In the second gallery, Dutch sculptor Folkert de Jong will present
his sculptural tableau, The Shooting... At Watou; 1st July 2006, originally created as a site - specific installation for the Belgian village of Watou on the occasion of their annual summer poetry and art festival.
This photograph draws on the still life tradition, creating an eerily realistic
sculptural tableau from collaged elements.
The sculptural tableau of Belgian artist, playwright, director, choreographer and stage designer Jan Fabre make use of puns and symbolism.
Symbolism enters the work in a paint - caked
sculptural tableau about the plague of black incarceration, but politics is really there throughout the exhibition, which feels like a completely realized act of civic and familial devotion.
with a very 21st - Century
sculptural tableau, in which a bolt of mesh - like Kevlar fabric becomes the ground for several rubberized casts of the artist's hand and forearm.
Since 2004 New York - based artist Matthew Ronay has created dreamlike installations and
sculptural tableaus with psychologically charged subject matter.
Carolyn Conrad creates
sculptural tableaus before raising her camera to make photographs with psychological tension.
He applied narratives of his own devising and then utilized elements of his video sets to create
sculptural tableaus within which viewers would experience his projective reinterpretations.
Not exact matches
His early
sculptural assemblages or «combines» from the 1960s included every type of material possible, including pillows, clippings, and parts from taxidermy animals in stream - of - consciousness - like
tableaus.
Using primarily industrial materials, the
sculptural imagery is presented as a
tableau combining references to «science fiction, speakers, ductwork, communications spectacle, antennae, the culture industry, archaic scientific apparati, disjecta membra, figures of hope, screens and building».
As New York painters were progressively rejecting illusionistic space and moving toward a more literal space and bigger formats — which would logically lead a few years later to Donald Judd's rejection of painting in favor of
sculptural space — the concept of le
tableau continued to provide a conceptual framework to painters within the French idiom that would allow painting to evolve without losing the basic elements of its identity.
's new series of
tableau and portrait paintings are complemented and accompanied by
sculptural works from artists
A centrally placed
sculptural element completes this «unnatural»
tableau.
Opening: «Will Ryman: Two Rooms» at Paul Kasmin Gallery Featuring not one but two Will Ryman
sculptural installations, the exhibition «Two Rooms» is a theatrical
tableau based on the very real global exploitation of industrial materials.
Segal often placed his
sculptural forms within a larger
tableau of commercially made objects in order to create active, eerily inhabited spaces.