her art, Bourgeois found sculptural equivalents for her psychological states, creating a symbolic language that is both universal and uniquely her own.

In 2014, he unveiled this new model of embodied writing - as - art practice at the Whitney Biennial with his audio installation 16 Sculptures, in which he re-created iconic and lesser known sculptural works from throughout the history of art in the medium of language, infesting these works with an authorial agency hitherto unexplored and allowing the viewer to collaborate in a re-creative perceptual exercise of meaning - formatioIn 2014, he unveiled this new model of embodied writing - as - art practice at the Whitney Biennial with his audio installation 16 Sculptures, in which he re-created iconic and lesser known sculptural works from throughout the history of art in the medium of language, infesting these works with an authorial agency hitherto unexplored and allowing the viewer to collaborate in a re-creative perceptual exercise of meaning - formatioin which he re-created iconic and lesser known sculptural works from throughout the history of art in the medium of language, infesting these works with an authorial agency hitherto unexplored and allowing the viewer to collaborate in a re-creative perceptual exercise of meaning - formatioin the medium of language, infesting these works with an authorial agency hitherto unexplored and allowing the viewer to collaborate in a re-creative perceptual exercise of meaning - formatioin a re-creative perceptual exercise of meaning - formation.

This exhibition will feature a representative selection of artists born in the 1970s and»80s who are now successfully establishing themselves on the international scene and collectively generating an image of a Czecho - Slovakian sculptural language, with its own specifities of thought and expression.

Los Angeles - based artist Shannon Ebner is known for black and white photographs for which she embeds text sculptures in the American landscape, offering a consideration of the powerful sculptural qualities of language.

The sculptural element of the show comprises 100 delicately wrought golden boats that ride the choppy but invisible waves of time, and the Fair Wheel paintings speak in a visual language that is both ancient and immediately understood by the modern eye.

I'm interested in making paintings that speak a sculptural language within a compressed two - dimensional abstracted pictorial space, in other words, I see my work as micro-sculpture that hinge on the brink of the pictorial.

«I'm interested in making paintings that speak a sculptural language within a compressed two - dimensional abstracted pictorial space,» says Scott.

[Catlett] took the sculptural methods and language she had learned in the United States and either merged them with or reshaped them according to the look and syntax of African and pre-Hispanic art.

The exhibition will encompass a wide range of ways in which artists have experimented with light designed to be seen rather than illuminate; whether through text and language, the drawn line or an investigation into its physical and sculptural qualities.

He revolutionised sculptural material when in 1965, while still a student, he showed the soft sculpture aaing j gni aa, 1965 at Better Books, Charing Cross Road (bought by the Tate Gallery in 1969) works such as this and 4 casb 2» 67, 1967 changed ideas about the language of sculpture forever.