Sentences with phrase «sculptural objects made»

These works will be set into motion at U.S. Blues along with other sculptural objects made by Schrader as well as a drawing from 1981 by the artist Roland Ayers.

For his Sightings exhibition at the Nasher, Israel will combine new sculptural objects made in the vernacular vocabulary of Hollywood movies to make a quasi-narrative installation related to a film that Israel is soon to release.

In his latest exhibition What It Is, New York City - based artist and designer Doug Johnston crafts unusual, sculptural objects made entirely from coiled and stitched rope — an ancient technique that he loves to celebrate in a more contemporary way.

Indeed, the surge of paper traces back several years to the advent of Minimalism, in which drawings and other documents routinely supported the production of sculptural objects made by studio assistants or small commercial fabricators.

His current body of work is a series of «painthings,» formal sculptural objects made exclusively of paint; these objects play with ideas of representation in abjection to conventional hegemony of the image.

Not exact matches

His work spans a range of media including photography, painting, sculpture, installation and use of the ready - made to create assemblages from everyday found objects such as books, ceramics, TV sets and other house - hold goods and paraphernalia, which Liu Wei transforms into sculptural objects and installations of eloquent complexity.

The Serpentine Sackler Gallery was populated by a diverse mix of sculptural forms that demonstrated Tayou's unique visual language based on archetypes, made and found objects and traditional craft.

Artists making monochromes shoulder the historical weight of Minimalism, but Bradley's connection to the movement is tenuous; his acrylic layers on cheap, pre-stretched Fredrix canvases convey none of the object fetishism of Carl Andre or Barry Le Va's refined sculptural work.

Yulim's work is delicate, airy, almost whispered, made of light embroideries, inks on silk, everyday objects transformed into tiny jewels, small sculptural structures that refer to the concept of nest and shelter.

These new, site - specific works are contextualized by sculptural assemblages composed of derelict toys, objects, and ephemera from the artist's studio, and a selection of charcoal drawings and key paintings made between 1990 and the present.

Sculptural in nature, the photographs are representations of landscapes with discreet manipulations made by the artist using her body, found objects and cut paper.

Using found domestic objects such as shoes or irons as a means of mark making or as sculptural elements, Willie Cole adopts dadaist strategies of appropriation and assemblage to political representations of marginalized identities.

Working in parallel to Western pictorial traditions of landscape, Clare uses precise combination artist - made and collected sculptural objects, photographic images, event and documentation as vehicles to re-access, re-experience, re-stage, identify, imagine.

Carol Bove creates simple yet intricate assemblages of found and made objects, which share an interest in sculptural syntax and yield unexpected, poetic, and multilayered meanings.

The sculptural arrangements play with the notion of ready - made and juxtaposition of objects that bear no relation to each other.

Brice majored in painting at Michaelis UCT, her early work included constructed artworks combining found objects, or domestic materials such as linoleum, with steel to make wall artworks, installations and sculptural pieces.

Artist Ellen Jewett refers to her sculptural work as «natural history surrealist sculpture,» a blend of plants, animals, and occasionally human - made structures or objects.

With the previously two dimensional digital letters now rendered in steel and extracted from their containment on a ground, Titchner will look at where ideology is made concrete to become a sculptural object.

The most alluring of these make for dazzling sculptural objects, but offer little in the way of ideas.

But what sort of potential exists for artists making images as sculptural objects?

Much has been made, in recent criticism, of the significance of placing photographic images on sculptural objects.

She made sculptural assemblages using found objects such as boat spikes and bottle tops.

Sculptural Furniture and Speculative Joinery While joinery serves to make an object possible mechanically, increasingly it is used conceptually to carry a narrative.This workshop will focus on how one element meets and connects with another, both physically and metaphorically.

Concerned primarily with color and with the way we see and respond to different hues in the digital age, David Batchelor makes sculptural installations out of found objects.

Sculptural work will retain a central place in his practice even to this day, preferring nature theme over man - made objects in his works.

F l o M a a k digitally manipulates his photographs to introduce images of zebras and polar bears into man - made artificial shelters, while Sonia Shiel «s sculptural installation of everyday objects and materials combines elements of the natural environment and contemporary consumer society.

Bustamante continues to exhibit both objects and images, and says of this portfolio of sculptural work, which seems at first to make his biggest break yet with photography, «All of the works here have something to do with photographics.»

