Not exact matches
Works by Vézelay are currently
on view in collection displays at Tate Modern (Poetry and Dream), and at the Henry Moore Institute in Leeds (Natural
Form: Shape and
Form in
sculpture).
Also
on view is a group of bronze sculptures from Nagle's Hands On series (1991), which use the cup as a formal vehicle rather than a utilitarian tool, employing slight variations in structure and texture to create abstract geometric and architectural form
on view is a group of bronze
sculptures from Nagle's Hands
On series (1991), which use the cup as a formal vehicle rather than a utilitarian tool, employing slight variations in structure and texture to create abstract geometric and architectural form
On series (1991), which use the cup as a formal vehicle rather than a utilitarian tool, employing slight variations in structure and texture to create abstract geometric and architectural
forms.
The piece, crookedly titled Ground Potential (all works 2013), is a wry opening note for the seventeen works
on view; a collection strongest in
sculptures that are judiciously composed and surprisingly economical in
form and origin.
The works
on view provide visual rejoinders to this investigation, among which Diane Simpson's
sculpture, an earth - toned tunic produced in rigid rectilinear
form, renders utility null
Exhibitions
on view at the city's renowned private collections include forthcoming shows at the Cisneros Fontanals Art Foundation (CIFO); «Force and
Form» at the de la Cruz Collection Contemporary Art Space; «Pop Art: Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, Andy Warhol, Tom Wesselmann» and «
Sculpture, Painting, Video: David Claerbout, Federico de Francesco, Anselm Kiefer, Rosy Keyser, Imi Knoebel, Emil Lukas, Hugo McCloud, Olaf Metzel, Ernesto Neto, Diana Fonseca Quiñ ones, Sue Williams» at the Margulies Collection at the Warehouse and «Still Human and Allison Zuckerman: Stranger in Paradise» at the Rubell Family Collection.
On view are seven Wall Drawings, 15
sculptures including Complex
Form and Inverted Spiraling Tower, and the photo series «Autobiography.»
On view at the gallery is one of Kwak's musical beauty instruments used in the Salon, along with a selection of
sculptures that explore the potential for self - reflection and bodily transmutation through hybrid
forms and a variety of materials.
Andre was at the forefront of this crusade, and his
sculptures — comprised of systems of regular units placed in grid - like formations and lying flat
on the ground — became synonymous with this radical new
form of art. 100 Copper Square is an outstanding example of the work he created in the 1960s and rejects the notion of
sculpture as an object mounted
on a pedestal and
viewed from a distance.
The three
sculptures on view demonstrated the expressive range of di Suvero's epic steel - beam constructions, from the classically vertical Double Tetrahedron, to the tethered shapes in conversation of Aesop's Fables, to the organic
form gathering from the earth in Beyond.
Rodney McMillian: The Black Show,
on view at the Institute of Contemporary Art at the University of Pennsylvania (February 3 — August 14, 2016), brings together a tightly focused selection of new and recent paintings,
sculptures, and videos that deal with blackness as subject,
form, process, emotion, and politics.
About half of the roughly 90 works
on view on 20th Street are
sculptures, many with curvaceous wire
forms nested inside larger rhythmic
forms that hang from the ceiling and defy traditional sculptural ideas about mass and weight in their sheerness and buoyancy.
Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental
Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works
on view was this untitled canvas, now known as Untitled [black painting with portal
form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.
Also
on view through Labor Day Weekend are ceramic conceptual
sculptures by Monica Banks that take the
form of cakes.
The
sculpture has been
on view before in the U.S. (at Mass MoCa) but this is a completely unique experience seeing these
forms with their massive scale soaring through the nave of the Cathedral.
Through site - specific installations, including
sculpture and digital prints
on silk, this exhibition considers the ways in which artists provide an indirect
view of reality, representing it as a fictional mythology drawn from its facts,
forms, or histories, but never reflecting them directly.
Calder's moving
sculptures in geometric
forms and energetic presence are
on view at Pace Gallery in Chelsea, while vibrant and night sky - like paintings of Miró are installed at Acquavella Galleries in uptown.
PaceWildenstein is pleased to present Josef Albers / Donald Judd:
Form and Color, an exhibition featuring 15 oil paintings by Albers from 1947 to 1967 and 11
sculptures by Judd from 1977 to 1994,
on view from January 26 through February 24, 2007 at 32 East 57th Street, New York City.
Also
on view will be examples of Asawa's related tied - wire
sculptures, a series begun in 1962, which like much of her oeuvre explore organic
forms and processes.
