Sentences with phrase «sculpture in a gallery setting»

We meant ordinary people going about their daily lives, as opposed to people who might intentionally encounter sculpture in a gallery setting.

Not exact matches

Another area with museums in a group setting is located around Liberty Station with an emphasis on art and sculpture to include the Visions Art Museum, Women's Museum of California, New American's Museum and a variety of smaller scale organizations with art galleries.

The exhibition brings together Tolle's iconic public work, Eureka, on view for the first time in the United States and in a gallery setting, paired with his Levittown sculptures.

It isn't the first time I've set sail across the concrete Sargasso of the South Bank either; last time I floundered in a rowing boat on the flooded sculpture court of the Hayward Gallery, courtesy of the Austrian collective Gelitin in the Hayward's 2008 Psycho Buildings show.

While Moore's pieces are perhaps best viewed in situ at Perry Green, Hepworth's outdoor pieces were given new life within the gallery setting at Tate Britain's «Sculpture for a Modern World» in 2015, which included a life - size reconstruction of one of her modern architectural structures in which she showed her work.

In one gallery, David Shrigley's 2013 Turner Prize installation «Life Model» is presented in London for the first time: a three metre high sculpture of a naked and comically disproportioned male model is set within a traditional life drawing classrooIn one gallery, David Shrigley's 2013 Turner Prize installation «Life Model» is presented in London for the first time: a three metre high sculpture of a naked and comically disproportioned male model is set within a traditional life drawing classrooin London for the first time: a three metre high sculpture of a naked and comically disproportioned male model is set within a traditional life drawing classroom.

Set in Duke of York square and split over the 3 floors, Saatchi Gallery is a spacious, modern exhibition space showcasing art and sculpture from young, contemporary artists.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basementIn particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basementin otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basementin 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7

Los Angeles - based artist, Jen Stark has been invited to kick off the Summer season by installing a 90 - square - foot hanging sculpture in the gallery of Montauk's emblematic hotel set on Fort Pond.

Complimenting the Noguchi Museum's permanently installed lower levels, selections from the Museum's Collections, including examples of Noguchi's steel sculptures and a number of collaborative stage sets, are now on view in the upstairs galleries.

Downstairs at Grey Gallery, Interior # 2 by Tom Wesselmann is an installation (an unheard term at the time) or a sculpture in relief, of an urban kitchen, with a working clock (set at the right time), a fluorescent light, a bottle of soda, an operating fan, and a window painted to have a view of buildings outside.

In this immersive installation, West, placed her figurative sculptures into a space she has created within the gallery that mimics a home space, alludes to narratives of the domestic life, and sets the stage for ambiguity, inviting ---- per her signature ---- voyeurism borne of very human curiosity.

After having presented the acclaimed set of sculptures, Circle of Animals / Zodiac Heads in 2016, the National Gallery in Prague is proud to host the Law of the Journey, the first exhibition in the Czech Republic (and in Central - Eastern Europe) of the distinguished Chinese contemporary artist, Ai Weiwei.

The galleries are set in stunning parkland, surrounded by outdoor sculptures by artists such as Henry Moore, Rachel Whiteread and Barbara Hepworth.

These works, when standing idle or when activated by a performer six times a week (Fridays and Saturdays at 2 and 4 pm and 5 pm either by actor / performer Austin Purnell or performer Lollo Romanski), set the tone for the way in which all of the works in the exhibition change subtly as the viewer — or the sculpture itself — moves around the gallery space.

In the spacious galleries on the ground floor the artist presents carefully staged settings of larger than life - sized sculptures, such as mock - ups of an ancient olive tree or of a fireplace with mantle, as well as large - scale paintings.

Each video opens by establishing a particular setting: an auditorium, a sculpture gallery or, in her newest work, a wrecked container ship at the bottom of the sea.

2012 Margolis, Rachel, «Circle Dance» sculpture set to arrive on the Walk, The Brown Daily Herald, 6 November London's art gallery hotspots, The Guardian, 11 October Your essential Frieze Guide, Chrisites Magazine, October Gayford, Martin, Invisibile Art Show is Filled With Jokes in London: Review, Bloomberg, 14 June McLean - Ferris, Laura, Invisible art: So, what does it say to you?

