Sentences with phrase «sculpture out of the gallery»

This exhibition of more than 120 works seeks to emphasise the fundamental importance of land to his artistic practice: he was one of the first to take sculpture out of the gallery and place it directly in the landscape.
In the photographic album «An English Frontier» (1972), Richard Long took sculpture out of the gallery, documenting a walk conducted in the company of Tony Cragg, Roger Ackling, Jim Rogers and Bill Woodrow.

Not exact matches

Fite originally planned out the space as an outdoor sculpture gallery, and had a 40 year plan for finishing it, but died on the 37th year of completion.
Pro tip: ignore the sculpture gallery, it scared the mess out of my kids.
Anderson recently wrote a foreword to a book on Mothersbaugh's art, laying out a vision that included «hundreds of animatronic characters and creatures, rides through vast invented landscapes and buildings, extensive galleries of textiles and sculptures, plus an ongoing original music score piped in everywhere.»
Their art comprises two - dimensional cut - outs and collages; free - standing sculptures; and large - scale installations that engage the architecture of the museum's gallery space.
Chakaia Booker: In and Out on view during the summer of 2010 was first in a planned series of solo exhibitions of sculpture in the Museum's galleries and outdoor spaces.
Born in Los Angeles in 1904, the son of an American mother and Japanese poet father, Noguchi was interested in sculpture out of doors rather than within building galleries.
Installed outside the Serpentine Gallery Ada, (wind vane) is a flat sculpture which is part of Alex Katz's «cut - outs» — a body of work that dates back to 1959 when he began to cut out figures from his paintings to emphasise the two - dimensionality of painting.
If the main aim of the City Sculpture Project was to bring abstract sculpture out into the wider world, the beautifully installed main gallery at the HMI brings it back home to the rarefied atmosphere of the whSculpture Project was to bring abstract sculpture out into the wider world, the beautifully installed main gallery at the HMI brings it back home to the rarefied atmosphere of the whsculpture out into the wider world, the beautifully installed main gallery at the HMI brings it back home to the rarefied atmosphere of the white cube.
Katy Cowan: reflected - into - themselves - into - reflected includes seven new sculptures that begin in the gallery and spill out onto Lynden's grounds, as well as a series of preparatory drawings.
They turn the expectations of a gallery space and geometric sculpture inside out, as fully as Rachel Whiteread at her best.
Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).
The museum's vast galleries and multiplicity of stages — both inside and out — offer artists unprecedented opportunities to make and present large - scale sculpture, inventive theater, and big new musical ideas that will confound expectations... and delight you.
The jury is out on whether or not this qualifies him as a communist, but his claim does provide a source of perplexity when evaluating the inspiration for his ongoing Kandor sculpture and installation series — the newest of which being currently displayed at Gagosian Gallery (Beverly Hills) alongside the latest chapters of his filmic project, Extracurricular -LSB-.....]
Featuring paintings, collages and sculpture created out of assembled objects, the gallery's presentation will offer a wide selection of Vigo's artworks that are representative of the artist's politically charged oeuvre.
In the Ballroom's North Gallery, Marlie Mul presents a pair of sculptures that take the form of oversized steel grills, of a type commonly used by street smokers to stub out their cigarettes.
Select highlights include: Lehmann Maupin's sale of several McArthur Binion works ranging from $ 50,000 - 175,000 to trustees of two leading U.S. museums, as well as collectors new to the gallery; Galerie Thaddaeus Ropac's sale of two works by George Baselitz in a range of c. $ 599,000 - 838,000 each, a Robert Rauschenberg work for $ 725,000, a Tony Cragg sculpture for c. $ 210,000, and a metal and wood piece by Jack Pierson for $ 190,000; Royale Projects sold three Clinton Hill paintings at around $ 95,000 each to collectors from New York and California; David Kordansky sold out its booth of photography by Torbjørn Rødland in the range of $ 14,00028,000 each; Jack Shainman's sales of recent work by Hank Willis Thomas, including a major sculpture, a retroflective, and one of Thomas» iconic flags in the Live section, and works by Lynette Yiadom - Boakye, Becky Suss, Enrique Martinez Celaya and Geoffrey Chadsey; Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 1gallery; Galerie Thaddaeus Ropac's sale of two works by George Baselitz in a range of c. $ 599,000 - 838,000 each, a Robert Rauschenberg work for $ 725,000, a Tony Cragg sculpture for c. $ 210,000, and a metal and wood piece by Jack Pierson for $ 190,000; Royale Projects sold three Clinton Hill paintings at around $ 95,000 each to collectors from New York and California; David Kordansky sold out its booth of photography by Torbjørn Rødland in the range of $ 14,00028,000 each; Jack Shainman's sales of recent work by Hank Willis Thomas, including a major sculpture, a retroflective, and one of Thomas» iconic flags in the Live section, and works by Lynette Yiadom - Boakye, Becky Suss, Enrique Martinez Celaya and Geoffrey Chadsey; Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 1Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 100,000.
