Sentences with phrase «sculptural use of paper»

Two earlier pieces trace Benglis's sculptural use of paper to the late 1970s.

Not exact matches

Sculptural in nature, the photographs are representations of landscapes with discreet manipulations made by the artist using her body, found objects and cut paper.
London Sculpture Workshop presents Sculptural Kiln Firings in association with Clayground Collective 5 - 9.30 pm This unique event will present the results of a kiln building course using experimental forms created from paper, shopping trolleys, suspended containers and brick.
Through variegated floor and sculptural installations, works on paper, and wood panel, Rifas uses a concise language of richly contrasted color to alter our perception of space.
The addition of three - dimensional elements, such as Rogers's use of paper pulp and Vu - Dunn's sculptural panels, focus one's attention on the frame and everything it encapsulates.
Using an assortment of mixed media — cut paper, graphite, gouache and wall painting, Natasha Bowdoin presents a site - specific sculptural installation along with recent two - dimensional works.
Above, Las Vegas — based artist Justin Favela uses the familiar multicolored tissue paper of piñatas to create landscape paintings and sculptural constructions that exaggerate and critique cultural stereotypes by examining their absurdities.
In addition to his sculptural and filmmaking activities, throughout his career Conner produced a number of bodies of works on paper, utilizing drawing, collage, and a method of inkblot drawing using scored paper.
Using this understanding of space as an inspiration, she creates paintings by layering translucent washes of paint on paper and canvas, in a process that reflects her early sculptural training.
Through their potential uses, these items enact some of the sculptural properties of the foam and polymer paper.
This wealth of incidental surface activity coalesces into a coherent representational image and Close is adept at exploiting the specific tendencies of each print medium — whether it be the complex, reverse compositional build up of reduction linocut (Lucas, 1988), the uncontrollable nature of sculptural pulp paper particles (Self - Portrait / Pulp, 2001) or the antiquated method of mezzotint that has not been widely used for 100 years (Keith / Mezzotint, 1972)-- to further the complexity of the image.
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