His sculptures had a fantastic sense of the bathetic and hand - made, too: he was just as likely to include bits of scrunched - up coloured tissue paper on top of an object as more tasteful, sculptural materials.

A diverse mix of sculptural forms demonstrate Tayou's unique visual language based on archetypes, made and found objects, and traditional craft.

[1] It is therefore not much of a surprise that the solemn presence of her sculptural practice vastly rests on the simplicity and bareness of the materials of which the objects are made out of.

I feel that the time is ripe to mount an installation or cubby hole featuring small intimate portraits in my iconic make - up style of famous female courtesans and concubines from the Belle Epoch to Hollywood's Golden Era plus tiny sculptural art objects similar to my votive bread effigies of well endowed male hustlers, rent boys which of course will include some well known names of mainstream he - man box office stars and of the legendary art rock band The Voluptuous Horror of Karen Black, «We all monkey down the street.»

The vast wall space and soaring ceilings escalated everything to scale of grandeur and made the venue ideal for exhibiting large sculptural objects, minimalist readymades and monochromatic canvases as Lisson Gallery, David Zwirner and Gagosian (respectively) demonstrated.

In his sculptural works that explore materials such as bronze and ceramic, the artist makes physical some of his more curious and eccentric propositions by transforming found objects or by playing with their scale.

Life size cartoon figures have been pulled from their two dimensional substrate and made into sculptural objects which are revealed as you walk around the installation.

His sculptural work incorporates unique materials and ready - made objects in mixed - media combines with an understated minimalism, while his research is presented through various writings, online platforms, and collaborative projects.

This summer, Norton is producing a multi-part installation consisting of custom - made window inserts, sculptural objects, interactive hot houses and living plants.

Rhona makes sculptural objects and spatial environments combining sculpture, performance and processes of participation that explore a negotiation of object, place and social practice.

The subtly altered forms become a sculptural proposition cloaking itself as a utilitarian object that should be placed in a salt mine until the year 2300 to see what people make of it.

Dolphin makes a version of them, he wants the sculptural object to become itself, not a copy.

Jim Lambie makes colorful sculptural installations with objects appropriated from everyday pop culture — album covers, household objects, plastic buttons, repurposed chairs.

Faith, Fear, and Fortune - Opening: February 14, 2009 - 7pm - 10 pm Feb. 14 - March 9, 2009 The Making of Giants - Opening: March 14, 2009 - 7pm - 10 pm March 14 - April 6, 2009 In February, Artformz Alternative presents the exhibition «Faith, Fear, and Fortune», which features the works of two renowned artists: PJ Mills (large - format photography) and Ramon Williams (sculptural objects & -LSB-...]

Matthew Smith's (b. 1976, Wakefield) sculptural work is predominantly made from everyday objects, which he them manipulates or transforms with a sleight hand.

Jonas has employed an interdisciplinary approach throughout her career, being one of the first artists to explore the potential of the video camera as a tool for image - making and the TV monitor as a sculptural object.

He used photography to re-examine sculptural thinking, providing a catalyst for change in his broader object - making practice.

In this exhibition, Young brings together the hand - made wooden objects for which he is best known, along with jewelry making, printmaking and a sculptural sound installation made during his residency.

This survey of the artist's sculptural works made between 1961 and 1977 presents an obsession with the things that objects can do, rather than the objects themselves.

Made by her own hand, her objects are produced through the languages that surround them, materials that are ready at hand, and sculptural procedures and traditions, taking in cutting, welding, moulding, handling, stuffing, assembling; monumental, ready - made, formal, quick - build, representational and abstrMade by her own hand, her objects are produced through the languages that surround them, materials that are ready at hand, and sculptural procedures and traditions, taking in cutting, welding, moulding, handling, stuffing, assembling; monumental, ready - made, formal, quick - build, representational and abstrmade, formal, quick - build, representational and abstract.

Often working with every day and found materials such as fabric, glass, wood, metal and ceramics, the artist typically makes small to medium scale organic constructions that combine an almost «Beuysian» shamanistic or ritualistic use of materials with the formalism of early modernist sculptural objects.

Thompson did not stop making art; text work, performative photographic pieces, objects and large - scale sculptural installations which were widely exhibited, but he did not return to painting until he retired from education and was able to devote himself to â $ the day - to - day involvement that a serious painting practice requiresâ $.

Pursuing the sculptural qualities of objects, space and sound, the artist plans to grow the «Broken Ensemble» over time with new recordings being made of further musical instruments used in war over the coming years.