Sentences with phrase «sculptural objects using»

As previously noted, a majority of the visual artists in the exhibition are sculptors or have created sculptural objects using these technologies.

Not exact matches

Even so, his work is meaningfully, and indeed crucially, connected to important activities, movements, and genres of American artistic production — sculptural assemblage using found objects, appropriation of existing text and image, institutional critique, the politics of representation, performance — and, moreover, to the colonial history and political struggles of the country.

An image of this spare observational work was e-mailed to Bill Albertini, an artist who uses the computer to render sequences of complex landscapes and sculptural objects.

His work spans a range of media including photography, painting, sculpture, installation and use of the ready - made to create assemblages from everyday found objects such as books, ceramics, TV sets and other house - hold goods and paraphernalia, which Liu Wei transforms into sculptural objects and installations of eloquent complexity.

Using base material — thread, mirror, plaster, resin, sequins, artificial hair and ceramics — Altmejd's work is an expression of the visceral power of sculptural objects.

Huge sculptural pieces will take up the gallery and invite viewers to question the objects» past uses and current meanings.

Another Land: After Noguchi is a photographic response to the works of Isamu Noguchi (1904 — 88), using light as a sculptural tool to cast Noguchi's work as distant objects in space.

One of the first pieces viewers» encounter in the exhibition, the sculptural installation Lit, demonstrates Ward's acumen for using everyday objects to create a tangible link between economic and societal reality, and spirituality.

Sculptural in nature, the photographs are representations of landscapes with discreet manipulations made by the artist using her body, found objects and cut paper.

Using found domestic objects such as shoes or irons as a means of mark making or as sculptural elements, Willie Cole adopts dadaist strategies of appropriation and assemblage to political representations of marginalized identities.

We're not sure what exactly to call Lena Henke's printed - on boxes of transparent plastic — in the traditional of Donald Judd's «specific objects,» they hang on the wall but are clearly sculptural, and they use photographic images, but in abstracted forms.

Working in parallel to Western pictorial traditions of landscape, Clare uses precise combination artist - made and collected sculptural objects, photographic images, event and documentation as vehicles to re-access, re-experience, re-stage, identify, imagine.

Using the plastic - molded tops of battery - operated remote controls and other common electrodomestic equipment, enlarging them to a giant scale, the artist combines these found objects into sculptural compositions that recall the work of Anthony Caro.

Young and Giroux rework modernist forms of abstraction using consumer goods and industrial prototyping methods, construction systems and componentry to produce sculptural objects that partake in contemporary architectural discourse.

American artist Kevin Beasley takes found materials — including his own clothing, instruments, household objects and detritus he finds on the street — and moulds them into sculptural forms, using a mixture of resin and polyurethane.The sculptural installation BEATEN - FACE / TOMS / ARMS, TIES, & LEG / FLOOR / BODY / BASS, 2014 was acquired by the AGO in 2014 and included in the exhibition Many Things Brought from One Climate to Another on view on the 5th floor in the Contemporary Tower until June 12.

Wallace has received international critical acclaim and viral exposure for «CLITERACY» a project addressing citizenship and body sovereignty using the medium of text - based objects, unauthorized street installation, performance and sculptural forms.

Paul Kuniholm Pauper is a public artist who creates art embodying sculptural objects, often using a human as exhibition system, art using digital material, video and various time - based artwork.

In his sculptural installations, Mark Handforth uses objects from public space, which he deforms and reworks into new perspectives and functions...

She made sculptural assemblages using found objects such as boat spikes and bottle tops.

The exhibition continues with works by: Isa Genzken, Cristina Iglesias, Liz Larner, Anna Maria Maiolino, Marisa Merz, Senga Nengudi, Lygia Pape, and Ursula von Rydingsvard, a Post Modernist generation of increasingly global figures who are far more expansive in their use of space, and whose works signal a foundational shift from discreet sculptural objects toward more installation - based practices.

Sculptural Furniture and Speculative Joinery While joinery serves to make an object possible mechanically, increasingly it is used conceptually to carry a narrative.This workshop will focus on how one element meets and connects with another, both physically and metaphorically.

Many used everyday objects such as refrigerators and mirrors to create sculptural monuments or construct architectural environments against the Manhattan skyline.

Claire Barclay is a Glasgow - based artist well known for her large - scale sculptural installations that combine highly formalised elements with a scatter aesthetic, using platforms, screens and other structures around which crafted objects lie in carefully gathered constellations.

Known for her commitment to process, Donovan has earned acclaim for her ability to discover the inherent physical characteristics of an object and transform it into art.Extending upon the artist's core interest in investigating aggregative procedures using a singular material, the recent series is comprised of wall - mounted framed works in various sizes that explore stratification as both a sculptural technique and a means to construct a two - dimensional picture plane.