The artist — popular both within and beyond the art world for his darkly subversive, laugh - out - loud drawings and sculptures — takes his place alongside Tino Sehgal, whose Tate Modern Turbine Hall piece last summer saw performers talking to gallery - goers, telling them intimate stories from their own lives; Laure Prouvost, the French - born, London - based maker of warmly mischievous installations and films; and Lynette Yiadom - Boakye, whose apparently traditional portraits of ordinary sitters turn out to be fabrications drawn from her own imagination.
Cut Outs By Alex Katz Paul Kasmin Gallery Chelsea March 8 — April 14 The solo sculpture exhibition «Cut Outs» presents Alex Katz's ongoing study of surface, perception, and the human figure.
Next in the curated section, Troy Michie (Company Gallery) creates works using photographs with people's bodies and faces cut out in a symbolic specter of invisibility, and Tomashi Jackson (Tilton Gallery) assembles sculptures that meld Josef Albers's color theories with the history of racial politics in the US.
At its 27th Street space in New York, Paul Kasmin Gallery presents a solo exhibition of «Cut Outs» sculpture by...
How could the Studio School, that rigorous bastion of high sculpture, devote precious gallery space to out - and - out kitsch?
Often crumpled in an industrial crusher and spray - painted in bright colours before being welded together into their final shape, his abstract sculptures are now being placed within the gallery and gardens of Inverleith House, the outdoor location drawing out an unexpected organic quality in the artist's heavy metal works.
Working out of his studio on Camano Island, Aaron Haba creates a wide range of sculptural pieces, including gallery installations and site - specific outdoor sculptures.
Giant sculptures of tulips, a pumpkin, dogs and a doll are located in the gallery's canal - side garden and ground floor exhibition space, along with new paintings, creating a surreal inside - out...
Giant sculptures of tulips, a pumpkin, dogs and a doll are located in the gallery's canal - side garden and ground floor exhibition space, along with new paintings, creating a surreal inside - out landscape of nature and artifice.
He has participated in numerous group exhibitions including the Venice Biennale in 1993 and 2003; Twentieth Century British Sculpture, Jeu de Paume, Paris, 1996; Extreme Abstraction, Albright Knox Art Gallery, Buffalo, 2005; Into Me / Out of Me, PS1 Contemporary Art Center, New York, 2006; Re-Object, Kunsthaus Bregenz, Bregenz, 2007; and Color Chart: Reinventing Color 1950 to Today, Museum of Modern Art, New York, 2008.
What often appears as precious stones or minerals in Donovan's work often turns out to be common materials such as plastic buttons or polyester film, such as in Untitled (Mylar), a freestanding sculpture that will be presented in The Steadings Gallery as part of Donovan's expansive presentation at Jupiter Artland.
When the National Gallery of Victoria moved to St Kilda Road in 1968, it opened its new premises with a controversial bang: a boundary - pushing exhibition of colour field painting and abstract sculpture, laid out amid foil - covered walls.
We encounter lovers lifted from an Indian temple sculpture; monkeys and lion dogs borrowed from Chinese art; a grape - eating goat surrounded by lovely leaves (some made of felt), suggestive of folk art; and seemingly abstract planes of color that turn out to depict gallery walls, urban skyscrapers or a sendup of a suave brown Hollywood interior.
Past group shows and screenings include: Rêve du Pierre, curated by Alexandra Fau, Centre Pompidou, Paris (screening)(2016); Night Walk, with Erin Shirreff, deCordova Sculpture Park and Museum, Lincoln, MA (2015); A Night of Philosophy, Ukrainian Institute of America, New York, NY (Screening)(2015); The Daily Show, Bureau, New York NY (2015); The Built Environment: Lower Side in Istanbul, Mixer, Istanbul, Turkey (2014); It Narratives: The Movement of Objects as Information, Franklin Street Works, Stamford, CT, USA (2014); A Tale of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, NY, NY (2014); Two Hours Two Minutes, The Power Plant, Toronto, Canada (2014); Kool - Aid Wino, Franklin Street Works, Stamford, CT, USA (2013); Matter Out of Place, Kitchen, NY, NY (2012); Somebody has stolen our tent, Simon Preston Gallery, NY, NY (2012); The Way Things Go (Part 3), Frutta, Rome, Italy (2012); Single Channel, Soho House, Miami, FL, USA (2011); Forcemeat, Wallspace, NY, NY (2011), and Suddenly: Where We Live Now, Cooley Gallery — Reed College, Portland, OR and Pomona College Museum of Art (2008, 2009).
Lehmann Maupin Gallery have the honour of presenting a solo show by English artist Tracey Emin, entitled I Fell in Love, the show will debut the artists bronze sculpture The Heart Has Its Reasons while the Sean Kelly Gallery will feature works from esteemed British sculptor Antony Gormley, famed for his giant Angel of the North sculpture located in Gateshead, UK and his Another Place work that saw the sculptor place 100 cast iron figures facing out to sea on Crosby Beach near Liverpool in the UK.
