Sentences with phrase «sculptures inhabit the space»

Not exact matches

The works that Judd had fabricated inhabited a space not then comfortably classifiable as either painting or sculpture and in fact he refused to call them sculpture, pointing out that they were not sculpted but made by small fabricators using industrial processes.

Both artists deal with mark - making, inhabiting space with concrete statements through sculpture and typewritten compositions.

Likewise, Kelly's sculpture rarely inhabits space as such but, instead, handsomely squats in a declarative manner.

That's what makes some of this contemporary figurative sculpture so interesting — it foregrounds this experience of inhabiting our own space and at the same time offers access to another space and time.

Acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space, Gormley's fifth solo exhibition with Sean Kelly engages the grid to evoke the experience of inhabiting a human body at «the other side of appearance.»

Tremblay's sculptures successfully communicate sophisticated emotion through their beauty and human scale: they inhabit our space as much as we inhabit theirs.

Ranging from sculpture that inhabits physical space in unusual ways in order to better understand and demonstrate force, motion, energy and matter, to works depicting the patterns of the earth and its cycles of change, the artists in this exhibit explore natural phenomena in ways both literal and conceptual.

In production since 1997, these inclusive and interactive works act simultaneously as off - the - cuff quips and radical reconsiderations of the major questions key to both sculpture and art viewing: how figures relate to their ground, how one inhabits space, and how simple acts of re-framing can alter perceptions.

The volume of Hunt's work across a prolific, 40 - year - long career has shaped cityscapes and inhabited museum spaces, sculpture gardens, parks and college campuses.

Butler's work rejects traditional painterly illusion and depth and embraces real - ness, inhabiting space in a way more akin to sculpture.

Best known for his intricate sculptures that defy conventional notions of scale and site - specificity, Suh draws attention to the ways viewers occupy and inhabit public space.

For the Parafin show titled Tate Modern on Fire, he exhibits new sculptures and text works that are focused on public space and its revealing power regarding the people that inhabit it.

, Frac des Pays de la Loire, Carquefou, France Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, USA Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlington.

Rachel Whiteread's sculpture A.M., from her last show at her Rome gallery, inhabits the negative space within a windowpane, utilizing a jewel - like pink resin.

Interspersed throughout the floor, serpentine - like sculptures extend the installation into the physical space of the gallery, connecting the flat level of the paintings with the volumetric realm inhabited by the viewer's body.

His 1964 essay «Specific Objects» is considered a manifesto for Minimalist sculpture, advocating artists whose works inhabited the actual space of the viewer rather than the illusionistic space of traditional painting and sculpture.

I'm still interested in developing them but for the Outpost show I felt that the drawings inhabited the figurative space in the work in a similar way to these sculptures.

These inclusive and interactive works act simultaneously as off - the - cuff quips and radical reconsiderations of the major questions key to both sculpture and art viewing: how figures relate to their ground, how one inhabits space, and how simple acts of re-framing can alter perceptions.

The Tate, which administers the award, said that Mr. Leckey's exploration of sound, performance and sculpture «celebrates the imagination of the individual, and our potential to inhabit, reclaim or animate an idea, a space, or an object.»

Her vibrant sculptures seamlessly integrate disparate elements of geometry, thereby truly transforming the spaces that they inhabit.

In positioning himself between worlds — the art world, his family and community, peripheral spaces he seeks to inhabit — Murillo has made room for a new visual language, one that draws as easily and subversively on his personal narratives and the narratives around the places he has visited, as it does on traditional vocabularies of painting, installation, and sculpture.

The space includes a life cast used as the point of departure for a sculpture, and an early concrete work entitled Room V (1990) which initiated the artist's dialogue between architecture as a form of body space and the body as an inhabited object.

Gormley is internationally known for his sculptures, installations and public artworks that investigate the relationship of the human body to space, Gormley's fifth solo exhibition with Sean Kelly engages the grid to evoke the experience of inhabiting a human body at «the other side of appearance.»

The coded title of the exhibition translates to «Crazy Female Foreigners Alive and Kicking» referencing Ashley's Scottish nationality and alluding to the instability of global politics, and the temporal existence of her sculptures inhabiting and moving through space.

Exhibited and commissioned for specific contexts and sites, the sculptures, sofas and chairs, draw on the potential of their surroundings by transforming the gallery or the spaces they inhabit into lounge - like environments for socializing and viewing art.

Interiors - spaces inhabited both physically and mentally - still form her main subject matter, but for this show she abstained from the walk - in film installations she's become known for and focused on sculptures: small - scale models of rooms, mostly with the same floor plan though otherwise unalike, and sculptures of furniture, such as beds and armoires.

His enigmatic and until very recently under - appreciated body of work uses language, performances, paintings, sculpture and prints to inhabit the poetic space of the written word and theatre.

Inhabited by famous African figures of sport, society and politics, his paper pieces can be deployed in space to become sculptures.

Inhabiting a peculiar space between a clown - like portrait and ceremonial statue that concretizes the legacy of modernist abstraction, in Untitled (Free Standing Large Garden Sculpture Mask M24.g) Grotjahn makes a truly irreverent addition to the canon of bronze sSculpture Mask M24.g) Grotjahn makes a truly irreverent addition to the canon of bronze sculpturesculpture.

Ten years after their debut at Giò Marconi, Nathalie Djurberg and Hans Berg have returned to the gallery space and have transformed it into a mysterious landscape inhabited by colourful bird sculptures on tables and enigmatic black and white waterfall animations.

He has painted trompe l'oeil thumbtacks and folds of canvas on the sides of the pieces, the effect of which is that the works inhabit a space somewhere between painting and sculpture.

He has painted trompe l'oeil folds of canvas on the sides of the pieces, the effect of which is that the works inhabit a space somewhere between painting and sculpture.