On view will be
sculptured silhouettes of the female
form cut from a single light - weight aluminum sheet.
Two new
sculptures by Richard Hudson that explore the human
form will also be
on view.
On view at the Grey Art Gallery at New York University from January 16 though March 31, 2007, the show includes the complete run of Semina — a loose - leaf, hand - printed, free -
form art and poetry journal that Berman published and personally distributed — along with paintings,
sculptures, collages, photographs, and writings by those who belonged to the close - knit Semina Culture community.
The works
on view range from antique
sculptures to paintings and works
on paper from the recent past that exemplify the reduction of
form or the absence of representation.
On view at Wang's solo exhibition are a photography series, two video installations, a kinetic installation, and one
sculpture, where the artist tracks the trajectory of movement in a space in the
form of minimalist graphics, eliminating real - life scenarios and past experiences.
Erwin Wurm's biomorphic
sculptures, currently
on view at Lehmann Maupin gallery in New York, convey a certain human despondency despite their abstracted and fragmented
forms.
On view are important early
sculptures, including Rainbow Picket (1964), which blend minimalist
forms and bold color choices, and a range of vibrant paintings and
sculptures made with sprayed acrylic lacquer, a material typically used for decorating cars.
On view are
sculptured silhouettes of the female
form cut from a single light - weight aluminum sheet.
Also
on view at Frieze is a series of drawings: simple studies of the female
form, sketches for
sculptures, and plans for performance works.
On view will be new sculptures demonstrating a breadth of material, scale and form, as well as a selection of ink drawings on pape
On view will be new
sculptures demonstrating a breadth of material, scale and
form, as well as a selection of ink drawings
on pape
on paper.
On view will be new
sculptures demonstrating a breadth of material, scale and
form, as well as a selection...
Even as she revels in the flexible uniformity of stainless steel (a favorite material), the uneven contours of the natural world in the
form of sand, water, and stone are never far afield; both impulses are
on view in her Rock Dispenser / model for outdoor
sculpture, a smaller - scale iteration of an 8 - foot - tall
sculpture first made in 2010.
Depending
on the location, the insights, perspectives, and
views provided allow the «empty space» around the
sculpture to come to the forefront as immaterial
form, equal in status to the material.
The precise geometric and organic
forms of the two
sculptures on view by John Duff (American, b. 1943) are from the series titled «Inside the Kepler Conjecture,» referring to the complex mathematical theories proposed by Johannes Kepler, a 16th century astronomer who was the first to explain planetary movement.
In Shechet's new
sculptures currently
on view at Sikkema Jenkins, clay is at times integrated architecturally in
form of bricks and at other times fused like molten lava around underpinnings of wood, steel and concrete.
Through site - specific installations, including
sculpture and digital prints
on silk,
on the subversion of opacity, considers the ways in which artists provide an indirect
view of reality, representing it as a fictional myth drawn from facts,
forms, or histories, but never reflecting them directly.
Modern and Contemporary works
on view transcend national boundaries and involve all
forms of visual expression, including painting and
sculpture, drawings, prints and illustrated books, photography, architecture and design, and film and video, as well as new
forms yet to be developed or understood, that reflect and explore the artistic issues of the era.
Calder's striking vocabulary of diverse
forms will be revealed through daily activations of the
sculptures on view and an unprecedented collaboration with the Calder Foundation whereby rarely seenworks will be presented for one - time demonstrations.
The artists and craftsmen
on view have worked dedicatedly to perfect their intricate visions of
form through drawing,
sculpture and shoemaking.
The art work, along with two other golden totemic
sculptures on view (The Figure of the Question of Death and The Figure of the Interrogative Philosophy), illuminate Byars» interest in the transient experience of beauty and evoke simplified versions of the human
form and the physical manifestation of «question.»
The works
on view (all 2018) elaborate
on the artist's earlier
sculptures, with more complex
forms that twist, fold, and bend into postures that belie their material construction.
The Broad collection includes two of Houseago's works including Giant Figure (Cyclops), 2011, a transhistorical reflection uniting Greek and Roman
sculpture to contemporary action figures via modernist distortions of
form found in works by Picasso and Rodin,
on view in the collection installation, Creature, through March 19.
Other highlights from Mythology include de Kooning's small - scale abstract painting Father, Mother, Sister, Brother (1937), which was recently included in The Museum of Modern Art's 2011 exhibition de Kooning: A Retrospective; an important painting by Newman most recently
on view at the Menil Collection in Houston; three major
sculptures by David Smith, including the open steel
sculpture Swung
Forms (1937); and two paintings and four works
on paper by Rothko.