Sentences with phrase «sculpture on view which»

Not exact matches

Most sculptures featured in the exhibition will be lent by the artist, including Magma (2008), which will be publicly on view for the first time.
As it was, the checklist for the three - dimensional objects on view in 1960 at MoMA, three of which are included in the current show, were labeled as sculpture, and that was the term used in the review published in Arts magazine.
At the New Museum's exhibition «Trigger: Gender as a Tool and a Weapon,» she has on view a glass sculpture in which clay is drained and re-drained while a sound recording tells viewers that the object is effectively useless.
Starting in February, two sculptural installations by Banks Violette (b. 1973, USA) and two works of sculpture by Oscar Tuazon (b. 1975, USA) will be on view on the museum's ground floor, complemented by an audio installation for which Tuazon collaborated with Vito Acconci (1940 — 2017, USA).
The exhibition, which features paintings and sculptures by Josef Albers, Robert Irwin, Sol LeWitt, Liu Jianhua, Robert Mangold, Robert Ryman, and Tony Smith, will be on view through August 12, 2017 in Seoul.
The sculpture, which was recently reconstructed, was on view at the time of the interview as part of the exhibition «Vito Acconci: Thinking Space,» at the Middlebury College Museum of Art.
The outdoor sculpture, which will consist of 500 running feet of golden, mirror - polished discs that create canopies above the pathways around the Park's central Oval Lawn, will be on view in Madison Square Park beginning June 1, 2015.
The latest iteration of Bloom Projects, which will go on view the same day, debuts a newly commissioned site - specific installation by Brooklyn - based artist Michael DeLucia, whose work addresses the condition of sculpture and spatial relationships in the technological age.
The installation, which consists of ten paintings and a single sculpture, will be on view at MASS MoCA beginning February 17, 2018, with a members» reception on March 24.
The Fourth Plinth Commissioning Group invited Fritsch to create the sculpture Hahn / Cock, which was unveiled in Trafalgar Square in the summer of 2013 and is currently on view at the Walker Art Center in Minneapolis and the National Gallery of Art in Washington, DC.
In 2002, the Stuart Collection at the University of California, San Diego, unveiled the artist's monumental sculpture Bear, a 180 - ton, 23-1/2 - foot - tall teddy bear constructed from eight uncarved granite boulders, which will remain on view permanently.
Coming off his Balloon Dog (Orange), which sold last November for $ 58.4 m (# 34m), the highest price ever paid for a living artist, two other shiny sculptures adorned the catalogue covers of Sotheby's and Christie's spring sales, with Jim Beam — JB Turner Train, the stainless steel train filled with bourbon, selling for $ 33.7 m, and Popeye going to Steve Wynn's Las Vegas casino for an above - estimate $ 28.1 m. Fans packed in like sardines last year for Koons's solo shows at New York's Gagosian and Zwirner galleries, which pitted his Gazing Ball plaster casts against work just off the production line, and are currently filing through Rockefeller Center to view Split - Rocker, rising 37 feet (11 metres) in the air, with the hairs of its 50,000 living flowers standing on end.
This summer, the object - a phallus combined with a rough - hewn sword handle - was scaled - up to create a giant concrete sculpture which is currently on view upstairs at Whitechapel Gallery.
These include «Joyce J. Scott: Harriet Tubman and Other Truths,» the monograph of the Baltimore - based artist is the most comprehensive publication about her work to date complements her exhibition that was on view through April 1 at Ground for Sculpture in Hamilton, N.J. «Adrian Piper: A Synthesis of Intuitions 1965 — 2016,» is a 350 - page catalog documenting her career - spanning exhibition which just opened to rave reviews at the Museum of Modern Art in New York.
The British artist Tracey Emin has created a new sculpture titled Roman Standard (2013) which will be unveiled for Frieze week on May 10 and on view to September 8, at Petrosino Square, Spring and Lafayette Streets in New York.
Also on view is a group of bronze sculptures from Nagle's Hands On series (1991), which use the cup as a formal vehicle rather than a utilitarian tool, employing slight variations in structure and texture to create abstract geometric and architectural formon view is a group of bronze sculptures from Nagle's Hands On series (1991), which use the cup as a formal vehicle rather than a utilitarian tool, employing slight variations in structure and texture to create abstract geometric and architectural formOn series (1991), which use the cup as a formal vehicle rather than a utilitarian tool, employing slight variations in structure and texture to create abstract geometric and architectural forms.
A sculpture by William King in The Stairs show curated by Sebastian Black and Mathew Cerletty which is on view through March 2nd at Algus Greenspon, 71 Morton street, New York.