This spring, a rehang at the Guildhall Art Gallery brings little - known 19th - century paintings out of storage, and Tate Britain stages the first synoptic exhibition devoted to Victorian sculpture.
The opening was well attended with visitors hanging in and out of the gallery, around, and on top of the sculpture.
The new figurative sculptures, shown in the front gallery space, are carved out of cork, and darkened in parts with black paint.
The Baltic gallery has a coup with this terrific survey, filling two enormous floors of the old flourmill with work from the past five years, including large paintings and sculptures that seem to materialise out of them like three - dimensional images.
Select highlights include: Lisson Gallery's sale of an Anish Kapoor work listed as # 1.2 Million; David Kordansky Gallery sold out its booth of Tala Madani paintings, ranging from $ 22,000 to $ 110,000 each, to both collectors and public institutions; Hauser & Wirth placed paintings and sculptures by American artist Lorna Simpson with both museums and private collections, ranging from $ 150,000 to $ 300,000; David Zwirner sold out of works by American sculptor Carol Bove, including four sculptures and one work on paper at prices ranging from $ 50,000 to $ 550,000; Grimm Gallery completely sold out its stand, including works by William Monk ranging from $ 20,000 to $ 26,000; and Mendes Wood DM sold works ranging between $ 10,000 and $ 50,000.
2011 The Sculpture Park at Frieze Art Fair curated by David Thorp, London, England All that Glisters, Stephen Friedman Gallery, London, England Nod Nod Wink Wink: Conceptual Art in New Mexico and Its Influences, The Harwood Museum of Art, Mandelman - Ribak Gallery, Taos, New Mexico, USA One, Another, The FLAG Art Foundation, New York, USA Out of the Box: Artists Play Chess, World Chess Hall of Fame, Saint Louis, Missouri, USA
1987 The Whitney Museum of American Art at Philip Morris, New York, Contemporary Cut - Outs (catalogue) Monte Carlo, Monaco, Monte Carlo Sculpture ’87 Port of History Museum at Penn's Landing, Philadelphia, National Sculpture Society 54th Annual Exhibition Kent Fine Art, New York, Assemblage Odakyu Grand Gallery, Tokyo, U.S.A. — U.K. Pop Art, exhibition traveled to Daimuru Museum of Art, Osaka; Sogo Museum, Yokohama) Whitney Museum of American Art, Fairfield County, CT, Contemporary Cut - Outs: Figurative Sculpture in Two Dimensions laneni Lanzone Gallery, San Francisco, After Pollock: Three Decades of Diversity Herter Art Gallery.
Frequently regarded as Asia's leading female artist, Lee talks to Time Out ahead of the inaugural exhibition of Lehmann Maupin's Hong Kong gallery, which showcases a selection of pieces she's made over the past few years, including several sculptural works, a number of drawings and two new «painted sculptures».
This is the man who, after all, began his career in the 1960s making sculptures out of surprising materials: rubbish, water, and his own body, as in the celebrated Pose Work for Plinths (1971), based on a performance at the Situation Gallery.
Entering the gallery the viewer is almost walking into Map of China, a large sculpture made out of Iron wood (Tieli wood) that Ai Weiwei has collected from dismantled temples of the Qing Dynasty (1644 - 1911).
What we're left with is pretty exciting: A 70 - foot bee magnet at Socrates Sculpture Center by Meg Webster, a round table discussion on why artist - run galleries are the bomb, and a Chucky - like doll by Jordan Wolfson we're pretty sure will scare the crap out of you.
In the gallery, the sculptures create imperfect angles as they play against the corners of the room; cut - out circles are set against a large glass window; steel tubes seem to mirror pre-existing light fittings.
Check out more of Haroshi's sculptures on his website, and visit Jonathan LeVine Gallery through March 21, 2015 to see Still Pushing Despite the Odds in person.
Please check out the Bruning Sculpture photo gallery for a small selection of past and present works.
Furthering his often aggressive use of text, Geers devotes the back space of the gallery to a group of seven ultra violet neon sculptures, which spell out the names of The Seven Deadly Sins.
Urban / Suburban, The Arlington Museum of Art, Arlington, Texas Thirty Prints, Barry Whistler Gallery, Dallas, Texas Out of Bounds: Contemporary Sculpture Takes Shape, The Museum of Fine Arts, Houston, Texas Vernon Fisher / Joseph Havel / Douglas MacWithey.
In Gallery II, a large, wall - based sculpture of colorful ceramic disks on rotating arms titled, THIS ONE GOES OUT ACROSS THE SEMAPHORE SPECTRUM, simultaneously takes form as a double solar system model or an antiquated signal device used to communicate turbulent atmospheric conditions to pilots in air or at sea.
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