Sentences with phrase «sculptural painted collage»

Not exact matches

We're looking for creative expressions that illustrate and speak to your personal experience with heartbreak — painting, collage, drawing, photography, sculptural and the written word.

It is the most sculptural method of painting and combines well with collage.

These primarily earth - coloured paintings from the late 1950s and early 1960s were often textured with sand, hessian, metal and wood, and included collages in shallow boxes as they became increasingly sculptural.

Watercolors, collages, impasto oil paintings, flat acrylic works, sculptural reliefs, multi-dimensional kinetic works.

For the show, running May 1 through June 7, she assembled nearly 50 collages, drawings, paintings, and photographs from the 1960s through the 1980s that reveal DeFeo's dogged ursuit of specific formal elements across media - say, the sculptural qualities of wadded Kleenex, in one surprisingly affecting group of photographs, photocopies, and paintings.

we see these forms inserted back into the same work, further exploring the sculptural possibilities for painting and collage.

The scope of Michael Meads» work is large, and wandering from room to room in «Bent Not Broken» at the Ogden Museum of Southern Art, his range of mediums and forms is awe - inspiring: acrylic paintings, charcoal drawings, papier - mâché masks, screen - printed images overlaid on gessoed wood panels, vivid sculptural triptychs, a small bound book of collages.

Hutchins» expressive and intuitive studio practice produces dynamic sculptural installations, collages, paintings and large - scale ceramics, all hybrid juxtapositions of the handmade.

Ann Weber, large scale sculptural collage, paintings.

He uses painting, sculptural installations, collage, video, and photography to comment on the history of Black identity both in the United States and in Western art.

Fresh from her New York gallery debut, the artist presents new paintings that incorporate collage, found objects, and sculptural elements in unexpected ways that push the work beyond traditional notions of painting.

A great array of styles and mediums exist within the collage continuum, from richly textured mixed media painting all the way through to sculptural assemblage.

Jessica Jackson Hutchins» expressive and intuitive studio practice produces dynamic sculptural installations, collages, paintings and large - scale ceramics — all hybrid juxtapositions of the handmade.

Shinique Smith is a New York based artist known for her exuberant collaged paintings and monumental sculptural works of bound fabric, clothing and objects that emphasize notions of belonging.

Though he produced colorful paintings, drawings, collages, and sculptures based on the Ancient Greek myth of Cronus, Hare is most remembered for his welded - steel sculptural abstractions of the 1950s in which abstracted biomorphic forms are suspended or interwoven in complex symbolic arrangements, as in The Dinner Table (1950) and Windows of Moons (1951).

The definition of collage is as complex as the range of print, paint, photographic, or sculptural media that artists integrate into works of art.

In search of that fulfillment, his own work has been steadily expanding in space, from the relief of his Polish Village series, created with collage and layering with cardboard, to the Moby Dick paintings, in which relief gives way to outright three - dimensionality within the context of a picture frame, and of course to his architectural and free - standing sculptural works and now the Scarlatti K series.

The brilliance of Untitled [black painting with portal form] is that one can simultaneously appreciate the artist's complex handling of paint across an array of uneven surfaces while acknowledging the ways that the artwork, in its use of newspaper as a formal and almost sculptural element, bridges painting, collage, and assemblage.

«Sebastian Gögel and Paule Hammer have been collaborating on sculptural installations since 2005, combining the anthropomorphic characters from Gögel's painting with Hammer's associative configurations of drawings and collages.

Their built - up layers of paint and collage elements make them the most time - consuming works Bradley produces, as does the sculptural, three - dimensional way in which they are painted: on the floor, tacked to the wall, and on the back of the canvas, picking up studio detritus along the way.

Ideas of exchange, circulation and migration are considered through large - scale sculptural installations, painting, collage, video and textile works, alongside displays of archive material relating to John Robinson Whitley and an off - site billboard project which runs between the north and south of the city.

Manipulating pictorial and sculptural conventions through fantastically hand - crafted sets and costumes that combine drawing, painting, and collage, Bress creates a disjunctive world where spaces of imagination and representation compete for equal footing.

For decades now, Kerry James Marshall used large - scale paintings, sculptural installations, collage, videos and photography to provide us with his thoughts on the presence of black identity in Western arts.