Using carefully chosen materials and choreographing display strategies to produce narrative, Bove and Scarpa share a concern with relationships between an object, its environment and the moment of sculptural encounter.

She uses them to speak meaningfully about cultural heritage, gender, beauty standards, race, and identity while transforming hair accoutrements into sculptural objects.

By taking objects that are commonly used in the process of artisanal manufacture and presenting them as aesthetic, sculptural forms, Meppayil liberates the implements from their intended use, while also retaining vestiges of their individual histories.

Shifting from pop to high culture references and back again, Rhoades exploits the conceptual and sculptural possibilities that arise from the accumulated detritus and debris of everyday life: What at first seem to be arbitrary arrangements of new and used hardware, machinery, TV monitors, handmade objects, and constructions coalesce into a non-hierarchical field of visual signs and texts.

Jenyu Wang uses contextualization and synchronization to explore the interconnections between sculptural objects and moving image.

BP: I have very often used street furniture in my sculptural works — such as crowd barriers and street bollards — as they are objects that occupy public space, and structure the way we move through it.

Their practice consists of artwork that examines the nature of the object via the use of shadows and the recording of bodily actions and static objects through video, paint, sculptural elements and charcoal media.

Return uses three dimensional sculptural objects which revolve into and out of coherence.

Using printing techniques as well as sculptural processes, Wilson confounds not only nature and industry but also image and object.

Speaking of her process, Serena says: «My work originates from an interest for handicrafts and as such, carried out in a patient and laborious way, it uses the sum of gestures that are repeated and prolonged through time in order to transform materials as simple as fabric and thread into large sculptural and pictorial objects that are structured in an organic and flexible way.

Carrow's sculptural installation embodies a mindful approach towards found objects and assemblage that present a dialectic between past and present through the use of mass - produced tools, appliances and toys from the pre-digital age.

Using your own concoction of personal objects brought from home and natural elements gathered from Wave Hill, learn sculptural techniques to create your own hybrid object of wonder.

Brooklyn - based artist Michael Murphy creates amazing sculptural pieces using suspended layers of all kinds of different objects and materials.

In her work de la Cruz uses the painting and its components as a sculptural object rather than a two - dimensional representation.

He used photography to re-examine sculptural thinking, providing a catalyst for change in his broader object - making practice.

His early work includes sculptural works that used common objects such as a low dining table as a material of «wood», and a series of wood sculpture «TSUCHINABURI Factory Product» that used matchsticks, also a common object.

In the modern and contemporary eras, however, women artists have used metal to create a broad variety of objects, ranging from functional furniture and minimalist jewelry to purely aesthetic abstractions and large sculptural works.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

Often working with every day and found materials such as fabric, glass, wood, metal and ceramics, the artist typically makes small to medium scale organic constructions that combine an almost «Beuysian» shamanistic or ritualistic use of materials with the formalism of early modernist sculptural objects.

These exceptional artists use air - filled objects to redefine the sculptural form and create inflatable art pieces that are bigger than life.

Pursuing the sculptural qualities of objects, space and sound, the artist plans to grow the «Broken Ensemble» over time with new recordings being made of further musical instruments used in war over the coming years.

For more than two decades, Jessica Stockholder has been fashioning a new language for sculpture and installation art, one that applies a painter's sense of form, pattern, texture and color to three dimensional spaces through the use of a staggering variety of media, from heavy duty construction material to mass - produced commercial products and even live horticulture.Her sculptural and architectural interventions spread themselves over the spaces they occupy; planes of vivid Technicolor hues abut precisely arranged and patterned objects and assemblages of unlikely materials combine and bloom amidst the colorful chaos.

Creating spaces with intimate and large - scale drawings, light projections, and sculptural objects, she uses glass, light, and shadow to achieve a glitteringly magical environment.

«Vision Instruments,» Björn Schülke's ongoing show at bitforms gallery, uses seemingly futuristic technology to make ultimately purposeless sculptural objects.

Using found objects like furniture, wood, wheels, shells, fabric and bone, her sculptural works are informed by traditional hand - working skills that have been passed down through generations, and are bolstered by spiritual aspects of Mormon Thought and Sisterhood.

The exhibition continues with works by Isa Genzken, Cristina Iglesias, Liz Larner, Anna Maria Maiolino, Marisa Merz, Senga Nengudi, Lygia Pape, and Ursula von Rydingsvard — a Post-Modernist generation of increasingly global figures who are far more expansive in their use of space, and whose works signal a foundational shift from discreet sculptural objects toward more installation - based practices.