Sentences with phrase «sculptural practice draws»

His photographic and sculptural practice draws on his proximity to Alberta's Rocky Mountains, and investigates how western expectations of environments are created and fulfilled through photography and tourism.

Not exact matches

Nonetheless, her oeuvre played a critical role in heralding the advent of Minimalism, influencing, among others, Eva Hesse's sculptural practice and Sol LeWitt's wall drawings.

His drawings are explorations in their own right, integral to the overall concerns of his sculptural practice, and unique intuitive explorations within their own established criteria.

Beginning with a drawing of a bird made on her foundation course in 1974, this chronological survey of Cornelia Parker's poetic, transformative and often explosive sculptural and installation - based practice focuses on the artist's own descriptions of her work.

Known for his handcrafted sculptural installations of crochet, tulle, spices and stones, Neto's renowned art - making practice draws from a wide variety of sources, from Modernist traditions of biomorphic abstraction, through Arte Povera and American Minimalism, to the legacies of Brazilian neo concrete, conceptual and Tropilcália movements.

Four graphite drawings, each mirroring the appearance of a pier, hang alongside York's sculptural works, strengthening the ties between drawing and sculpture in her practice.

This exhibition, with work from major European and American public and private collections, traces Serra's investigation of drawing as an activity both independent from and linked to his sculptural practice.

Lee Bontecou: Drawn Worlds on view at the Menil Collection through May 11th, is the first drawing retrospective for the artist who when «rediscovered» for big museum shows a decade ago was rediscovered for her meaty, muscular work: large - scale sculpture that the artist largely concentrated on between 1958 and 1967 before having a child sidelined the sculptural practice.

Natalie Finnemore's practice progresses through drawing, printmaking, photography and sculptural forms.

Drawing has long been an integral and vital part of Lee Bul's practice, an outlet for experimentation in ideas and forms that may eventually take shape as finished sculptural works.

The importance of this practice and its parallel relation to Whiteread's sculptural work are reflected in the layout of her current workspace where a dedicated drawing studio is detached from the sculpture studio.

Emerging from a sculptural background at Edinburgh College of Art and MFA at University of Ulster his practice draws on diverse research from linguistics to psychology.

He is co-editor of the Sculpture Journal and co-edited publications include: Modern Sculpture Reader (2007/2012), H.S. Ede's Savage Messiah (2011), Tools of Trades: Articulating Sculptural Practice (2010), Articulate Objects: Voice, Sculpture, and Performance (2009), Carl Plackman: Sculpture, Drawing, Writing (2006) and Sculpture in Twentieth - Century Britain (2003).

Garrett Phelan (born 1965, Dublin) has developed a distinctive practice through ambitious, site - specific projects that include; drawing, independent FM radio broadcasts, sculptural installations, photography, animation and text ephemera.

b. 1972 Eureka, California / Lives and works in Los Angeles, California Before taking up his sculptural practice, Monahan perfected his ability to articulate formal and abstract drawings on paper, which he brought into three dimensions through folding.

He engages with non arts sector institutions in large scale collaborative projects where he deconstructs drawing, painting and sculptural processes and disseminates concepts, methods and material usage through his practice and interactive workshops.

In these artists» hands, the traditional practice of drawing is transformed into an exploration of time and space manifest in forms beyond traditional linear representation in photographic, painterly, and sculptural work.»

Richard Serra has described his sculptural practice as being grounded in drawing: Drawing as «cut» represents the division of a sheet by a line — and, in turn, of actual space by the edge of a steeldrawing: Drawing as «cut» represents the division of a sheet by a line — and, in turn, of actual space by the edge of a steelDrawing as «cut» represents the division of a sheet by a line — and, in turn, of actual space by the edge of a steel plate.

Lucy Skaer: her primary practice is in drawing, and she has recently started making sculptural work and installations.

Richard Serra Drawing: A Retrospective follows the artist's investigation of drawing as an activity both independent from and linked to his sculptural prDrawing: A Retrospective follows the artist's investigation of drawing as an activity both independent from and linked to his sculptural prdrawing as an activity both independent from and linked to his sculptural practice.

Untitled (2015) and Chair (2013) are strong examples of Tompkins» practice and they will enable Touchstones Rochdale to draw meaningful links with other sculptural artworks that explore the use of found materials, colour and form.

Katrín Sigurdardóttir's drawings for sculptural projects follow the artist's practice from conception to execution.

The Domino Pitch works, which Ward has made over the course of more than twenty years, are a nod to his early lineage of drawing which he focused on before developing his sculptural practice.

That's Not Me / Artists» Conversation with Rodney Graham & Gerard Byrne Saturday 25 November 2017, 2 — 3 pm, IMMA Artists Rodney Graham and Gerard Byrne discuss the sculptural, cinematic, performative and humorist nature of Graham's practice, drawing attention to the multiple references layered within his work, that enable Graham to seamlessly shift into different roles, characters and contexts.

All the works on view spring from a drawing practice, although they are also rooted in a sculptural tradition.

«Examining the past 8 years of sculptural practice, this show draws on the key moments from 3 solo shows and countless group shows while introducing new works,» says Bergeron.

With awareness of how her floor - based installations draw from classic traditions of fine art, Apfelbaum defines staining and dyeing as an act of painting; cutting, a way of drawing in space; and assembling the cut pieces a sculptural practice.

Born in Washington, D.C., Puryear is based in Hudson Valley, N.Y. Over the past half century, he has established a unique sculptural practice utilizing traditional craft, carpentry, and boat building skills to create modernist abstract works that are inspired by nature and draw on a range of cultures, histories and motifs.

While in her first exhibition at the gallery she presented a film and a sculptural installation with vases, she now focuses on her drawing and sculptural practice.

This presentation includes plaster and mirror reliefs, large - scale mirror sculptures the artist refers to as «geometric families,» and works on paper, revealing the central role drawing has played in Monir's practice and focusing on a sculptural and graphic oeuvre developed over more than 40 years.

Conrad Botes» painting, printmaking and sculptural practice is rooted in comic book drawing.

Its walls are plastered with an array of works, mostly on paper (although some extend into sculptural forms or moving image) that demonstrate the variety and idiosyncrasy of drawing practice amongst these artists, as well as the links and themes that arise when these works are collected together.

In these artists» hands and through their bodies, the traditional practice of drawing is transformed into an exploration of time and space manifest in forms beyond conventional linear representation in photographic, painterly, and sculptural work.

The artist's practice revolves around the appropriation of Victorian cabinet cards, which Butler paints into with delicate gouache in extreme detail, creating strange creatures through the addition of abstract forms, and sculptural drawing with -LSB-...]

This retrospective brings together the breadth of his practice to reveal the unique beauty and radical nature of his punnings, plans, performances, and interventions evident in the many media in which he worked: the sculptural objects (most notably from building cuts), drawings, films, photographs, notebooks, and documentary material.