Sentences with phrase «sculptures on view represent»

The two hanging sculptures on view represent an important new development for Milhazes.

Not exact matches

On view February 21, 2018 through October 14, 2024, Spencer Finch: Moon Dust presents an abstract sculpture comprised of 417 LED light bulbs that together represent the molecular structure of the moon dust gathered from NASA's 1972 Apollo space mission.
Dating from 1958 to 1961, the sculptures on view were not the result of some ancillary detour branching off from painting but in fact represent an entire, autonomous body of work.
On view in the gallery's 519 West 19th Street space, the exhibition will feature a selection of important sculptures and drawings spanning the years 1969 to 2000, representing each decade of the artist's singular and influential career.
The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.
Los Angeles» growing gallery scene was represented by no less than seven spaces: Night Gallery showed the curious paintings of emerging artist Ross Caliendo, while Nino Mier Gallery's booth thrilled with a selection of new sculptures by Berlin - based Anna Fasshauer — hers were some of the most compelling works on view.
Ms. Falkenstein's sculptures are on view at the Peggy Guggenheim Collection in Venice and at the Hauser Wirth & Schimmel gallery in Los Angeles, and have been exhibited this year at the American University Museum in Washington and the Michael Rosenfeld Gallery in New York, which represents the estate.
The 63 large - format paintings, reliefs, sculptures, and models on view fully represent each phase of Stella's career, from his work prior to the Black Paintings, to the Irregular Polygons, to the first metal reliefs, to the architectonic designs.
Sculptures representing systems of thought through coding, inscription, and movement will also be on view in this exhibition.
Both iconic and emerging art stars are represented: also on view are works of sculpture (Lita Albuquerque, Gisela Colon, Tim Hawkinson, Kaz Oshiro) painting (Sam Francis, Joe Goode, John McLaughlin), and photography (David Hockney, Melanie Pullen).
Works on view span the greater part of 20th and 21st century and represent a diverse approach to sculpture and it's inherent challenges.
Through site - specific installations, including sculpture and digital prints on silk, this exhibition considers the ways in which artists provide an indirect view of reality, representing it as a fictional mythology drawn from its facts, forms, or histories, but never reflecting them directly.
The primary challenge of any William Kentridge monograph might seem to be getting images on the page to represent the South African artist's oeuvre, which spans performance by puppets and opera singers, immersive film installations, stereoscopic and anamorphic drawings, crank - activated kinetic sculptures that play music (recently on view at Marian Goodman in New York), and virtuosic charcoal - on - paper animations.
At David Zwirner, which now represents the artist's estate, Asawa's sculptures, paintings, and works on paper will be on view.
The pieces on view in this exhibition represent a diverse range of iconic word - based arrangements including a desktop calendar, diary entries, movie script, and Chinese scrolls, while referencing specific texts such as the Constitution of the United States of America, The New York Times, the Periodic Table, Twitter and authored books, all dovetailed with an array of artistic mediums from fine art prints, painting on paper, and collage; to installation art, aerial sculpture, and video art.
Emblematic of the works on view, Edwards incorporates chains into his sculptures, which speak to the history of slavery and oppression while simultaneously representing the links between people and cultures.
«Quarantania,» a bronze and steel sculpture representing the Bourgeois family, is already on view, and two paintings from the 1940s — said by Cheim & Read to be the only Bourgeois paintings in any American museum — will be hung this summer.
Through site - specific installations, including sculpture and digital prints on silk, on the subversion of opacity, considers the ways in which artists provide an indirect view of reality, representing it as a fictional myth drawn from facts, forms, or histories, but never reflecting them directly.
Drawings, paintings and sculptures representing contemporary views on the human figure, landscape and still lifes, this exhibition is full of imaginative and masterful works by contemporary artists who are actively contributing to our artistic discourse with future generations.
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