Sentences with phrase «sculptural work uses»

Her recent sculptural work uses everyday consumables like bread and candle wax to think through issues of gender, labor and the black body.

«I take inspiration from the city around me -LSB-...] The trick is to combine recognisable urban or industrial elements, such as scaffolding poles, breeze blocks, even a garden shed, but then deconstruct them, and put them back together with light,» says Nathaniel Rackowe who creates installation and sculptural works using florescent bulbs.

On view at Kunsthalle Basel are «Sculpture Project Echo» (2009), a series of color photographs related to the «Echo» - installation; the video work «Conversations in the Studio 3» (2010); two installations of sculptural works using crowd - control barriers titled «Double Monuments for Flavin and Tatlin» (2010) and «Blackout» (2007 - 2010); the ongoing «World Time» series (2008 --RRB-, photographs of clocks on public buildings in different cities of the world; the photographic series «THe Hetley Suite» (2008); the two early video works «Ocularis» (1999) and «Double Empire» (2000).

East Gallery: Artist Studio Project: Machado Ivens Over the past month Brazilian artist Ivens Machado has fabricated new sculptural works using concrete and steel rods for the Artist Studio Projects.

Lee creates his sculptural works using only two materials: steel and stone.

At Rupert Jenine will develop installation and sculptural works using pressings taken from the local surroundings.

Initially creating sculptural works using lead and copper, Gallaccio has gone on to incorporate more non-traditional materials into her work, including clods of dirt, melted sugar, petals, leaves, and rags.

Not exact matches

Already a very sculptural building, AHMM worked closely with an artist to use large, colourful murals throughout the buildings — cleverly combining signposting with modern art.

I have some intriguing private commissions coming up and a couple of really large projects for autumn 2018 that sadly I'm not at liberty to release information about yet, but suffice to say that my developments in thatch on a larger scale are hopefully set to continue, and I'm also slowly developing new designs for very large sculptural forms using a dry stone walling technique (potentially working with a small team of dry stone wallers) but my projects and locations of new works won't be formally announced until early 2018.

I hope to use thatch in future to create much larger sculptural works that feel like they have been set down in the landscape by a natural, elemental force, whereas they would actually exist due to the careful accumulation of materials used en masse with the skilful coordination of hand and eye.

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

These new works emerge from her somatic revelations and her study of milagros, sculptural votive offerings used in latin cultures.

Even so, his work is meaningfully, and indeed crucially, connected to important activities, movements, and genres of American artistic production — sculptural assemblage using found objects, appropriation of existing text and image, institutional critique, the politics of representation, performance — and, moreover, to the colonial history and political struggles of the country.

In the gallery, Lins will present a series of works all made using a distinct sculptural template: a vertical plywood pedestal with one striped side, a sunken corner with or without a plaster owl, and a painting on top.

The works begin by employing the basic sculptural predicament of pedestal and base, only to rapidly veer off - course into an amalgamation of genres, formal punch lines, and an optical, vibrating used of color and pattern.

An image of this spare observational work was e-mailed to Bill Albertini, an artist who uses the computer to render sequences of complex landscapes and sculptural objects.

His work spans a range of media including photography, painting, sculpture, installation and use of the ready - made to create assemblages from everyday found objects such as books, ceramics, TV sets and other house - hold goods and paraphernalia, which Liu Wei transforms into sculptural objects and installations of eloquent complexity.

Using base material — thread, mirror, plaster, resin, sequins, artificial hair and ceramics — Altmejd's work is an expression of the visceral power of sculptural objects.

Marcel Wanders» total environment will include several bodies of work: large abstract figural mirrors, such as Dysmorphophobia 1, 2 and 3, with carved details and cutouts, create an illusion of a character or ghostly figure; Self 2 is a steel cabinet and kinetic piece, balancing a sculptural ovoid form that abstracts a human head and physically rocks on the top surface; Tempter, an over-sized adult rocking unicorn is cast in bronze with metal chain stirrups; Shiqule Nuhai, two ceramic vases, monumental in height, reference Marcel Wanders» Delft Blue collection with a darker sensibility, using black glaze.

SEAFOAM features the NY - based street artist's gritty paintings, mixed - media, and sculptural works, many of which use found materials from his home shores of Coney Island.

In his sculptural work, Gibson uses the technique, craft, and material of his Native American heritage while simultaneously appropriating the text of adjacent cultural production: literature, pop music, sermons, hymns.

Using light as a conceptual manifestation of the physicality of paint itself, works such as Three Fluorescent Tubes (fluorescent lights, 1963) and Alternate Diagonals of March 2, 1964 (for Don Judd)(daylight fluorescent lights, 1964) are particularly important for their connection to Russian Constructivism, a movement that influenced the Minimalists by its favoring of integrated production and industrial materials over the conventional approaches of traditional sculptural impulses.

