Sentences with phrase «sculpture class in college»

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Teaching 2017 Cooper Union, New York NY Visiting Teacher in the School of Art 2016 - 2017 Massachusetts College of Art and Design, Boston MA Visiting teacher in the Studio Foundation department (Intro to 3D / Form Study) 2016 Tyler School of Art, Philadelphia PA Visiting critic for a graduate Painting and Sculpture seminar in the class of Matthew Sepielli 2015 - 2016 Harvard University, Cambridge, MA Teaching Fellow, working with Professor Stephen Prina to teach two studio art classes per semester for Fall and Spring semesters SVA, New York, NY Visiting artist for the class of Marc Joseph Berg

In over twenty years, Carving Studio and Sculpture Center programs have grown to include seasonal weeklong and weekend workshops in most sculptural media, college level courses for area institutions, community and high school classes, artistic residencies, international exchange programs with Peru and exhibits in our gallery spacIn over twenty years, Carving Studio and Sculpture Center programs have grown to include seasonal weeklong and weekend workshops in most sculptural media, college level courses for area institutions, community and high school classes, artistic residencies, international exchange programs with Peru and exhibits in our gallery spacin most sculptural media, college level courses for area institutions, community and high school classes, artistic residencies, international exchange programs with Peru and exhibits in our gallery spacin our gallery space.

Recent group exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A. Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing Exhibition,» Leon, Spain.

Download one of the following PDFs to see how the Sculpture / New Genres minor fits into your chosen major For students who entered Otis College as Foundation students in 2013 - 14 (class of 2017): Sculpture / New Genres Minor Academic Plan 13 - 14 For students who entered Otis College as Foundation students in 2014 - 15 (class of 2018): Sculpture / New Genres Minor Academic Plan 14 - 15 For students who entered Otis College as Foundation students in 2015 - 16 (class of 2019): Sculpture / New Genres Minor Academic Plan 15 - 16 For students who entered Otis College as Foundation students in 2016 - 17 (class of 2020): Sculpture / New Genres Minor Academic Plan 16 - 17 For students who entered Otis College as Foundation students in 2017 - 18 (class of 2021): Sculpture / New Genres Minor Academic Plan 17 - 18

During Ward's residency as Nadine Carter Russell Chair at the LSU College of Art + Design, Ward will work with students in the advanced sculpture class taught by Malcolm McClay, associate professor of sculpture at the School of Art.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

Jessica Lloyd - Jones is a visual artist based in North Wales, with a First Class Honours degree in Fine Art and MFA in Sculpture from Edinburgh College of Art in 2007.