The Canadian artist's works are as much about drawing and
sculpture as the frames, boxes, and other custom elements through which they are presented.
Not exact matches
fiberglass and aluminum
framed sculpture is coined «The Moon,»
as in its inactive state it resembles a full moon.
Think of it
as being like a wire
frame an artist might use to structure a clay
sculpture.
Although his work was initially two - dimensional, mostly paintings in oil and acrylic, he began incorporating
sculpture, first separately and then
as elaborately constructed
frames over which he would stretch canvas.
Many of the
sculptures that you submitted to this issue seem
as though they are conversation with painting in many ways — with their relationship to the wall, two dimensions, and the
frames with empty spaces, etc..
The concept of a point of view, a perspective, an act of
framing on account of the viewer is
as evident in Camera
as it is in the Window
sculptures presented in the solo show at Frankfurt's Portikus in 1992 — a traveling exhibition with other stations in various places, among them the Renaissance Society in Chicago — with the evocatively shimmering and metaphorical title «Everyone needs at least one window.»
See, in Denim Dress, how the tranquil American iconography of girl - sprawled - out - in - field jumps the
frame when you realise the girl is a boy; and in Junction 2015, how the mythic forms and long shadows of the American west are worked into surreal compositions that speak
as poignantly of human longing
as has any
sculpture or painting.
In a somehow familial approach, the wall pieces that accompany these two large
sculptures seem to
frame or host them within something that we can more easily recognize
as Larner's homespun style.
New to the fair was a sector called Survey, bringing gravitas with a deliberately digital - free zone that called on 13 galleries to present tightly curated historical projects — the standout, New York artist Alison Knowles's The Boat Book, 2014, eight 8ft - high, wood -
framed movable pages covered with images described by her dealer, James Fuentes,
as «seminal social
sculpture» that is «read» by crawling through it.
Her first step in creating these
sculptures would be to weld a
frame, which could be seen
as an analogy to the boundaries of a sheet of paper.
That terrain lies equidistantly between painting and
sculpture, trading in
frames and thresholds, extending out in to space with media
as various
as paint on canvas, on metal, copper wire, mirror and glass.
Collection,
as Walter Hopps observed, is probably the first of Rauschenberg's works to evince all the characteristics of a Combine, that hybrid of painting and
sculpture that the artist developed in the 1950s.1 Yet, despite the challenge to conventional categories posed by its collage and the addition of objects that transgress the limits of
frame and picture plane, Collection stands primarily
as a reflection on the contemporary status of painting.
His installations and
sculptures mostly incorporate found materials, often from the neighbourhoods where he is engaged, and have historical and iconic significance, such
as «In Event of a Race Riot» (2011 onward) in which lengths of decommissioned fire hoses are carefully folded, rolled or stacked and emphatically presented inside gilt box
frames.
Exquisite
as they are, the heads threaten to overshadow the rest of Grossman's art, largely due to sensationalistic interpretations that see the
sculptures exclusively in a sadomasochistic
frame.
Although she merges her photographic and sculptural practices in immersive installations, she conspicuously transfers the qualities of materials such
as fabric and marble
sculpture, into photography, and in the process offer a new, and specifically intermedial, way of
framing the past.
Jesse Robinson presents two
sculptures, one masquerading
as a
framed picture, the other a small formal
sculpture thwarted by a ready - made intruder.
He has participated in notable group exhibitions, such
as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, Museum of Modern Art, New York, and
Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of
Sculpture, 1839 to Today, Museum of Modern Art, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, Museum of Modern Art, New York (2005).
Although there is not much digital work among the 2017
Frame presenters, Mr. Proctor pointed to the Vorisek works
as representing an interesting kind of hybrid, with their integration of sound,
sculpture and notation.
He has participated in notable group exhibitions, such
as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, MoMA, New York, and
Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of
Sculpture, 1839 to Today, MoMA, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, MoMA, New York (2005).