The building, with one classical and one contemporary façade, stands adjacent to the Palazzo degli Atellani of the Castellini family, who have granted the use of their extensive gardens for the exhibition of sculptural works.

Another Land: After Noguchi is a photographic response to the works of Isamu Noguchi (1904 — 88), using light as a sculptural tool to cast Noguchi's work as distant objects in space.

Wire is Walter Oltmann's main medium for making sculptural works and he manipulates it in a way that emphasises hand - made process, using the linear quality of wire to create forms and surfaces through techniques that parallel handcrafts.

Hollis McCracken (Richmond, VA)-- McCracken's uses reclaimed materials from vacant and derelict buildings to create sculptural works that communicate universal human emotions, such as abandonment, isolation, absence, and loneliness.

Å 1/2 ilvinas Kempinas is known for his use of unspooled videotape as sculptural medium like in his work Flying Tape (2004), which levitated a room - size loop of videotape on the air currents from a circle of fans.

Her work is sculptural, often using shop mannequins.

Los Ojos presents new works by Kyle James Dunn and Sarah Elise Hall: using foam, plaster, fiberglass and caulk, Dunn creates sculptural paintings that incorporate a maximalist approach in a playful union of color and texture.

Her sculptural works are often site - specific, making use of architectural space and working in tandem with abstract wall drawings to form the installations as a whole.

Her abstract flat works often reference the temporal nature of the sculptural items she uses and the interaction between the two mediums.

The space of the Faena Arts Center is characterized by its industrial scale, and Neto's earlier work makes special use of height to elevate the spectator on the one hand — by offering them fresh perspectives on his work and occupying a different aerial space — and, on the other, to hang his characteristic nets and tubes that supports his sculptural work and breathes life into the architectural space.

Creating works from synthetic materials such as resin, neon and rubber and reworking ubiquitous matter such as glass, plexiglass, wood, sand and metal, Webb often parodies modernism to wry and poetic results - referencing consumer culture and making use of the solid and the open and the soft and rigid to explore new sculptural possibilities.

The final artist on the shortlist is Halifax - born Hilary Lloyd, who works in film and then uses the equipment of the process — screens, projectors, trolleys — to create a sculptural environment.

Working in parallel to Western pictorial traditions of landscape, Clare uses precise combination artist - made and collected sculptural objects, photographic images, event and documentation as vehicles to re-access, re-experience, re-stage, identify, imagine.

Work on this series would then continue with a radical shift in scale and using different materials and entirely different physical dimensions: a visitor to the Museum of Modern Art in New York in recent years can hardly have missed the great battle that United Enemies continue to wage in the sculptural garden.»

Using the plastic - molded tops of battery - operated remote controls and other common electrodomestic equipment, enlarging them to a giant scale, the artist combines these found objects into sculptural compositions that recall the work of Anthony Caro.

Best known for his large - scale, immersive light installations, McCall's new «solid light» works use only projected light and thin mist to create the appearance of sculptural forms in space.

Although Hunt was not interested in pursuing an early and brief involvement with earthworks, he wanted to include the concept of monumental scale in his work, «using a more classical, compact kind of sculptural form» (View, 1980).

Many of his early works took the form of conceptual photography, though Johnson eventually expanded his practice to include wall - based works that engage the legacy of painting, sculptural installation, and assemblage using manufactured materials like shea butter, books records, and incense.

Street uses three spaces of the gallery to weave a dialog between a sound work, a sculptural installation and performative paintings.

The images depicted on the prints appear sculptural in form, mimicking her three - dimensional work in its use of strong, geometric and organic lines.

The show opens with his earliest works, including his own 1977 home in Los Angeles, constructed of plywood, wire mesh and corrugated metal (heavily inspired by the rough - hewn materials artist friends Robert Rauschenberg and Jasper Johns used at the time), and moves to the brilliantly engineered, sculptural forms that define his work today.

In Jose Lerma's most recent sculptural painting using the largest polo shirt you could possibly imagine, he combines his well - known paint blobs into a work full of fresh and cynically wry humor.

Through variegated floor and sculptural installations, works on paper, and wood panel, Rifas uses a concise language of richly contrasted color to alter our perception of space.

Inspired by the lush landscape of her surroundings, these paintings — composed of layers of dye, applied in washes, and intended to be used in set designs for a friend's band — permit the Brooklyn - based artist to transfer her sculptural dexterity to two dimensions while escaping the pressures of producing work for display in galleries.

Dark blue crystals encrust the steel tubes of Midnight Scenes, a sculptural work whose tactility is a result of a process where light is used to alter the composition and appearance of materials.

Several artists in the exhibition explore the use of text, light, mixed - media and language in their sculptural works.

Using performance, video and sculptural installations, Matthew Nicholas» work focuses on the relationships between identities, iconography and the social complexities that have shaped American culture.

In the area of ceramics, innovative uses of crystalline glazes, sculptural organize forms, and colored clays are characteristic of the graduate students» works.