This exhibition of more than 120 works seeks to emphasise the fundamental importance of land to his artistic practice: he was one of the first to take
sculpture out of the gallery and place it directly in the landscape.
In the photographic album «An English Frontier» (1972), Richard Long took
sculpture out of the gallery, documenting a walk conducted in the company of Tony Cragg, Roger Ackling, Jim Rogers and Bill Woodrow.
Not exact matches
Fite originally planned
out the space as an outdoor
sculpture gallery, and had a 40 year plan for finishing it, but died on the 37th year
of completion.
Pro tip: ignore the
sculpture gallery, it scared the mess
out of my kids.
Anderson recently wrote a foreword to a book on Mothersbaugh's art, laying
out a vision that included «hundreds
of animatronic characters and creatures, rides through vast invented landscapes and buildings, extensive
galleries of textiles and
sculptures, plus an ongoing original music score piped in everywhere.»
Their art comprises two - dimensional cut -
outs and collages; free - standing
sculptures; and large - scale installations that engage the architecture
of the museum's
gallery space.
Chakaia Booker: In and
Out on view during the summer
of 2010 was first in a planned series
of solo exhibitions
of sculpture in the Museum's
galleries and outdoor spaces.
Born in Los Angeles in 1904, the son
of an American mother and Japanese poet father, Noguchi was interested in
sculpture out of doors rather than within building
galleries.
Installed outside the Serpentine
Gallery Ada, (wind vane) is a flat
sculpture which is part
of Alex Katz's «cut -
outs» — a body
of work that dates back to 1959 when he began to cut
out figures from his paintings to emphasise the two - dimensionality
of painting.
If the main aim
of the City
Sculpture Project was to bring abstract sculpture out into the wider world, the beautifully installed main gallery at the HMI brings it back home to the rarefied atmosphere of the wh
Sculpture Project was to bring abstract
sculpture out into the wider world, the beautifully installed main gallery at the HMI brings it back home to the rarefied atmosphere of the wh
sculpture out into the wider world, the beautifully installed main
gallery at the HMI brings it back home to the rarefied atmosphere
of the white cube.
Katy Cowan: reflected - into - themselves - into - reflected includes seven new
sculptures that begin in the
gallery and spill
out onto Lynden's grounds, as well as a series
of preparatory drawings.
They turn the expectations
of a
gallery space and geometric
sculpture inside
out, as fully as Rachel Whiteread at her best.
Major solo exhibitions include «Bruce Nauman: Inside
Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum
of Contemporary Art, Los Angeles; Hirshhorn Museum and
Sculpture Garden, Washington, D.C.; and Museum
of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters
of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum
of Art; and Museum
of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art
Gallery of Ontario (2014).
The museum's vast
galleries and multiplicity
of stages — both inside and
out — offer artists unprecedented opportunities to make and present large - scale
sculpture, inventive theater, and big new musical ideas that will confound expectations... and delight you.
The jury is
out on whether or not this qualifies him as a communist, but his claim does provide a source
of perplexity when evaluating the inspiration for his ongoing Kandor
sculpture and installation series — the newest
of which being currently displayed at Gagosian
Gallery (Beverly Hills) alongside the latest chapters
of his filmic project, Extracurricular -LSB-.....]
Featuring paintings, collages and
sculpture created
out of assembled objects, the
gallery's presentation will offer a wide selection
of Vigo's artworks that are representative
of the artist's politically charged oeuvre.
In the Ballroom's North
Gallery, Marlie Mul presents a pair
of sculptures that take the form
of oversized steel grills,
of a type commonly used by street smokers to stub
out their cigarettes.