These tubes disrupt the notion of tableau in art and disorient the viewer: Should the works be
framed mentally
as paintings,
sculptures, faces, or all three at once?
When Bontecou's
sculpture emerged in a public way in 2003, the inevitably reductive ways of art history tended to describe the welded steel
frames covered with recycled canvas (such
as conveyor belts or mail sacks) and other found objects
as sprung from the head of Zeus.
These paintings share a sensibility with the
sculptures of Jessi Reaves, who customarily builds on found
frames of chairs, couches, and shelves to create sculptural artworks that double
as functional furniture.
The remaining projects, all loans, include Yvonne Domengue's red painted steel
sculpture Wind Waves (2009), which starting in January will spend a year on a park island east of the Sam Houston
sculpture; Orly Genger's football - field - length painted rope
sculpture Boys Cry Too (2009), which will lay directly on the grass at Brays Bayou Shore for a year starting in March; and MicroPavilion: ReFRAME x
FRAME, which is billed
as «a motion - triggered sound installation based on environmental data» by the University of Houston Graduate Design / BUILD Studio.
As a member of the alternative architecture and art collective, Ant Farm (1968 - 1978), he produced the video art classics Media Burn and The Eternal Frame as well as the Cadillac Ranch roadside sculpture in Amarillo, Texa
As a member of the alternative architecture and art collective, Ant Farm (1968 - 1978), he produced the video art classics Media Burn and The Eternal
Frame as well as the Cadillac Ranch roadside sculpture in Amarillo, Texa
as well
as the Cadillac Ranch roadside sculpture in Amarillo, Texa
as the Cadillac Ranch roadside
sculpture in Amarillo, Texas.
For his most recent exhibition, which ended last month at David Kordansky Gallery in Los Angeles, he presented found images, like a set of early headshots of the actor Anthony Perkins smiling while holding an armful of milk and juice cartons,
as well
as a set of charcoal drawings presented alongside small
sculptures that looked like bed
frames.
Harrison, who is known for her bulbously weird
sculptures made from Styrofoam and cement, all studded with bits of human detritus, has a new show at Regen that employs both the concept of the selfie (the
framing of oneself, hence the title of the show) and the sticks (her alien forms bear selfie sticks
as if they were some robotic prostheses).
REQUIRED VIEWING To fully appreciate Elaine de Kooning's range
as a painter, I encourage you to visit the National Portrait Gallery's current exhibition «Elaine de Kooning: Portraits,» organized by Brandon
Frame Fortune, chief curator and senior curator of painting and
sculpture, on view in Washington through January 10, 2016.
DRAF, a museum remodelled
as a laboratory, becomes itself a place for measurement, where a mirror can double space and a series of
sculptures frame and re-
frame it.
Anna Virnich's artistic practice incorporates a variety of media, such
as sculpture, installation, photography, video and textile - based tableaus made of found fabrics
as well
as new materials, stretched on wooden
frames thus creating organic and almost painterly compositions that oscilate between transparency and density.
Painting on linen or canvas stretched across bespoke curved wooden
frames (which Gorchov calls saddle - stretchers), the concave and convex structures have often been described
as a hybrid between painting and
sculpture.
Title: Menhir Stacking Artist: Hans Van de Bovenkamp (Sagaponack, NY)
Framed signed drawing of Van de Bovenkamp sculpture 26» h x 20» w, framed Value: $ 1,800 Starting Bid: $ 1,000 Renowned for his monumental sculpture created primarily for open - air public locales, Hans Van de Bovenkamp has been described as an artist - mystic whose work — with its signature power, lyricism, and grand proportions - heightens the viewer's sense of imagination and disc
Framed signed drawing of Van de Bovenkamp
sculpture 26» h x 20» w,
framed Value: $ 1,800 Starting Bid: $ 1,000 Renowned for his monumental sculpture created primarily for open - air public locales, Hans Van de Bovenkamp has been described as an artist - mystic whose work — with its signature power, lyricism, and grand proportions - heightens the viewer's sense of imagination and disc
framed Value: $ 1,800 Starting Bid: $ 1,000 Renowned for his monumental
sculpture created primarily for open - air public locales, Hans Van de Bovenkamp has been described
as an artist - mystic whose work — with its signature power, lyricism, and grand proportions - heightens the viewer's sense of imagination and discovery.
