In the early 1980s, he turned process into performance, creating a series of
sculptures and installations documenting his interaction with the landscape, often presented as compositions or images on the ground.
Not exact matches
Published to accompany Nari Ward's mid-career retrospective, the largest - ever survey of his work, «Nari Ward: Sun Splashed»
documents the artist's work since the 1990s, an innovative series of
sculptures, videos, works on paper,
and installations.
Weaver is constructing a fictive history for the Black Bottom community using a variety of fake elements: handmade museum vitrines, handmade maps
and documents of the community, various faux
sculptures and textiles, as well as
installation and audio components.
The exhibition will feature
sculptures, drawings
and photographic documentation of his fieldworks from the 1970
and 1980s, a film
documenting «activation»,
and installation views of his recent solo exhibitions at Pirelli foundation's HangarBicocca in Milan
and Dia: Chelsea in New York.
● The winner of the second category, including galleries under twelve years of age, was awarded to Instituto De Visión (Bogotá), which presented
sculpture,
installation, painting
and documents by artists Pia Camil, Wilson Díaz, Otto Berchem
and Alberto Baraya.
International in outlook, it draws together artists from every continent
and documents the unprecedented variety of approaches
and mediums used by today's artists — from oil paintings
and bronze
sculptures to video
installations and performance.
In photographs,
sculptures,
installations,
and films, Goldsworthy
documents his explorations of the effects of time, the relationship between humans
and their natural surroundings,
and the beauty in loss
and regeneration.
More than two hundred works — paintings,
sculptures,
installations, videos
and films, from the holdings of the Nationalgalerie are complemented by approximately one hundred
and fifty works on loan from other collections In addition, 400 artworks, magazines
and documents are presented in the exhibition from national
and international collections.
Notable works include Technological Reliquaries (1964 - 67), a series of wax
sculptures of human body parts,
and The Tomb, a bright pink pyramid
installation or «environment», which was badly damaged in 1981 but is
documented in Edwin Klein's black
and white photographs.
This companion volume to the artist's largest exhibition to date is a feast taken from countless visual
documents of Kelley's early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren,
and Niagara (born Lynn Rovner) in 1973 while Kelly
and Shaw were students at the University of Michigan in Ann Arbor; early performative
sculptures and objects; drawings; paintings; handmade dolls
and stuffed animal
sculptures; photography; videos;
and endless inventive
installations in various forms
and shapes that explore
and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics,
and whatever else lies between the grotesque
and the sublime, the sacred
and the profane.
Emma Hart's artistic practice spans video,
sculpture,
and installation,
and she uses her work as a means by which to both produce
and document events.
Japanese bound
and beautifully printed in deep, dark, black ink on several kinds of paper, this volume
documents New York artist Banks Violette's recent solo exhibition at Galerie Thaddaeus Ropac in Salzburg, where he showed recent
sculptures and site - specific
installations made of metal, neon, varnish
and glass.
In his new book, prolific Madison artist Michael Velliquette
documents five years of
sculpture,
installation work, geometric creations
and boldly colorful paintings
and assemblage pieces.
The retrospective provides insight into the largest collection of letters
and documents from the Toni Gerber collection (which was donated to the Kunstmuseum Bern in 1986
and 1996),
and a precise selection of
sculptures and installations from all periods in Byars» creative life (from the collection of the Kunstmuseum
and on loan from private
and public collections).
The sequence of immaterial
documents from the Teche Rai archives combined with the materiality of paintings,
sculptures and installations l develop in three separate sections
and analyze the relationships between Italian public television with visual art, politics
and entertainment.
Set within an immersive wall painting the
installation «Ahy - kon - uh - klas - tik» combines a trans - historical selection of works from the Van Abbemuseum's collection,
sculpture and assemblages by Brook Andrew, rarely seen
documents and publications from the museum's library as well as the artist's own extensive archives that focus on popular
and official
documents relating to colonial
and stereotyped agendas of the global south.
And if Merz's imagery is at the same time a hortus conclusus and an infinite sky that burns, so the exhibition at Met seems to look with one eye at the chaotic and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculpture
And if Merz's imagery is at the same time a hortus conclusus
and an infinite sky that burns, so the exhibition at Met seems to look with one eye at the chaotic and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculpture
and an infinite sky that burns, so the exhibition at Met seems to look with one eye at the chaotic
and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculpture
and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art
and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculpture
and domestic environment, which is by contrast well
documented in the catalogue)
and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculpture
and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings,
installations,
and sculpture
and sculptures).
These fragments are then reinitiated as textual
and photographic
documents,
sculptures or
installations.
Students considered the expanded notions of what constituted
sculpture through their encounters of earth works, minimalist objects,
installation art,
and documents of performance based works while traveling
and interacting with their professor
and their peers.Students enrolled in ART 4100 - 02 conducted individual research on works by artists Carl Andre, Richard Serra, Alyson Shotz, Maya Lin, Andy Goldsworthy,
and group Zero artist, Gunther Uecker.
The two - room
installation is comprised of nine photographs, three
sculptures and a video piece that
document a studio photo shoot.
This volume
documents recent
sculptures and installations by Alyson Shotz (born 1964), including major public commissions
and works from an array of gallery
and museum exhibitions.
Displaying the breadth of his inquiries, the exhibition Painting (Organic) features three interrelated bodies of work: paintings that share concerns with
sculpture; a major display of photographs that
document abstraction in the built environment;
and an
installation of colored lights
and painted live plants, the latest in a series of plant - related works that he has made over the last decade.
Rossella Biscotti's
installations are generally highly complex
and comprise
sculptures, performances,
documents,
and audio works.
Lawrence Weiner's contribution is his Filofax which he considers his sketchbook; Gerhard Richter loaned a three - ring binder with
installation diagrams, designs for frames
and color notes, which
document one year of work; John Chamberlain's contribution includes crushed cigarette packs which are sketches for his
sculptures; Robert Ryman loaned a film labeled «Old Fasteners» which contains drawings for the hardware on his paintings.
An intimate
installation of travel sketches, painted tiles,
sculpture,
and prints that
documents the life
and times of this bohemian artists» society.
A performed
installation with
sculpture, archival
documents, auctions, newly filmed footage,
and music.
Leslie Hewitt works with photography,
sculpture,
and site - specific
installations, which appropriate
documents of the past — old photographs, forgotten films, old books — to address the way that objects are transformed by time.