Sentences with phrase «sculptures in wooden boxes»

In the early 1960s, she began creating white and gold pieces, and enclosing her small sculptures in wooden boxes.

Not exact matches

One of these sculptures, «Unplug Me Please (in Purple)», 2009, is a wooden box that leans back against the wall of the space: a minimalist sculpture on which elements have been hung on clothing hangers, such as a three quarter length mans coat and a dress shirt.

Jude Tallichet, C Note, 2006 Aluminum sculpture; 6 × 5 × 5 inches (shipped in a special wooden display box) Signed and numbered edition of 100 Courtesy of the artist and Sara Meltzer Gallery, New York Can be chosen as a gift for donations of $ 500 or more (plus shipping)

Inscribed «GABO» on wooden backing Plastic, metals and cork set into wooden box, 24 x 11 x 23 (61 x 28 x 58.5) Presented by the artist 1977 Exh: Gabo: konstruktive Plastik, Kestner - Gesellschaft, Hanover, November 1930 (20) as «Konstruktive Raumgestaltung für eine Wandnische» 1930; Constructions by N. Gabo, London Gallery, London, January 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo: Constructions in Space, Wadsworth Atheneum, Hartford, March 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo - Pevsner, Museum of Modern Art, New York, February - April 1948 (works not numbered) as «Construction in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 19in Space, Wadsworth Atheneum, Hartford, March 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo - Pevsner, Museum of Modern Art, New York, February - April 1948 (works not numbered) as «Construction in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 19in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 19In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 19in a Niche» 1930

Initially, viewers come face to face with a reflecting pool; further back, they are invited into a wooden shack to behold one of Sherer's sought - after sculptures of a nude Emma Watson, glowing purple in a box.

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