Select highlights include: Lehmann Maupin's sale
of several McArthur Binion works ranging from $ 50,000 - 175,000 to trustees
of two leading U.S. museums, as well as collectors new to the
gallery; Galerie Thaddaeus Ropac's sale of two works by George Baselitz in a range of c. $ 599,000 - 838,000 each, a Robert Rauschenberg work for $ 725,000, a Tony Cragg sculpture for c. $ 210,000, and a metal and wood piece by Jack Pierson for $ 190,000; Royale Projects sold three Clinton Hill paintings at around $ 95,000 each to collectors from New York and California; David Kordansky sold out its booth of photography by Torbjørn Rødland in the range of $ 14,00028,000 each; Jack Shainman's sales of recent work by Hank Willis Thomas, including a major sculpture, a retroflective, and one of Thomas» iconic flags in the Live section, and works by Lynette Yiadom - Boakye, Becky Suss, Enrique Martinez Celaya and Geoffrey Chadsey; Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 1
gallery; Galerie Thaddaeus Ropac's sale
of two works by George Baselitz in a range
of c. $ 599,000 - 838,000 each, a Robert Rauschenberg work for $ 725,000, a Tony Cragg
sculpture for c. $ 210,000, and a metal and wood piece by Jack Pierson for $ 190,000; Royale Projects sold three Clinton Hill paintings at around $ 95,000 each to collectors from New York and California; David Kordansky sold
out its booth
of photography by Torbjørn Rødland in the range
of $ 14,00028,000 each; Jack Shainman's sales
of recent work by Hank Willis Thomas, including a major
sculpture, a retroflective, and one
of Thomas» iconic flags in the Live section, and works by Lynette Yiadom - Boakye, Becky Suss, Enrique Martinez Celaya and Geoffrey Chadsey;
Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 1
Gallery Hyundai's sale
of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 100,000.
The artist — popular both within and beyond the art world for his darkly subversive, laugh -
out - loud drawings and
sculptures — takes his place alongside Tino Sehgal, whose Tate Modern Turbine Hall piece last summer saw performers talking to
gallery - goers, telling them intimate stories from their own lives; Laure Prouvost, the French - born, London - based maker
of warmly mischievous installations and films; and Lynette Yiadom - Boakye, whose apparently traditional portraits
of ordinary sitters turn
out to be fabrications drawn from her own imagination.
Cut
Outs By Alex Katz Paul Kasmin
Gallery Chelsea March 8 — April 14 The solo
sculpture exhibition «Cut
Outs» presents Alex Katz's ongoing study
of surface, perception, and the human figure.
Next in the curated section, Troy Michie (Company
Gallery) creates works using photographs with people's bodies and faces cut
out in a symbolic specter
of invisibility, and Tomashi Jackson (Tilton
Gallery) assembles
sculptures that meld Josef Albers's color theories with the history
of racial politics in the US.
At its 27th Street space in New York, Paul Kasmin
Gallery presents a solo exhibition
of «Cut
Outs»
sculpture by...
How could the Studio School, that rigorous bastion
of high
sculpture, devote precious
gallery space to
out - and -
out kitsch?
Often crumpled in an industrial crusher and spray - painted in bright colours before being welded together into their final shape, his abstract
sculptures are now being placed within the
gallery and gardens
of Inverleith House, the outdoor location drawing
out an unexpected organic quality in the artist's heavy metal works.
Working
out of his studio on Camano Island, Aaron Haba creates a wide range
of sculptural pieces, including
gallery installations and site - specific outdoor
sculptures.
Giant
sculptures of tulips, a pumpkin, dogs and a doll are located in the
gallery's canal - side garden and ground floor exhibition space, along with new paintings, creating a surreal inside -
out...
Giant
sculptures of tulips, a pumpkin, dogs and a doll are located in the
gallery's canal - side garden and ground floor exhibition space, along with new paintings, creating a surreal inside -
out landscape
of nature and artifice.
He has participated in numerous group exhibitions including the Venice Biennale in 1993 and 2003; Twentieth Century British
Sculpture, Jeu de Paume, Paris, 1996; Extreme Abstraction, Albright Knox Art
Gallery, Buffalo, 2005; Into Me /
Out of Me, PS1 Contemporary Art Center, New York, 2006; Re-Object, Kunsthaus Bregenz, Bregenz, 2007; and Color Chart: Reinventing Color 1950 to Today, Museum
of Modern Art, New York, 2008.
