Not exact matches
They actually managed to
work «sophisticated,» «dynamic,» «progressive,» and «
sculptured» all into a
single sentence, giving it a best -
in - class modifier - to - fact ratio.
She is not known for subtlety —
in either her
work or her personality — but the prominent, often brow - raising British artist Tracey Emin's latest
sculpture, a
single bronze bird perched atop a 13 - foot pole
in New York City's SoHo neighborhood, is just that: unassuming.
All of the
works featured
in the exhibition — ranging from video games,
single channel video, kinetic
sculpture, and prints, to pen plotter drawings — have been created by means of technological tools with an emphasis on the mixing and matching of both professional and amateur technologies, as well as the vernaculars these technologies encourage within culture at large.
Robert Gober's new
sculpture of an enormous stick of butter
in a crib surrounded by a dozen golden apples combines several of the artist's previous subjects into a
single work.
Currently on display at the DESTE Project Space Slaughterhouse
in Hydra, Figa is an exhibition of a
single work, combining the tradition of monumental public
sculpture with the ritualism of visiting a quasi-relic.
For her newly commissioned
work Foreign Exchange (2015 - 17), artist Phillipa Horan
worked with a commercial biotech laboratory
in Upstate New York to produce what is possibly the first large - scale figurative
sculpture grown from mycelium, the
single cell root system of which a mushroom is the fruiting body.
Sculpture gardens may also vary greatly
in size and scope, either featuring the collected
works of multiple artists, or the artwork of a
single individual.
In this review of the Wadsworth Atheneum exhibition Black, White and Grey: Contemporary Painting and Sculpture (January 9 — February 9, 1964), Florence Berkman singles out Rauschenberg's Erased de Kooning Drawing (1953) as the «most unusual work» in the sho
In this review of the Wadsworth Atheneum exhibition Black, White and Grey: Contemporary Painting and
Sculpture (January 9 — February 9, 1964), Florence Berkman
singles out Rauschenberg's Erased de Kooning Drawing (1953) as the «most unusual
work»
in the sho
in the show.
Immerse yourself
in a
single medium or
work across multiple disciplines, including ceramics, glass, media arts, painting, drawing, photography, printmaking,
sculpture, and textiles.
He finished his first marble
sculpture in 1982, then began
work on La Pietà, a massive
sculpture carved from a
single marble block weighing 12 metric tons.
Other artists who will be included
in this exhibition are Dan Flavin (
sculpture installations and drawings), Joe Goode (paintings from the Torn Sky series), Donald Judd (a
single stack, wood blocks and woodcut prints), Sol LeWitt (
sculpture and drawings), Robert Mangold (paintings), John McCracken (
sculpture), John McLaughlin (paintings), Cy Twombly (drawings), and Agnes Martin (
works on paper).
Artists Nicole Cherubini, Mario Garcia Torres, Shana Lutker, and Gary Simmons will present new
work in the Museum's project galleries, which were designed especially to provide focused,
single - artist experiences, while artist Iman Issa will create an exhibition of new
sculptures for one of the museum's more expansive focus galleries.
Past group shows and screenings include: Rêve du Pierre, curated by Alexandra Fau, Centre Pompidou, Paris (screening)(2016); Night Walk, with Erin Shirreff, deCordova
Sculpture Park and Museum, Lincoln, MA (2015); A Night of Philosophy, Ukrainian Institute of America, New York, NY (Screening)(2015); The Daily Show, Bureau, New York NY (2015); The Built Environment: Lower Side
in Istanbul, Mixer, Istanbul, Turkey (2014); It Narratives: The Movement of Objects as Information, Franklin Street
Works, Stamford, CT, USA (2014); A Tale of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, NY, NY (2014); Two Hours Two Minutes, The Power Plant, Toronto, Canada (2014); Kool - Aid Wino, Franklin Street
Works, Stamford, CT, USA (2013); Matter Out of Place, Kitchen, NY, NY (2012); Somebody has stolen our tent, Simon Preston Gallery, NY, NY (2012); The Way Things Go (Part 3), Frutta, Rome, Italy (2012);
Single Channel, Soho House, Miami, FL, USA (2011); Forcemeat, Wallspace, NY, NY (2011), and Suddenly: Where We Live Now, Cooley Gallery — Reed College, Portland, OR and Pomona College Museum of Art (2008, 2009).