Starting at the Hirshhorn Museum and Sculpture Garden in Washington in February 2017, «Yayoi Kusama: Infinity Mirrors» is set to travel to the Seattle Art Museum and the Broad in Los Angeles that year, reaching the Art Gallery of Ontario and the Cleveland Museum of Art in 2018.

SOFT SCULPTURES: These organic forms in stuffed fabric are set horizontally on the floor, in random fashion, to occupy large spaces (Clouds, 1982, courtesy Ota Fine Arts, Tokyo; The Moment of Regeneration, 2004, courtesy Victoria Miro Gallery, London).

The Amon Carter Museum of American Art typically strikes a nice balance by including a few works by Texans as part of the national story it tells of 19th — and early 20th - century painting and sculpture in its main collection galleries — Julian Onderdonk hangs with fellow American Impressionists; Jerry Bywaters and Everett Spruce serve as Texan exemplars of Depression - era regionalism — and mounting annual exhibitions of about a half - dozen works in a small gallery set aside for Texas art.

In a large single room of David Zwirner's 19th street gallery, she's arranged nine concrete sculptures; two discrete groups of mannequins, one arranged around a living room set; a 10 - foot tower of MDF (medium - density fiberboard) boxes and paint drips; and two more towers covered in mirror foil, like disco retreads of the old World Trade CenteIn a large single room of David Zwirner's 19th street gallery, she's arranged nine concrete sculptures; two discrete groups of mannequins, one arranged around a living room set; a 10 - foot tower of MDF (medium - density fiberboard) boxes and paint drips; and two more towers covered in mirror foil, like disco retreads of the old World Trade Centein mirror foil, like disco retreads of the old World Trade Center.

ANDREW RAFACZ Gallery in Chicago is set to present Dreams Burn Down, a solo exhibition of paintings, works on paper and sculpture by uber - talented a multi-Juxtapoz collaborator, Cody Hudson.

His recent exhibitions in London in March and April were a solo show at Vilma Gold and a collaboration with Mika Tajima and New Humans for the South London Gallery, where the main space was transformed in into an installation and film set for live performance, music, video and sculpture.

Crystal Wagner is set to open a new series of cut - paper and wood sculptures at Allouche Gallery in NYC.

When his pieces were initially exhibited by Castelli Gallery in the 1960s, Sonnier set a precedent for abandoning the rules of traditional sculpture, forgoing the pedestal to create wall - based works and trading traditional media such as bronze and marble for unconventional and psychologically loaded materials, such as cloth and latex.

In the gallery, the sculptures create imperfect angles as they play against the corners of the room; cut - out circles are set against a large glass window; steel tubes seem to mirror pre-existing light fittings.

Housed in a former Victorian warehouse, our beautiful gallery spaces are set over two floors, displaying a range of contemporary fine art, sculpture, original prints and jewellery, quality craftsmanship and design led homewares from over 200 artists every season.

The first exhibition in the Gallery's history to be installed in both the East and West Buildings, it provided a unique opportunity to view Puryear's sculpture in modern and classical settings.

The biggest misstep in P. 4 was Taiyo Kimura's set of seven identical sculptures placed throughout the Contemporary Art Center galleries, ostensibly to be used as stools by security guards.

For his most recent exhibition, which ended last month at David Kordansky Gallery in Los Angeles, he presented found images, like a set of early headshots of the actor Anthony Perkins smiling while holding an armful of milk and juice cartons, as well as a set of charcoal drawings presented alongside small sculptures that looked like bed frames.

Given the gallery's setting in a prominent turn - of - the - century apartment building, the sculptures here enter in to dialogue with the elegant white double - panel French doors, which pepper the apartment - gallery and account for its authentic Viennese character.

Featuring a playful scene of three nuns in an art gallery with a towering marble sculpture off to the side, this piece captures Canevari's theme of nuns in relatively secular settings.

A hero of graffiti, surfer, and skate - punk subcultures, Barry McGee makes paintings, sculptures, and multimedia installations that have won wide acclaim in the institutional settings of museums and commercial galleries.

Installed throughout the museum grounds, we wanted to provide different contexts in which to see the sculptures, from public spaces to more intimate settings like the Impressionist galleries.»

Richard Pitts dramatic work sets the stage for small sculptures by the outdoor exhibiting artists in the spacious sculpture gallery.

