Sentences with phrase «sculptures out of cut»

In 1967 while Gottlieb was preparing for the Whitney and Guggenheim Museum exhibition he began to make small models for sculptures out of cut and painted cardboard that, he said, made him feel like «a young sculptor, just beginning».

Not exact matches

greg is especially inspired by the idea of having multiple windows open on a computer at once: through his process, he cuts out pieces and uses the computer to draw new forms, then assembles them into paintings that act like sculpture.

Their art comprises two - dimensional cut - outs and collages; free - standing sculptures; and large - scale installations that engage the architecture of the museum's gallery space.

The collage and cut outs of John O'Reilly and Brainard bump up against each other in their juxtapositions of classic Greek sculpture and the eroticized male form, as ideal, object of contemplation and as pop advertisement.

Installed outside the Serpentine Gallery Ada, (wind vane) is a flat sculpture which is part of Alex Katz's «cut - outs» — a body of work that dates back to 1959 when he began to cut out figures from his paintings to emphasise the two - dimensionality of painting.

This will be after taking in Robins sculpture, and Gary Wraggs paintings in Deal.Great that there are two shows of British Abstract Painting and Sculpture on at the moment.With Bill Tucker at Pangolin and Sams cracking show of 60s colour in Liverpool, Abstraction is far from a dead issue.Indeed there is a symposium by Matthew Macauley at a northern university [to be confirmed] coming up, with requests for papers.Two very good painters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend thsculpture, and Gary Wraggs paintings in Deal.Great that there are two shows of British Abstract Painting and Sculpture on at the moment.With Bill Tucker at Pangolin and Sams cracking show of 60s colour in Liverpool, Abstraction is far from a dead issue.Indeed there is a symposium by Matthew Macauley at a northern university [to be confirmed] coming up, with requests for papers.Two very good painters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend thSculpture on at the moment.With Bill Tucker at Pangolin and Sams cracking show of 60s colour in Liverpool, Abstraction is far from a dead issue.Indeed there is a symposium by Matthew Macauley at a northern university [to be confirmed] coming up, with requests for papers.Two very good painters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend the genre.!

When I saw his architectonic relief paintings of the early seventies with new materials like wood, felt, and different levels, slopes, and planes they struck me by their relationship to Picasso's Synthetic Cubism and Picasso's Cubist sculpture and Jackson Pollocks» cut out paintings like Out of the Wout paintings like Out of the WOut of the Web.

These floor sculptures are store - bought ceramic items that Beier carefully and deliberately cut chunks out of.

/ thru 8/19 Hannah Beerman / Kimberly Klark / 788 Woodward Ave., Ridgewood / thru 7/27 Collect All Four / Songs for Presidents / 1673 Gates Ave., Ridgewood / thru 8/29 Opening 7/3 (6 - 9 PM) Anxious Spaces: Installation as Catalyst II / Knockdown Center / 52 - 19 Flushing / Flushing, Queens / thru 7/26 Opening 7/5 (5 - 10 PM) Conceived Without Sin curated by Culturadora / Radiator / 10 - 61 Jackson / Long Island City / thru 10/23 Opening 9/18 Simon Denny; S.Golden thru 9/7; Math Bass; Wael Shawky thru 8/31; etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Magali Reus thru 7/5; Erika Verzutti; Michael E. Smith thru 8/3; etc. / Sculpture Center / 44 - 19 Purves St. Long Island City New Ways of Seeing: Beyond Culture curated by J.Castro & E.Jeng / Dorsky Curatorial / 11 - 03 45th Ave., Long Island City / thru 7/12 Geometry: Anita Thacher; Arlene Slavin; John Schiff / VanDeb / 37 - 18 Northern Blvd. / Long Island City / thru 7/30 A.Denes; H.Fasnacht; G.Albergaria; V.Lutter; IK Studio / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 8/30 After Midnight: Indian Moderism; Studio Program thru 9/13; R.Seydel Opening 7/19, Etc. / Queens Museum / Flushing Meadows - Corona Park, Queens Lady Pink / Queens Museum @ Bulova / 75 - 20 Astoria Blvd., Queens / thru 8/14 Contours / BronxArtSpace / 305 E 140 / Bronx / thru 7/4 When You Cut Into the Present the Future Leaks Out curated by R.Basha / No Longer Empty / 878 Brook Avenue, Bronx / thru 7/19

Stretched over 500m2, the museum has at its disposal one of the largest archives in the world, which includes more than 1000 metres of archive material (files, newspaper cut outs, videos, posters, photographs, paintings, sculptures and so on).

