Blending digital production and traditional craft techniques, the series featured here include «Remolten,» a set of
sculptural objects formed with petrified lava, and «Imaginary Geographies,» which reinterprets the sound of mountain winds into three - dimensional pieces such as a coffee table and credenza.
Not exact matches
Carefully modeled after the artful
form of natural spike coral, this
sculptural cast - resin
object lends an aquatic note to the mantel or table.
With its ovoid
form and gently dimpled contours, the Power Dock defies what we expect an industrial
object to look like, combining simple functionality with an intriguing, gotta - touch - it
sculptural aspect.
The expressive, skull - like
forms of the masks and heads builds on the Western modernist fascination with tribal
objects from Africa and the South Pacific, but go beyond this to provide a fresh interpretation of transhistorical and transcultural
sculptural genres.
The Serpentine Sackler Gallery was populated by a diverse mix of
sculptural forms that demonstrated Tayou's unique visual language based on archetypes, made and found
objects and traditional craft.
Trained as both an architect and as a sculptor, James Rodger Alexander has consistently utilized
form to articulate and delineate space rather than simply define the
sculptural object.
Edgar Orlaineta's work focuses on the minutiae of everyday life, employing
objects and ideas and transforming them into
sculptural forms.
There is, in short, a marvellous analogy between the original
object, the
sculptural form and the title.
The pieces are
sculptural collages that play on the on the idea of the found
object or assemblage, with Verbicky positioning the strips to create new images that become evident at a distance, the jumble of words and colors taking on new
form and shape.
These
sculptural installations and mobiles were a springboard for Fromartz to create prints, collages, and photographs, drawing on the colors,
forms, fragments, and representations of the
objects she had gathered from the streets.
His work, from early minimal
objects to increasingly expansive and complex
forms, has always dealt with such central issues of the
sculptural tradition as size and scale, balance and imbalance, figuration and abstraction.
This comes together in
sculptural form at the courtyard of his atelier in the Rue de Jules Ferry in Dakar, where found and transformed
objects and materials including threads, fabrics, clothing, branches, stones and other ephemera are installed around a tree.
We're not sure what exactly to call Lena Henke's printed - on boxes of transparent plastic — in the traditional of Donald Judd's «specific
objects,» they hang on the wall but are clearly
sculptural, and they use photographic images, but in abstracted
forms.
Immersed in materiality and process, her linear and geometric
sculptural forms create drawings in space, and aim to transform everyday
objects and materials into architectonic inventions.
His paintings utilize recurrent motifs, frames, and patterns echoed by
sculptural forms derived from found
objects and materials.
Young and Giroux rework modernist
forms of abstraction using consumer goods and industrial prototyping methods, construction systems and componentry to produce
sculptural objects that partake in contemporary architectural discourse.
American artist Kevin Beasley takes found materials — including his own clothing, instruments, household
objects and detritus he finds on the street — and moulds them into
sculptural forms, using a mixture of resin and polyurethane.The
sculptural installation BEATEN - FACE / TOMS / ARMS, TIES, & LEG / FLOOR / BODY / BASS, 2014 was acquired by the AGO in 2014 and included in the exhibition Many Things Brought from One Climate to Another on view on the 5th floor in the Contemporary Tower until June 12.
Part of the curator's interest here is in the relationship between text and
sculptural objects and the manners in which a written text can be unraveled structurally and what this deconstructed
form allows to be seen.
Wallace has received international critical acclaim and viral exposure for «CLITERACY» a project addressing citizenship and body sovereignty using the medium of text - based
objects, unauthorized street installation, performance and
sculptural forms.
Sculptural objects placed directly on the floor create a skewed sense of scale and perspective, caused by the interplay between two - dimensional shapes and three - dimensional
forms.
Other well know names represented include Cy Twombly and Richard Diebenkorn at Susan Sheehan Gallery, a Jim Dine solo show at Pace Gallery, Sam Francis at Manny Silverman Gallery and lastly Michael DeLucia, a former assistant to Jeff Koons, whose
sculptural work is engaged with appropriation and the exploitation of
objects of mass production in the search of a final abstract
form, who is in a two person show with Al Held at the Van Doren Waxter / Eleven booth.
The Belgian artist Koenraad Dedobbeleer, well - known for expanding our perspective of
objects and their appearance with his installation and sculpture, has been commissioned to design displays, walls, plinths, seating and other
forms that will guide the visitor around General Rehearsal, transforming and opening up the building with his
sculptural objects.
And then I caught onto the mutual displacement of museum spaces and
sculptural form, of found
objects and created memories.