What often appears as precious stones or minerals in Donovan's work often turns
out to be common materials such as plastic buttons or polyester film, such as in Untitled (Mylar), a freestanding
sculpture that will be presented in The Steadings
Gallery as part
of Donovan's expansive presentation at Jupiter Artland.
When the National
Gallery of Victoria moved to St Kilda Road in 1968, it opened its new premises with a controversial bang: a boundary - pushing exhibition
of colour field painting and abstract
sculpture, laid
out amid foil - covered walls.
We encounter lovers lifted from an Indian temple
sculpture; monkeys and lion dogs borrowed from Chinese art; a grape - eating goat surrounded by lovely leaves (some made
of felt), suggestive
of folk art; and seemingly abstract planes
of color that turn
out to depict
gallery walls, urban skyscrapers or a sendup
of a suave brown Hollywood interior.
Past group shows and screenings include: Rêve du Pierre, curated by Alexandra Fau, Centre Pompidou, Paris (screening)(2016); Night Walk, with Erin Shirreff, deCordova
Sculpture Park and Museum, Lincoln, MA (2015); A Night
of Philosophy, Ukrainian Institute
of America, New York, NY (Screening)(2015); The Daily Show, Bureau, New York NY (2015); The Built Environment: Lower Side in Istanbul, Mixer, Istanbul, Turkey (2014); It Narratives: The Movement
of Objects as Information, Franklin Street Works, Stamford, CT, USA (2014); A Tale
of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, NY, NY (2014); Two Hours Two Minutes, The Power Plant, Toronto, Canada (2014); Kool - Aid Wino, Franklin Street Works, Stamford, CT, USA (2013); Matter
Out of Place, Kitchen, NY, NY (2012); Somebody has stolen our tent, Simon Preston
Gallery, NY, NY (2012); The Way Things Go (Part 3), Frutta, Rome, Italy (2012); Single Channel, Soho House, Miami, FL, USA (2011); Forcemeat, Wallspace, NY, NY (2011), and Suddenly: Where We Live Now, Cooley
Gallery — Reed College, Portland, OR and Pomona College Museum
of Art (2008, 2009).
Lehmann Maupin
Gallery have the honour
of presenting a solo show by English artist Tracey Emin, entitled I Fell in Love, the show will debut the artists bronze
sculpture The Heart Has Its Reasons while the Sean Kelly
Gallery will feature works from esteemed British sculptor Antony Gormley, famed for his giant Angel
of the North
sculpture located in Gateshead, UK and his Another Place work that saw the sculptor place 100 cast iron figures facing
out to sea on Crosby Beach near Liverpool in the UK.
This spring, a rehang at the Guildhall Art
Gallery brings little - known 19th - century paintings
out of storage, and Tate Britain stages the first synoptic exhibition devoted to Victorian
sculpture.
The opening was well attended with visitors hanging in and
out of the
gallery, around, and on top
of the
sculpture.
The new figurative
sculptures, shown in the front
gallery space, are carved
out of cork, and darkened in parts with black paint.
The Baltic
gallery has a coup with this terrific survey, filling two enormous floors
of the old flourmill with work from the past five years, including large paintings and
sculptures that seem to materialise
out of them like three - dimensional images.
Select highlights include: Lisson
Gallery's sale
of an Anish Kapoor work listed as # 1.2 Million; David Kordansky
Gallery sold
out its booth
of Tala Madani paintings, ranging from $ 22,000 to $ 110,000 each, to both collectors and public institutions; Hauser & Wirth placed paintings and
sculptures by American artist Lorna Simpson with both museums and private collections, ranging from $ 150,000 to $ 300,000; David Zwirner sold
out of works by American sculptor Carol Bove, including four
sculptures and one work on paper at prices ranging from $ 50,000 to $ 550,000; Grimm
Gallery completely sold
out its stand, including works by William Monk ranging from $ 20,000 to $ 26,000; and Mendes Wood DM sold works ranging between $ 10,000 and $ 50,000.
