Sentences with phrase «sculptural practice through»

Not exact matches

Donovan's work is grounded in a detail - oriented practice of true transformation through sculptural composition.

The Irreverent Object examines the subversive nature of sculptural practice employed by European artists from the 1960s through the 1980s.

Known for his handcrafted sculptural installations of crochet, tulle, spices and stones, Neto's renowned art - making practice draws from a wide variety of sources, from Modernist traditions of biomorphic abstraction, through Arte Povera and American Minimalism, to the legacies of Brazilian neo concrete, conceptual and Tropilcália movements.

Lee Bontecou: Drawn Worlds on view at the Menil Collection through May 11th, is the first drawing retrospective for the artist who when «rediscovered» for big museum shows a decade ago was rediscovered for her meaty, muscular work: large - scale sculpture that the artist largely concentrated on between 1958 and 1967 before having a child sidelined the sculptural practice.

Natalie Finnemore's practice progresses through drawing, printmaking, photography and sculptural forms.

Their practice consists of artwork that examines the nature of the object via the use of shadows and the recording of bodily actions and static objects through video, paint, sculptural elements and charcoal media.

In her work Frei Njootli synthesizes Indigenous land - based systems of knowledge and traditional practices through sculptural works, residue, printed images, and sound - based performance.

Garrett Phelan (born 1965, Dublin) has developed a distinctive practice through ambitious, site - specific projects that include; drawing, independent FM radio broadcasts, sculptural installations, photography, animation and text ephemera.

Through his residency at the Graham Foundation, artist Brendan Fernandes worked with the architecture and design collective Norman Kelley to develop a series of sculptural devices that serve as sites for intense, endurance - based practice.

In parallel to this we enhance the public's understanding and awareness of contemporary sculptural practice both nationally and internationally through a range of Public Programmes.

b. 1972 Eureka, California / Lives and works in Los Angeles, California Before taking up his sculptural practice, Monahan perfected his ability to articulate formal and abstract drawings on paper, which he brought into three dimensions through folding.

He engages with non arts sector institutions in large scale collaborative projects where he deconstructs drawing, painting and sculptural processes and disseminates concepts, methods and material usage through his practice and interactive workshops.

Mooney's sculptural practice pursues abstraction and the agency of material bodies learned through the processes of jewelry and ornamentation.

His photographic and sculptural practice draws on his proximity to Alberta's Rocky Mountains, and investigates how western expectations of environments are created and fulfilled through photography and tourism.

Jonas's work developed out of her art - history studies and sculptural practice, and expanded to performance and film in the 1960s through her involvement with the New York avant - garde.

Cristina Lei Rodriguez's sculptural practice provokes viewers through a collision of aesthetic contrasts.

June 14 through August 11, 2013 During the Smoky Hill River Festival, New York City - based visual artist Sharon Louden transformed the Oakdale Park practice court into a living room furnished with sculptural objects created from found pieces of furniture, repurposed scraps of discarded material, and paint.

With SPREAD funding, I want refine the language of abstraction articulated in my recent ceramics, and expand my sculptural practice from objects to environments, through larger works and new installations.

Sindy Butz «s artistic practice spans the disciplines of performance art, photography, video and sculptural installation through time - based projects and historical narrative.

In these new works the artist connects her sculptural practice to painting through mark - making, colour and light.

Many of the artists here are known for his or her work as a sculptor, and this sensibility comes through in the sculptural quality exhibited in many of these works, through either shaped and molded forms or through practices like embossing, tearing, cutting and layering.

Peter Bunnell's 1970 MoMA show Photography Into Sculpture proved a landmark in photographic practice, through its presentation of images arranged in a sculptural manner.

Through temporary sculptural insertions, performances, film screenings, readings, and collaborative practices, the series temporarily expands on, complicates, and probes the premise of the exhibition.

Through temporary sculptural insertions, performance, film, readings and collaborative practices the series temporarily expands on, complicates, and probes the premises of the exhibition.

His cinematic and sculptural practice — developed through a close synergy with his primary collaborator, Lizzie Fitch — anticipates and challenges today's defining technologies and social developments.

In these artists» hands and through their bodies, the traditional practice of drawing is transformed into an exploration of time and space manifest in forms beyond conventional linear representation in photographic, painterly, and sculptural work.

Louise Bourgeois» work «Maisons Fragiles» (1978), lends its name to the title of this exhibition, the work confronts the fragile psychology of Bourgeois's youth, as with many of the artist's work; the piece juxtaposes psychology and material usage through artistic practice exploring a fragile feminine terrain via interior and exterior of sculptural form and space.

The artist's practice revolves around the appropriation of Victorian cabinet cards, which Butler paints into with delicate gouache in extreme detail, creating strange creatures through the addition of abstract forms, and sculptural drawing with -LSB-...]

«Anne Truitt: Perception and Reflection» examines her sculptural practice from the 1970s, when she began adding horizontal extensions to her columnar shapes, through the early 2000s, when she was most often creating gracefully proportioned vertical works.

Known for transforming household objects into dynamic sculptural installations through the addition of ceramics, paint, and found materials, Hutchins» practice examines the artistic potential of the everyday.