Sam Falls is a multi-talented contemporary painter, photographer, writer and videographer of international renown, whose captivating
works combine photography, painting, and
sculpture, exploring the ways
in which color, digitally manipulated photographs, and natural processes
work together
in a
single piece of art, investigating artistic potential of each medium.
This question may well be the province of the new Clyfford Still museum, which bests any other hagiographic museum dedicated to a
single artist's
work,
in possessing 94 % of his lifetime output: 825 paintings, 1,575
works on paper and 3
sculptures.
The imagery of the gum and eraser
sculptures is also manifest
in larger
single ceramic and bronze
works, and latex pieces such as Pink Champagne (1975), a large - scale petal - like structure which
in all its fleshy pink and tactile softness becomes a highly sensuous and seductive evocation of the female form.
Between
works displayed on cellphones or vintage game consoles, books, flat screens, projections, gifs, slide projects, a custom carpet job, wallpaper, a
sculpture here and there, a few items from each artists» clothing line, and a
single repeated verse from a generic pop song fading
in and out of the exhibition space, I do not feel particularly set - up to pay close attention to anything.
In Venice, she presents the
work «Crowd and Individual», which consists of 110 humanoid burlap figures, mostly headless, marching inexorably towards a
single animal
sculpture set opposite them (the so - called Mutant).
But she came to specialise
in work that combined painting and
sculpture in a
single piece.
Her labyrinthine
works, connecting odd objects
in single sculptures, reveal the reverence she has for the material world, and show that —
in the words of the Guardian art critic Adrian Searle — she «thinks differently from the rest of us».
Working in mediums such as
sculpture, video, film, installation, performance, and printmaking, he shies away from developing a
single characteristic style.
Serious collectors and the curious alike should look for a surge
in sculpture, a large selection of contemporary art from China (the dedicated region of the fair's Focus section), a rise
in the number of emerging galleries and the increase of
single - artist presentations and thematic groupings of
work that vary across media and generation.
Reid's use of
single tones, and a palette that is as far removed as is possible from what we would consider naturalistic, at once emphasises the draughtsmanship
in his
work and brings his
sculptures into the realm of the abstract.
This exhibition has been conceived as a process lasting six months, a symphony structured
in three movements and an epilogue, each deriving from the study of a
single key
work that defines the whole movement: Echo VIII, a
sculpture by Louise Bourgeois (First Movement); Fuji, an abstract painting by Gerhard Richter (Second Movement); and Silent Score, a performance by Pierre Huyghe (Third Movement).
In a recent
work of what he calls social
sculpture, the New York artist Ivan Monforte revisits the Whitney Museum's famously political 1993 biennial, with a specific reference to Daniel J. Martinez's contribution to that show: museum admission tags printed with
single words that, seen side by side, spelled out, «I can't imagine ever wanting to be white.»
It is also the largest museum
in the United States devoted to a
single artist, with 7 - storys, 17 galleries, 900 paintings, almost 2,000
works on paper, over 1,000 unique prints, and 80
sculptures.
This will be the first exhibition dedicated to the
work of a
single artist to be held
in the garden at Chatsworth and will comprise 15
sculptures by Sir Anthony Caro sited around the famous Emperor Fountain,
in front of the south façade at Chatsworth.
The produced
sculptures, the result of diverse visions and motives, different skills and methods, will eventually comprise a
single work, the trace of an open collective performance to be displayed
in fragments inside and outside the old abattoir.
Fred Sandback's
sculpture, Untitled1972, consisting of a
single red yarn suspended
in a corner, like all of the artist's
work aims to «assert a certain place or volume
in its full materiality without occupying and obscuring it.»
There isn't a
single theme or medium visibly connecting the body of Messina's
work, which spans
sculpture, video, photography and text reflecting on dynamics
in the art world and pop and internet culture to mention but a few examples.
In spring 2016, Sadie Coles HQ presents a
single sculpture by Sarah Lucas alongside
works by Japanese painter Yamashita Kikuji (1919 — 1986), dating from 1968 to 1975.
