Sentences with phrase «sculptures appear in public»

In fact, many of her massive sculptures appear in public spaces around the world.
Her work was held in public collections around the world; her massive steel sculptures appeared in public spaces in seventeen states, including the Louise Nevelson Plaza in New York City's Financial District.

Not exact matches

Meanwhile he continues to be preoccupied with finishing their collaborative projects: a show of drawings opened last week at the Menil Collection in Houston, and he is now on his way to Oslo to install their final public sculpture, «Tumbling Tacks,» four 18 - foot - wide thumbtacks that appear to be hurtling down a hillside.
His work appears in numerous national public collections, including the Art Institute of Chicago, Boston Museum of Fine Arts, Hirshhorn Museum and Sculpture Garden, Los Angeles County Museum of Art, Metropolitan Museum of Art, Smithsonian American Art Museum, and the Solomon R. Guggenheim Museum.
Bailey has an extensive exhibition history, and his works appear in numerous public and private collections including the Hirshhorn Museum and Sculpture Garden, Washington, DC; Museum of Fine Arts, Boston, MA; Museum of Modern Art, NY; National Museum of American Art, Smithsonian Institution, Washington, DC; among many others.
To give another example, when Subodh Gupta shows with Hauser & Wirth and Anish Kapoor creates a public sculpture for London costing over 30 million US dollars, why does nearly every presentation of an Indian artist in the United States appear in the context of a «contemporary art from India» exhibition?
It was an early response to the new currents that appeared in both painting and sculpture around 1980, and acted as a launch - pad that brought these developments to public attention.
Lindner's work appears in public collections including the Smithsonian in Washington D.C.; MNHirshhorn Museum and Sculpture Garden in Washington, DC; Walker Art Center in Minneapolis; The Thyssen - Bornemisza Museum in Madrid; the Tate Gallery in London; and the UKFine Arts Museum of San Francisco.
When he moved to upstate New York in 1970, Kelly began creating large - scale outdoor sculptures and public art works that appear in museum collections around the world and in public spaces in cities such as Chicago (Curve XXII, also called I Will [1981]-RRB- and Berlin (Berlin Totem [2008]-RRB-.
Edwards» sculpture «Combination», 2005, includes a recurring motif which primarily appears in his public sculptures: the «Chain Column», a vertical column of steel chain segments.
Receiving over twenty sculpture commissions during his lifetime, Hadzi's work appears in public squares, concert halls, federal and private plazas, and universities throughout the world.
Receiving over twenty sculpture commissions, Hadzi's work appears in public squares, concert halls, federal and private plazas, and universities throughout the world.
His work takes on a multitude of forms — from sculpture, paintings, neons, films and installations, to music and performance — appearing both in the art gallery and in broader public circulation.
For Please Touch the Art, the artist has installed three forms of social sculptures in Brooklyn Bridge Park: Appearing Rooms, a systematically shifting architectural space formed by jets of water; Mirror Labyrinth NY, a site - specific installation of mirror - polished stainless steel that reflects and distorts the distinctive skyline of lower Manhattan; and sixteen bright red Modified Social Benches, alterations upon the familiar outdoor park bench, which actively engage visitors» perceptions of public space with their curious curves and undulations.
The introduction of new types of art, for instance - such as Performance, Happenings and Installations - along with new subject - matter - including things like dead sharks, dying flies, huge ice - sculptures, crowds of nude bodies, buildings that appear to be in motion, a collection of 35,000 terracotta figures, islands wrapped in pink polypropylene fabric, painted bodies, spooky projected imagery on public buildings, and so on - have provided spectators with a range of new (sometimes shocking) experiences.
His work has appeared in exhibitions worldwide, including solo presentations and outdoor public sculptures at the Museo d'Arte Contemporanea, Villa Croce, Genova, Italy (2016); Museum of Contemporary Art Chicago (2011); Dallas Museum of Art (2007); Kunsthaus Zürich (2005); and the Hammer Museum, Los Angeles (2002).
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