2011 The
Sculpture Park at Frieze Art Fair curated by David Thorp, London, England All that Glisters, Stephen Friedman
Gallery, London, England Nod Nod Wink Wink: Conceptual Art in New Mexico and Its Influences, The Harwood Museum
of Art, Mandelman - Ribak
Gallery, Taos, New Mexico, USA One, Another, The FLAG Art Foundation, New York, USA
Out of the Box: Artists Play Chess, World Chess Hall
of Fame, Saint Louis, Missouri, USA
1987 The Whitney Museum
of American Art at Philip Morris, New York, Contemporary Cut -
Outs (catalogue) Monte Carlo, Monaco, Monte Carlo
Sculpture ’87 Port
of History Museum at Penn's Landing, Philadelphia, National
Sculpture Society 54th Annual Exhibition Kent Fine Art, New York, Assemblage Odakyu Grand
Gallery, Tokyo, U.S.A. — U.K. Pop Art, exhibition traveled to Daimuru Museum
of Art, Osaka; Sogo Museum, Yokohama) Whitney Museum
of American Art, Fairfield County, CT, Contemporary Cut -
Outs: Figurative
Sculpture in Two Dimensions laneni Lanzone
Gallery, San Francisco, After Pollock: Three Decades
of Diversity Herter Art
Gallery.
Frequently regarded as Asia's leading female artist, Lee talks to Time
Out ahead
of the inaugural exhibition
of Lehmann Maupin's Hong Kong
gallery, which showcases a selection
of pieces she's made over the past few years, including several sculptural works, a number
of drawings and two new «painted
sculptures».
This is the man who, after all, began his career in the 1960s making
sculptures out of surprising materials: rubbish, water, and his own body, as in the celebrated Pose Work for Plinths (1971), based on a performance at the Situation
Gallery.
Entering the
gallery the viewer is almost walking into Map
of China, a large
sculpture made
out of Iron wood (Tieli wood) that Ai Weiwei has collected from dismantled temples
of the Qing Dynasty (1644 - 1911).
What we're left with is pretty exciting: A 70 - foot bee magnet at Socrates
Sculpture Center by Meg Webster, a round table discussion on why artist - run
galleries are the bomb, and a Chucky - like doll by Jordan Wolfson we're pretty sure will scare the crap
out of you.
In the
gallery, the
sculptures create imperfect angles as they play against the corners
of the room; cut -
out circles are set against a large glass window; steel tubes seem to mirror pre-existing light fittings.
Check
out more
of Haroshi's
sculptures on his website, and visit Jonathan LeVine
Gallery through March 21, 2015 to see Still Pushing Despite the Odds in person.
Please check
out the Bruning
Sculpture photo
gallery for a small selection
of past and present works.
Furthering his often aggressive use
of text, Geers devotes the back space
of the
gallery to a group
of seven ultra violet neon
sculptures, which spell
out the names
of The Seven Deadly Sins.
Urban / Suburban, The Arlington Museum
of Art, Arlington, Texas Thirty Prints, Barry Whistler
Gallery, Dallas, Texas
Out of Bounds: Contemporary
Sculpture Takes Shape, The Museum
of Fine Arts, Houston, Texas Vernon Fisher / Joseph Havel / Douglas MacWithey.
In
Gallery II, a large, wall - based
sculpture of colorful ceramic disks on rotating arms titled, THIS ONE GOES
OUT ACROSS THE SEMAPHORE SPECTRUM, simultaneously takes form as a double solar system model or an antiquated signal device used to communicate turbulent atmospheric conditions to pilots in air or at sea.