Sculptural constructions by Richard Stankiewicz, Betye Saar, and Abe Ajay, a mobile by Alexander Calder, a large glass piece by Dale Chihuly, and several large - scale metal pieces by Seymour Lipton — some of which are currently on view in the Hamer Sculpture Garden — round out the museum's collection of post-war sSculpture Garden — round out the museum's collection of post-war sculpturesculpture.
The works on view provide visual rejoinders to this investigation, among which Diane Simpson's sculpture, an earth - toned tunic produced in rigid rectilinear form, renders utility null
Performance: «Louise Despont: Energy Scaffolds and Information Architecture» at the Drawing Center Presented in conjunction with Louise Despont's exhibition «Energy Scaffolds and Information Architecture,» which is on view at the center through March 20, sculptor and musician Aaron Taylor Kuffner creates a live performance with his gamelatron (sonic kinetic sculpture with Indonesian gamelan instruments).
Ms. Falkenstein's sculptures are on view at the Peggy Guggenheim Collection in Venice and at the Hauser Wirth & Schimmel gallery in Los Angeles, and have been exhibited this year at the American University Museum in Washington and the Michael Rosenfeld Gallery in New York, which represents the estate.
A retrospective of the Uruguayan - born artist will be on view here until March 11, 2018, as The Sculpture of Gonzalo Fonseca, which showcases around 80 objects in the space.
The critic Dore Ashton, reviewing his work at New York's Brata Gallery, which Mr. Kobayashi helped found in 1957, described his canvases and a work of sculpture on view in a 1958 show as «based in a wiry, expansionist imagery composed of tensile lines vibrating from central axes.»
Stella has an essential place in the Glass House's collection overall, with additional works currently stored, but not currently on view, in the Painting Gallery and several pieces on display in the adjacent Sculpture Gallery, all of which range from the 1960s to the 1990s.
Titled Lightning, the installation is a reference to the Joseph Beuys sculpture Lightning with Stag in its Glare, which is on long - term view at Mass MoCA.
The engagement with postmodern dance gave rise to a significant constant within his sculptural works: The investigation of an inclusion of the viewer which focuses on the temporal perception of sculpture by means of bodily movement through space, and which furthermore directs the view from the institutional space out onto social aspects in the real world.
The exhibition, which will be on view in 2016 at MoMA, New York, and SFMoMA, is co-curated by SFMoMA's Rudolf Frieling, Curator of Media Arts and Gary Garrels, Senior Curator of Painting and Sculpture in collaboration with MoMA's Stuart Comer, Chief Curator of Media and Performance and Laura Hoptman, Curator of Painting and Sculpture.
The range of the German artist's practice goes on view in this exhibition of new and recent pieces, which includes a selection of concrete sculptures, wall - mounted paintings and assemblages, and examples of her ongoing «Schauspieler (Actors)» series.
Examples of O'Neill's sculpture, photography, and works on paper will be on view in the galleries alongside Runs Good (1970/2012), which will be shown continuously as a three - channel projection.
Whitewall caught up with Bradford as he was preparing a solo exhibition at the Contemporary Art Museum St. Louis (which closed August 14); a show at the Albright - Knox Art Gallery in Buffalo that pairs his work against Ab - Ex practitioner Clyfford Still's striking paintings (on view through October 2); and a massive site - specific painting at the Smithsonian's Hirshhorn Museum and Sculpture Garden (to be unveiled November 17).
The 31 works on view at Blaffer Art Museum include documentation of Chin's major science - based projects, most famously Revival Field (begun in 1990), in which he worked with agronomist Rufus Chaney on monumental «sculptures» that used phytoremediation — the use of metal - accumulating plants to absorb toxins from contaminated soil — as a reductive technique, similar to the way a sculptor carves away marble.
Through the exhibition Energy / Experimentation: Black Artists and Abstraction, 1964 — 1980 (2006)-- which highlighted numerous black artists working in abstract painting or sculpture — and her scholarly work on African American conceptualists, Jones has prompted a reevaluation of the view that African American art of the period was predominantly figurative or representational.
With contributions from over 40 artists of the more than 100 originally participating, Times Square Show Revisited reflects the spirit of the original with a mix of extant sculpture, painting, and video — most of which has not been on public view since 1980.
In 2007, Goldsworthy is the subject of two major museum exhibitions: Yorkshire Sculpture Park, West Bretton, U.K., on view through next January; and the Palacio de Cristal at the Museo Nacional Reina Sofia, Madrid, Spain, which opens in October.