While the Assembly Instructions take the
form of wall installations, they are exemplary of Singh's practice, which includes performances that often take the
form of wildly expansive lectures blending fact and fiction or his
sculptural installation The School of
Objects Criticized, 2010 comprised of mundane objects on pedestals performing a theatrica
Objects Criticized, 2010 comprised of mundane
objects on pedestals performing a theatrica
objects on pedestals performing a theatrical play.
The «Lynch Fragments» exemplify the extraordinary range of Edwards»
sculptural practice, welding industrial found
objects like hammers, chains and railroad spikes into new
forms.
His Wunderkammer of natural stones, shells, bones, animal skulls, and other found
objects will be presented alongside the drawings and
sculptural maquettes that they inspired, demonstrating the metamorphosis from nature to sculpture, from inanimate
object to human or animal
form, that was the impetus of his oeuvre.
The film is less about the artist's iconography than the embedded intellectual process that allows him to transform everyday
objects into remarkable
sculptural forms.
What appears to be a utilitarian
object meant for functionality is a poetic
sculptural gesture, and what looks to be the seductive swath of glitter reveals itself to be corporeal fluid hardened in a new
form.
The props, or
sculptural objects the audience encounters are all reminiscent of
objects found in a domestic space but have all undergone a transition towards a more surrealistic
form.
Jutting out from the wall and
sculptural in
form, Murray's paintings and watercolors playfully blur the line between the painting as an
object and the painting as a space for depicting
objects.
On the surface, his
sculptural forms and accompanying drawings may appear simple, including oversized light bulbs and life - size bicycles, but each
object represents a deeply rooted societal issue.
From his early installations featuring modest arrangements of found
objects to his recent
sculptural forms that look like natural accretions experiencing computer glitches, Cragg remains deeply committed to material and to sculpture.
A diverse mix of
sculptural forms demonstrate Tayou's unique visual language based on archetypes, made and found
objects, and traditional craft.
By taking
objects that are commonly used in the process of artisanal manufacture and presenting them as aesthetic,
sculptural forms, Meppayil liberates the implements from their intended use, while also retaining vestiges of their individual histories.
Under Rachel Harrison's hand, consumer goods and handcrafted elements morph together to create baffling
sculptural forms that activate their beholders instantly — «I want people to be real with art, to be conscious and present with the
object in order to experience it... The materials convey a direct involvement and immediacy», says the artist emphatically.
Barlow enjoys juxtaposing these elements with more abstract
sculptural forms, in order to tease out the paradoxical nature of sculpture and its relationship to
objects in the real world.
His decades - long experimentation with found
objects, recycled materials and bronze has
formed historical
sculptural works located on Lenox Avenue in Harlem.
Original photography along with found images,
objects, and historical detritus, are assembled and mounted on handmade,
sculptural forms; these devices operate as boundaries that create relationships and divisions between pictures, texts, ideas, and natural and abstract
forms.
I enjoy the working with found
objects, plant life, and
sculptural forms in collaboration to create interactive and immersive landscapes.
Rebecca Gilbert, «remakes everyday
objects as
sculptural copies, creating small interventions within commonly understood
forms.
The subtly altered
forms become a
sculptural proposition cloaking itself as a utilitarian
object that should be placed in a salt mine until the year 2300 to see what people make of it.
Investigate a wide spectrum of
sculptural methods including stand - alone
objects, site - specific works, multiples, installations,
sculptural interventions, performance, and any number of hybrid
forms of three - dimensional engagement.
Detailed Description: Utilizing inspiration from geological forces, architectural
forms and the natural landscape, artist John Ruppert melds distinctions between these influences through his large installations, video projections, photographs and
sculptural objects.
The work takes the
form of an architectural intervention including
sculptural floor
objects and it combines elements of historical research around the first human journey into outer space as well as participatory conversations with more than 90inhabitants in Hangzhou, among them students of the China Academy of Art of Hangzhou where the artist is presently a visiting artist.
Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early
sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of
objects, reading and writing,
form and content, and phases of development.
These exceptional artists use air - filled
objects to redefine the
sculptural form and create inflatable art pieces that are bigger than life.
For the first time in his career, Weiner will exhibit
sculptural objects, crystalline
forms grown from the minerals in paint pigment.
Sandstars consists of 1,200
objects that now
form a monumental
sculptural carpet on the gallery floor.
Known for her
sculptural installations which metamorphose industrial found
objects into fleshy organic
forms; here Grobler focuses on two - dimensional works for the most part.
While Remi's art has always been about creating dimension within the depths of a canvas or a wall, his new works have taken that idea in an exciting new direction, by transforming a three dimensional
object such as a skull through the application of paint and by extracting complex shapes from the flat canvas into
sculptural forms.