STORM KING ART CENTER: «DENNIS OPPENHEIM: TERRESTRIAL STUDIO» (through Nov. 13) From Minimalist earthworks created in remote places in the 1960s to Pop - Surrealist public sculptures for urban settings in the 1990s and 2000s, Dennis Oppenheim (1938 - 2011) was dedicated to the proposition that art should be open to the world rather than cloistered in galleries and museums.

However rather than displaying the pieces in an austere gallery space, the works will be installed overwhelming the domestic setting of the bungalow, offering the viewer a radically altered perspective from which to engage the sculptures.

GILBERT & GEORGE: DRINKING PIECES & VIDEO SCULPTURES, 1972 - 1973: This exhibition set in the ground floor Ely Gallery brings together a group of «Drinking Pieces» and «Video Sculpture» dating from the early 1970s.

Taking place in The Kitchen theater and gallery spaces throughout the 2015 — 2016 season, «From Minimalism into Algorithm» sets contemporary and historical painting, sculpture, performance, and musical composition in counterpoint, proposing a new through - line for art - making during the past half century.

For Serralves, Daniel Steegmann Mangrané has conceived a living landscape for the Museum's central gallery in which a glass pavilion housing a garden and mimetic creatures, a set of free standing sculptures, a wall drawing, a hologram and windows that alter the experience of viewing are brought together to create a living ecosystem of transfigurations and metamorphosis, both real and symbolic.»

Inscribed «GABO» on wooden backing Plastic, metals and cork set into wooden box, 24 x 11 x 23 (61 x 28 x 58.5) Presented by the artist 1977 Exh: Gabo: konstruktive Plastik, Kestner - Gesellschaft, Hanover, November 1930 (20) as «Konstruktive Raumgestaltung für eine Wandnische» 1930; Constructions by N. Gabo, London Gallery, London, January 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo: Constructions in Space, Wadsworth Atheneum, Hartford, March 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo - Pevsner, Museum of Modern Art, New York, February - April 1948 (works not numbered) as «Construction in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 19in Space, Wadsworth Atheneum, Hartford, March 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo - Pevsner, Museum of Modern Art, New York, February - April 1948 (works not numbered) as «Construction in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 19in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 19In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 19in a Niche» 1930

It will be a big moment for this year's Turner Prize favourite Karla Black, as she is set to have her largest yet show in Scotland (her place of birth), exhibiting a series of new sculptures at the Gallery of Modern Art.

In BALTIC 39's second gallery space, Calderwood will present a new site - specific video installation in which he will set up a co-dependency between projected video and static sculpturIn BALTIC 39's second gallery space, Calderwood will present a new site - specific video installation in which he will set up a co-dependency between projected video and static sculpturin which he will set up a co-dependency between projected video and static sculpture.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

Experiencing a photograph next to a painting, an audacious distant cousin (such as a heliograph), a sculpture, or even within much - debated sets of social obligation (journalism)-- each of these scenarios expands the conversation around how photography functions in specific contexts, both inside and outside gallery spaces.

In addition to the installation, which includes the theatrical set, sculptures, and new drawings, performances of the critically acclaimed piece will take place at the gallery at 8 pm on June 2, June 3, and June 4.

A day of special events on Thursday 12 November 2009 will pay homage to the Sculpture Remixed gallery and bring together art, design and music: Local DJs launch their new playlists for the gallery space in a marathon set and Wayne Hemingway shares his ambitious ideas for art from the Tate Collection.

For the event, the artist has populated the gallery with felled, cast - iron tree trunks, nearly sixteen feet in length, and a series of iron root sculptures set against the backdrop of a new wallpaper installation.

DAVID RICHARD GALLERY The Santa Fe - based gallery has a fantastic booth with colorful works in virtually every medium, from a beautiful orange Op art painting by Julian Stanczak, Divided Red (1990, priced at $ 40,000), to a set of glossy urethane - on - wood sculptures by Beverly FGALLERY The Santa Fe - based gallery has a fantastic booth with colorful works in virtually every medium, from a beautiful orange Op art painting by Julian Stanczak, Divided Red (1990, priced at $ 40,000), to a set of glossy urethane - on - wood sculptures by Beverly Fgallery has a fantastic booth with colorful works in virtually every medium, from a beautiful orange Op art painting by Julian Stanczak, Divided Red (1990, priced at $ 40,000), to a set of glossy urethane - on - wood sculptures by Beverly Fishman.