Gala goers also were treated to the opening of the exhibition, «Gertrude Vanderbilt Whitney: Sculpture,» the first survey of the artist's work in more than 75 years, which is on view through April 29, 2018 and features some 50 sculptures and drawings and other items from the artist's life.
Meanwhile, the sculptures, many of which are on long term view at Dia Beacon, aren't going anywhere.
Among the works on view will be a five - part concrete sculpture by Lara Favaretto, each part of which captures a gesture meant to convey a single mood or feeling; a site - specific environment by Claudia Comte, which will include a series of sculptural works and a video; and a sculptural intervention by Renata Lucas, installed on the floor of the gallery.
Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.
When the Whitney Museum of American Art opens its new building in Manhattan's meatpacking district on May 1, it's the big things everyone will notice first: the sweeping views west to the Hudson River; the romantic silhouettes of Manhattan's wooden water towers; the four outdoor terraces for presenting sculptures, performances and movie screenings; and the tiered profile of its steel - paneled facade, intentionally reminiscent of the Whitney's Modernist, granite - clad Marcel Breuer building on Madison Avenue, which had been the museum's home since 1966.
Of the many Frank Stella sculptures on view (perfectly timed with his current retrospective at the Whitney Museum of American Art, New York), I snapped a photo of the 400 pound Goliath at the Galerie Terminus (Munich) booth, which had to have special reinforced walls to support it.
Storm King has previously exhibited Zhang Huan's monumental 28 - foot - tall, 12 - ton copper and steel sculpture Three Legged Buddha (2007), which will also be on view during the exhibition.
Other works on view in the exhibition include Lophophore (2006 - 7), a bondo sculpture rising more than 7 feet in the air, projecting sensory organs from the ends of its twisted arm, and Deposition (2007), a 15 - foot tree branch rigged with a slide whistle and a motor that drives a beaded string through a series of wooden wheels, producing loopy sounds which rise and fall.
The exhibition brings together more than 100 works created by more than 20 artists from France, Spain, Belgium, Switzerland, Germany, Great Britain and the United States from the «20s to the «50s, rebalancing the traditional views about Surrealist sculpture by placing equal emphasis on organic abstraction which originated in the whimsical reliefs of Jean Arp, and the of found - object assemblage, which originated in the Assisted Readymades of Marcel Duchamp and became a surrealist passion.
Hawkinson's works confront not only the palpable, corporeal aspects of human nature; he has also created pieces which explore the metaphysical facets of human consciousness and the yearning to rationalize and map the intangible forces governing the universe: Ruffle (2009), a 44» x 44» x 44» hanging sculpture made of aluminum mesh, aluminum tape, and bondo, and Track (2009), a 92» x 60» x 24» allusion to Edward N. Lorenz's visualizations of deterministic chaos based on a mathematical model of the atmosphere constructed out of a aluminum tape, neoprene, pvc, and wire will also be on view.
Imagine Brazil, which was recently on view at le Musée d'art contemporain de Lyon, filled two floors of the museum with an overwhelming breadth of painting, sculpture, video, and artist books.
In New York, Public Art Fund has announced that a new public artwork, a seventeen - foot - tall granite sculpture with a shopping list engraved on its surface, titled Memorial, also by David Shrigley (an artist sketch of which is shown above, left, courtesy of the artist and Anton Kern Gallery) will be on view from September 8, 2016.
Also on view is a selection from Ebner's Auto Body Collision project, which is a multi-part series of photographs documenting language taken from signs, and seeking out repetitions of terms such as Auto Body Collision and Automotive, as well as a new sculpture depicting the letter «A.»
In terms of the wide range of media employed, the show looks like it could have been made by several different artists: sculptures similar to the ones shown a the Whitney occupy one gallery; another room boasts huge, scribbly pencil drawings on walls that surround a replica of a hearth («the traditional focal point of the American home»); in another, stacks of mannequins wearing identical outfits and wigs create a chute through which you can walk to view floor - facing monitors screening videos featuring the real - life character the mannequins seem to be modeled after (the artist's mother).
Through site - specific installations, including sculpture and digital prints on silk, this exhibition considers the ways in which artists provide an indirect view of reality, representing it as a fictional mythology drawn from its facts, forms, or histories, but never reflecting them directly.
To celebrate Antony Gormley's upcoming major outdoor public installation entitled Event Horizon - which will be on view in New York in and around Madison Square Park from March 23 until August 25, 2010 - we will show a magnificent sculpture entitled Quantum Void III.
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