Fetishising the domestic through related motifs and themes
as best embodied in the bronze
sculptures of Ricky Swallow and the paintings of Mathew Cerletty, the majority of this work elegises the bygone privacy of the interior, itself symbolic of an equally bygone, pre-Freudian interiority and privacy, an interiorization perceived in the
framing devices of Sanya Kantarovsky's paintings.
The exhibits are
framed by an architecture specially conceived for the exhibition that in its overall appearance resembles an amoeba, a single cell organism, and which
as an independent body carries and encloses the
sculptures.
Odd
sculpture abounds this week, from Robert Gober's human - like sinks at MoMA to the SculptureCenter's survey of work inspired, in part, by 20th century animations such
as Who
Framed Roger Rabbit?.
With over 125
sculptures and 75
framed works spanning fourteen exhibition spaces, The
Sculpture Collections shows sculpture as a contested and changing medium, in dialogue with painting, drawing, architecture and its own historica
Sculpture Collections shows
sculpture as a contested and changing medium, in dialogue with painting, drawing, architecture and its own historica
sculpture as a contested and changing medium, in dialogue with painting, drawing, architecture and its own historical moment.
The
sculptures are paired with drawings that layer plastic over paper inside aluminium
frames, ostensibly, from their titles,
as part of a series of hospital posters.
Many of the
sculptures on view will feature casts of parts of Dan's body: his mouth, chest, hands, embedded into elements of the American home, such
as windows, beds, chairs, and door
frames.
In Gesti vegetali («Vegetation Gestures»), a series of
sculptures which he began to work on in 1982, Penone «fossilized» the imprints of his hands on strips of clay stuck to a dummy that served
as a
frame.
As the ICA London hosts his first solo museum show, London - based Sahib shows elegant, formalist
sculptures and paintings at Frieze, each examining aspects of gay and club cultures and the architectural spaces that
frame them.
To
frame these works, Billingham painted pale blue and pink grids on the walls
as well
as constructed three wood and chrome dinghy - shaped
sculptures, which rest upon blue watercolor tapestries and hold a pair of paintings each.
Together, the paintings, bronze
sculptures, neons, embroideries, and works on paper in Stone Love
frame Emin
as a classical artist on a perennial journey into the self within the context of intimate and personal relationships.
Materials in the exhibition vary from hand - painted ceramic
sculptures, documentary drawings, and
frame - by -
frame erasures of video images, all intricate material processes that consider found natural and synthetic objects
as markers of larger metaphysical questions.
DeLap's work later broke entirely free of the
frame,
as with his large Minimalist
sculpture «Modern Times III» (1966).
In a first, the show — which takes place in the midst of Rottenberg's solo show at the Rose Art Museum — is the first to also include small
sculptures, which the gallery
frames as «illuminat [ing] the sculptural integrity that has always been consistent with her oeuvre.»
Judd's
sculptures frame and contain colour; like alchemists» jars, they hold blocks of blue and red
as if these were rare and precious magical substances.
It hangs on a wall in a
frame like traditional painting or drawing, but is partially draped with cloth,
as if it were installation or
sculpture.
As if to capture the immediacy of the impact, the sculpture has been encased and displayed within a frame to collect that rubble as it fall
As if to capture the immediacy of the impact, the
sculpture has been encased and displayed within a
frame to collect that rubble
as it fall
as it falls.
Kruithof printed images of environmental disasters on latex and rubber anti-slip mats and draped these over
sculptures made up of artificial appendages of the human body, such
as walking
frames, crutches and prostheses.
The classic details anchor the bathroom in the past,
as do columns that tower
as window -
framing sculptures.