The 100
sculptures in this exhibition by 34 women sculptors are installed in four galleries, each in a twenty - year chronological sequence, which also complements the architecture beautifully.
For the seven
new sculptures in this exhibition Vincent Fecteau uses for the first time new material or new base material that significantly affect the spatiality and form of his sculptures.
The
second sculpture in the exhibition, Witches House with Balls, combines a 2 1/2 foot tall stylized fairy - tale house with a red - topped mushroom surrounded by four small metallic - colored balls each on their own pedestals.
The
earliest sculptures in this exhibition are Donovan's 36 inch cubes, in which no adhesive is used to transform millions of pins, toothpicks and glass into new and unexpected geometric forms.
On view April 29 — June 1, 2015 Opening reception Sunday, May 3 (2 — 5 p.m.) Holes, perforations, and protrusions dominate the surfaces of Emily Counts»
ceramic sculptures in her exhibition of new work, The Ins and Outs at Nationale.
The
dramatic sculptures in this exhibition hail from Ward's visit to a church in Georgia, where the artist found himself standing on a highly charged piece of American history — hole riddled floorboards.
This is clearly evident in
several sculptures in this exhibition, including Steel Cloud (for Po Chu Yi), a reference to the Tang Dynasty poet also known as Bai Juyi, or in Titanium Landscape, which features an architectural element resembling a Chinese moon gate, or in a recent Untitled (2013) sculpture in which a small gong is suspended that can be struck with a rubber mallet, delighting the viewer with its gentle and sonorous tone.
Other sculptures in the exhibition will include Five Plates, a work in cedar and graphite that joins five circular forms to create a large - scale wall - mounted work that presents a new configuration for
Samorì's foraging curiosity causes him to explore how each material responds to his narrative obsession; in fact the
marble sculpture in the exhibition actually appears as if he has deconstructed the figure — as if enormous fingers had sculpted an approximate effigy of a «prima donna.»
One of the most
powerful sculptures in the exhibition is a small textile work by Louise Bourgeois: a sickly salmon - pink hand sewn crudely, its gnarled fingers outstretched, sits on a worm - eaten piece of wood.
Other
recent sculptures in the exhibition, Planets in My Head, Philosophy (2011); Planets in My Head, Physics (2010); and Pedagogy Boy / Boy (2011), echo the theme of the magical, transformative discoveries of childhood learning.
Moore is also on display at
Bowman Sculpture in an exhibition that pairs him with Helaine Blumenfeld (until 30 June), and which reunites their work 30 years after their seminal exhibition at the Alex Rosenberg Gallery in New York.
The most
complex sculpture in the exhibition, the figure has a shape that is at the same time gaunt and dense with details; both rigid and soft, even maniacal in the definition of its asymmetric, crooked nose.
Counts further conveys the symbolic depth of objects with her two most
figurative sculptures in the exhibition, Moment A, a massive candle dripping with satisfying layers of blue, white, gray, and silver glazes, and Moment B, a colorful vase full of large ceramic roses.
The Austin - based new music percussion ensemble, line upon line, performs a concert inspired by Monika Sosnowska's monumental
metal sculptures in the exhibition Habitat.
The
individual sculptures in this exhibition are intended to reflect fragments of personal experience, with his own response to the environment revealed through the use of natural materials and through his methods of production and through the installation techniques he employs.
Most recently, he presented
major sculptures in Exhibition Road, the Victoria and Albert Museum, the Natural History Museum and the Science Museum in a project curated by Cass Sculpture Foundation.
One of the other Miró
Personnage sculptures in the exhibition, from 1974, has already proved a great favourite with Museum visitors since it was given on loan to IMMA by the Successió Miró in May of last year.
A sort of memorial to these boys» earthly existence, the exhibition contains photos of a harmonious family and of a young, attractive, yet seemingly diabolical man, as well as sculptures in the
Various sculptures in the exhibition — such as Kippenberger's Kippenblinky (1991) and Artschwager's Leaning Chair (2010)-- show how both artists confound our expectations of «everyday» objects (in these instances, a lamp and a chair), elevating the ordinary into the realm of the humorous and the profound.
The dynamic cor - ten
steel sculptures in this exhibition are from Venet's Arcs, Angles and Indeterminate Lines series, monumental works displaying the artist's mastery of balance and form, and the navigation between positive and negative space.
Unprecedented for the open call exhibition, this is the heaviest representation
of sculpture in the exhibition's history, according to Stephanie deTroy Miller, coordinator of the exhibition and Guild Hall's Museum Registrar, Curatorial Assistant and Education Associate.
Among the
earliest sculptures in this exhibition, the azure neon Untitled (1971), is one of the first representations by the artist of the Fibonacci principle - a numerical sequence in which each number is the sum of the previous two numbers.
The
ceramic sculptures in this exhibition are wildly inventive expressions of the human figure; they range from earthy abstractions to larger - than - life busts and whimsical characters.
Here, they'll be performing from within inflatable sculptures in the exhibition
Another
new sculpture in the exhibition, Chanda Mama Door Ke (2015) consists of a cascading ensemble of aluminium utensils, individually suspended from the gallery's ceiling as if frozen in a decisive moment, caught in an intricate pattern that allows your first perception to be of a single enormous pot.
Mexican artist Abraham Cruzvillegas stands amid
his sculptures in an exhibition at Regen Projects in 2016.
The sculptures in the exhibition include a life - sized black figurine of St. Katherine, an idealized gray vase, an over-sized black snake, and a pair of bright blue kidneys sitting on a checkered table cloth.
These works, made during the height of the international Concrete poetry movement, appeared alongside
his sculptures in exhibitions and were excerpted in scholarly writings about the artist.