The installation's title evokes the hermaphroditic underpinning of the project and is manifest
in the composition of
single works and
in sets of asymmetrically paired
sculptures.
Even
works produced
in traditional,
single, low - or no - tech media, such as Sue Williams» paintings and
sculptures, Karen Kilimnick's drawings and Glenn Ligon's photographs, refuse the purist's demands for an exclusively visual experience: all are text heavy.
Unlike other museum - quality shows that occur
in commercial spaces, usually of a
single famous artist like the Francis Bacon triptych show at Gagosian (www.gagosian.com), Victoria Miro has allowed Grayson Perry to organise a show of artifacts — not art
works — from the Victorian period intermingled with his own ceramic
sculptures.
Last seen at the Museum of Modern Art's retrospective of Smith's
work in 1998, this
sculpture exemplifies the artist's use of
single modules to create multi-tiered, complex
sculptures, at once geometric and organic.
In images of
single sculptures and assembled groups, Lindbergh positions Giacometti's
works as both subject and object.
Working tirelessly for three short years, he was prolifically busy producing a vast and diverse amount of
work which included time capsules, minimal
sculpture and room constructions, kitch acrylic paintings attributed to another artist (Es Que) to be shown at a Lord & Taylors department store gallery, enigmatic rainbow buttons, half dollars cast
in his own blood and acrylic medium, a lip stamp that he used
in the subways to humorously deface ads for pantyhose,
single - message bronze plaques that only become art when implanted
in a sidewalk; graffiti stencils spray painted
in unconventional spaces and a series of anonymous advertisements
in Artforum magazine encouraging starting rumors, telling lies and perpetrating hoaxes, smoking, tripping and teaching art that collectively he referred to as «micro-manifestos».
A powerful vision of the human figure is offered
in these painted constructions; the
works, including both
single and group, freestanding and relief
sculptures, directly address the constructively expressive sensibility of»80s art.
In the exhibition text of Donald Moffett's solo show, head., the artist's
works are described as collapsing «the tropes of painting, video, photography, and
sculpture into a
single new form of portraiture.»
Bradford is currently
working on pieces for two upcoming shows: a
single person show at Hirshhorn Museum and
Sculpture Garden
in Washington D.C. as well as a two - person entitled «Shade: Clyfford Still / Mark Bradford» at the Albright - Knox Art Gallery
in Buffalo, New York.
The artist's colorful and heavily impastoed
works, the liquidity of which the artist states, «allow for «Indiana Jones» - type adventures,» will be on display
in this exhibition of
sculptures and paintings, the latter of which are created
in single sittings.
In works such as Telekinetischer Masturbator, a
sculpture of a man without arms, wearing a real shirt, and Me Under LSD, a
single extended hand supporting a large cloud - like structure, Wurm translates psychological and mental realities into physical realities.
In a single gallery deep on the north side, Molesworth has brought together a suite of works that take on the issue of sex and sexuality in weird and funny ways — from a cigar sculpture by Robert Gober (b. 1954) to portraits of de-sexed androgynes by Matthew Barney (b. 1967) to a cartoonishly provocative painting of a blond by Lisa Yuskavage (b. 1962
In a
single gallery deep on the north side, Molesworth has brought together a suite of
works that take on the issue of sex and sexuality
in weird and funny ways — from a cigar sculpture by Robert Gober (b. 1954) to portraits of de-sexed androgynes by Matthew Barney (b. 1967) to a cartoonishly provocative painting of a blond by Lisa Yuskavage (b. 1962
in weird and funny ways — from a cigar
sculpture by Robert Gober (b. 1954) to portraits of de-sexed androgynes by Matthew Barney (b. 1967) to a cartoonishly provocative painting of a blond by Lisa Yuskavage (b. 1962).
She
worked in series, creating numerous iterations on a
single theme before moving to a new one, often launching the next set of
sculptures in a different scale or material.
* Drawn from the Greek and Roman
sculpture in Munich as well as other museum collections, the entire suite forms a
single work.
Nonetheless,
works of this genre do not take the form of installation exclusively, and Take It or Leave It makes evident that institutional critique can also reside
in an individual object, whether a painting, a
sculpture, or a
single - channel video.