The 1/4 Mile or Two Furlong Piece (1981 — 98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

For Glasco, collage was sculptural, the layers creating shadows, and the technique began to take precedence over his use of paint.

Exhibited amongst a larger collection of drawings, paintings, and collages, Humanfive's sculptural installation, Shrine to Process, constructs a mini-society out of the refuse salvaged by Redekop from his time spent working nine to five for a private Vancouver - based recycling firm.

He creates giant collage - paintings that are growing increasingly sculptural, and that use abstraction to comment upon the realities of living in urban America.

Using painting, sculptural installations, collage, video and photograph, Kerry James Marshall comments on the story of black identity both in the United States and in Wester Art.

For the exhibition at VENUS OVER MANHATTAN more than twenty artists and practitioners were invited to make new works or projects for individual 4» x 3» glazed bulletin boards, and an additional group of four people were invited to «curate» a display in larger 6» x 4» boards.The «Bulletin Boards» featured in the exhibition will include collections of photographs (found or otherwise), painted and collage works, sculptural interventions, text pieces, and a working fish tank amongst many other things.»

Joining these are many important works shown in the galleries for the first time including new works made specially for this exhibition, including a diaphanous cellophane window sculpture by Karla Black, a new text work from the series pretty much every world written, spoken, heard, overheard from 1989... by Douglas Gordon, a newspaper collage by Tony Swain, a sculptural work on paper by Andrew Kerr, Jim Lambie's colourful pop poster stack (free to take away) and Hayley Tompkins and Sue Tompkins painted chairs that can be found distributed throughout the galleries.

Best known for large - scale sculptural installations that employ different materials and mediums, Monica Bonvicini incorporates elements of architecture, performance, photography, video, painting, and collage in her work.

Simon Lee is devoting specific days of the fair to three painters: Hans - Peter Feldmann (Oct. 5), who often appropriates and modifies historic oil paintings, primarily portraits; the figurative collages of Paulina Olowska (Oct. 6 and 7); and sculptural ceramic tile paintings from Sarah Crowner (Oct. 8 and 9) in an elegant presentation.

But Grabner is most celebrated for her own artwork, which includes abstract paintings and drawings that suggest gingham oilcloths or metallic textiles and large sculptural mobiles collaged with bits of cutting boards, tablecloths and other objects drawn from her home life.

This exhibition will highlight 10 new works on panel that includes collage, painting and even sculptural elements in each piece.

The exhibition exemplifies the diversity of media within it; his trademark letterpress and silkscreen prints anchor the plot, and are aided by sculptural elements and objects such as hand carved foam and wood works, larger installations, and floral and collaged prop - like paintings.

«Garden Party» blends four distinct areas of Gray's newest work — re-interpretations of Flemish still lifes, grip tape collages, large abstract «spectrum» paintings, and smaller «snapshots» of vases, horses, and sculptural busts that seem excerpted from his larger works — to cohesively to present a larger picture of his experimentation with traditional subjects in art history through contemporary media and techniques.

Jasper Johns, who has long created sculptural paintings incorporating wax and collage elements, made a dynamic series of cast reliefs in the early 2010s, revisiting motifs from earlier in his career.

Employing patchwork colors, decorative black patterning, photo collage, pins, house plants, a stacked wall of books, and sculptural blobs of poured paint, Mayfield manifests here an environment for the audience to enter and occupy.

Having first attracted attention with flatter - than - flat hard - edged paintings, Stella has been steadily expanding into space ever since, beginning with low relief and collage and proceeding to curved canvases, paintings with projecting sculpture - like elements, and out - and - out sculpture — although Stella prefers to think of his free - standing works as paintings in three dimensions or «sculptural paintings,» rather than sculptures.

In recent collage - paintings a substrate of vinyl and linoleum allows for a more densely textured and sculptural ground.

On display were four «dogleg» - shaped canvases (versions of which were exhibited at James Fuentes Gallery in New York in 2014) and a new series of five sculptural reliefs, as well as several hybrid paintings, composed of multiple canvases joined together and overlaid with various collage elements, such as rope and scraps of wood (all works, 2015).