Sentences with phrase «sculptures and installations documenting»

In the early 1980s, he turned process into performance, creating a series of sculptures and installations documenting his interaction with the landscape, often presented as compositions or images on the ground.

Not exact matches

Published to accompany Nari Ward's mid-career retrospective, the largest - ever survey of his work, «Nari Ward: Sun Splashed» documents the artist's work since the 1990s, an innovative series of sculptures, videos, works on paper, and installations.
Weaver is constructing a fictive history for the Black Bottom community using a variety of fake elements: handmade museum vitrines, handmade maps and documents of the community, various faux sculptures and textiles, as well as installation and audio components.
The exhibition will feature sculptures, drawings and photographic documentation of his fieldworks from the 1970 and 1980s, a film documenting «activation», and installation views of his recent solo exhibitions at Pirelli foundation's HangarBicocca in Milan and Dia: Chelsea in New York.
● The winner of the second category, including galleries under twelve years of age, was awarded to Instituto De Visión (Bogotá), which presented sculpture, installation, painting and documents by artists Pia Camil, Wilson Díaz, Otto Berchem and Alberto Baraya.
International in outlook, it draws together artists from every continent and documents the unprecedented variety of approaches and mediums used by today's artists — from oil paintings and bronze sculptures to video installations and performance.
In photographs, sculptures, installations, and films, Goldsworthy documents his explorations of the effects of time, the relationship between humans and their natural surroundings, and the beauty in loss and regeneration.
More than two hundred works — paintings, sculptures, installations, videos and films, from the holdings of the Nationalgalerie are complemented by approximately one hundred and fifty works on loan from other collections In addition, 400 artworks, magazines and documents are presented in the exhibition from national and international collections.
Notable works include Technological Reliquaries (1964 - 67), a series of wax sculptures of human body parts, and The Tomb, a bright pink pyramid installation or «environment», which was badly damaged in 1981 but is documented in Edwin Klein's black and white photographs.
This companion volume to the artist's largest exhibition to date is a feast taken from countless visual documents of Kelley's early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren, and Niagara (born Lynn Rovner) in 1973 while Kelly and Shaw were students at the University of Michigan in Ann Arbor; early performative sculptures and objects; drawings; paintings; handmade dolls and stuffed animal sculptures; photography; videos; and endless inventive installations in various forms and shapes that explore and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics, and whatever else lies between the grotesque and the sublime, the sacred and the profane.
Emma Hart's artistic practice spans video, sculpture, and installation, and she uses her work as a means by which to both produce and document events.
Japanese bound and beautifully printed in deep, dark, black ink on several kinds of paper, this volume documents New York artist Banks Violette's recent solo exhibition at Galerie Thaddaeus Ropac in Salzburg, where he showed recent sculptures and site - specific installations made of metal, neon, varnish and glass.
In his new book, prolific Madison artist Michael Velliquette documents five years of sculpture, installation work, geometric creations and boldly colorful paintings and assemblage pieces.
The retrospective provides insight into the largest collection of letters and documents from the Toni Gerber collection (which was donated to the Kunstmuseum Bern in 1986 and 1996), and a precise selection of sculptures and installations from all periods in Byars» creative life (from the collection of the Kunstmuseum and on loan from private and public collections).
The sequence of immaterial documents from the Teche Rai archives combined with the materiality of paintings, sculptures and installations l develop in three separate sections and analyze the relationships between Italian public television with visual art, politics and entertainment.
Set within an immersive wall painting the installation «Ahy - kon - uh - klas - tik» combines a trans - historical selection of works from the Van Abbemuseum's collection, sculpture and assemblages by Brook Andrew, rarely seen documents and publications from the museum's library as well as the artist's own extensive archives that focus on popular and official documents relating to colonial and stereotyped agendas of the global south.
And if Merz's imagery is at the same time a hortus conclusus and an infinite sky that burns, so the exhibition at Met seems to look with one eye at the chaotic and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculptureAnd if Merz's imagery is at the same time a hortus conclusus and an infinite sky that burns, so the exhibition at Met seems to look with one eye at the chaotic and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculptureand an infinite sky that burns, so the exhibition at Met seems to look with one eye at the chaotic and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculptureand creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculptureand domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculptureand with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculptureand sculptures).
These fragments are then reinitiated as textual and photographic documents, sculptures or installations.
Students considered the expanded notions of what constituted sculpture through their encounters of earth works, minimalist objects, installation art, and documents of performance based works while traveling and interacting with their professor and their peers.Students enrolled in ART 4100 - 02 conducted individual research on works by artists Carl Andre, Richard Serra, Alyson Shotz, Maya Lin, Andy Goldsworthy, and group Zero artist, Gunther Uecker.
The two - room installation is comprised of nine photographs, three sculptures and a video piece that document a studio photo shoot.
This volume documents recent sculptures and installations by Alyson Shotz (born 1964), including major public commissions and works from an array of gallery and museum exhibitions.
Displaying the breadth of his inquiries, the exhibition Painting (Organic) features three interrelated bodies of work: paintings that share concerns with sculpture; a major display of photographs that document abstraction in the built environment; and an installation of colored lights and painted live plants, the latest in a series of plant - related works that he has made over the last decade.
Rossella Biscotti's installations are generally highly complex and comprise sculptures, performances, documents, and audio works.
Lawrence Weiner's contribution is his Filofax which he considers his sketchbook; Gerhard Richter loaned a three - ring binder with installation diagrams, designs for frames and color notes, which document one year of work; John Chamberlain's contribution includes crushed cigarette packs which are sketches for his sculptures; Robert Ryman loaned a film labeled «Old Fasteners» which contains drawings for the hardware on his paintings.
An intimate installation of travel sketches, painted tiles, sculpture, and prints that documents the life and times of this bohemian artists» society.
A performed installation with sculpture, archival documents, auctions, newly filmed footage, and music.
Leslie Hewitt works with photography, sculpture, and site - specific installations, which appropriate documents of the past — old photographs, forgotten films, old books — to address the way that objects are transformed by time.
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