In Getting to know you, an ongoing series that exists as performance, sculpture, and photographs, participants position themselves inside cut - out board scenes reminiscent of amusement park photo ops.

From examples of Chinese calligraphy that informed his cut - out period to African sculptures that influenced his depictions of the human figure, his personal possessions played a role in each stage of his career — and in many cases you can see the works they inspired displayed alongside.

The «Entablatures,» say, seem to me the worst of both historical pretension and glibness — but even the metal sculpture here, for rocky crags out of Asian landscapes, never lets its die - cut process stand in the way of routine.

The artist best known for his flattened approach to the human figure takes his signature aesthetic into sculpture with «Cut Outs,» a solo exhibition of four works depicting Katz's wife Ada, the full set of his nine - piece «Black Dress» series, and one larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.

Alex Katz «Cut Outs» Paul Kasmin 515 West 27th Street CLOSES: April 12 The artist best known for his flattened approach to the human figure takes his signature aesthetic into sculpture with «Cut Outs,» a solo exhibition of four works depicting Katz's wife Ada, the full set of his nine - piece «Black Dress» series, and one larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.

Cut Outs By Alex Katz Paul Kasmin Gallery Chelsea March 8 — April 14 The solo sculpture exhibition «Cut Outs» presents Alex Katz's ongoing study of surface, perception, and the human figure.

Next in the curated section, Troy Michie (Company Gallery) creates works using photographs with people's bodies and faces cut out in a symbolic specter of invisibility, and Tomashi Jackson (Tilton Gallery) assembles sculptures that meld Josef Albers's color theories with the history of racial politics in the US.

Working in a range of mediums such as digital animation, slide projections, light boxes, paper cut - outs, collage, print, and wood sculptures, Ezawa maintains a keen awareness of how images shape our experience and memory of events.

At its 27th Street space in New York, Paul Kasmin Gallery presents a solo exhibition of «Cut Outs» sculpture by...

The large cut - out wall pieces, evocative of plant life, comprised her last solo exhibition at Tagore, which integrated some freestanding sculpture (the minor third) but excluded the more classically geometric abstractions found here.»

With a precise mathematic technique Støckel creates collages using figures cut out from catalogues and sculptures showing different layers and the inevitable decay of time.

1987 The Whitney Museum of American Art at Philip Morris, New York, Contemporary Cut - Outs (catalogue) Monte Carlo, Monaco, Monte Carlo Sculpture ’87 Port of History Museum at Penn's Landing, Philadelphia, National Sculpture Society 54th Annual Exhibition Kent Fine Art, New York, Assemblage Odakyu Grand Gallery, Tokyo, U.S.A. — U.K. Pop Art, exhibition traveled to Daimuru Museum of Art, Osaka; Sogo Museum, Yokohama) Whitney Museum of American Art, Fairfield County, CT, Contemporary Cut - Outs: Figurative Sculpture in Two Dimensions laneni Lanzone Gallery, San Francisco, After Pollock: Three Decades of Diversity Herter Art Gallery.

The voices of disenfranchised youth ring through Kelvin Hall's foyer and dancehall courtesy of rising star Hardeep Pandhal, who draws on his background as a second - generation British Sikh raised in Birmingham to create a visually cacophonous installation of lurid cartoonish painted cut - out sculptures, wall paintings and animation.

The exhibition pairs stand - alone sculptures and wall reliefs with installation elements, such as functional seating made out of hand - cut wood and black wooden wall sconces holding mint green candles.

In this series, contemporary imagery from popular culture and the global market, such as the well - known plaid of Burberry's signature scarf, is applied to cut away sections of statuary heads so that the «new» China appears to be blooming out of «old» Chinese sculptures.

McLean tells me that he hopes to make a series of sculptures out of the bars of the sunset paintings, and to experiment with cutting - up and reassembling images of the shade paintings to create real shadows in three - dimensional space.

There were many surprising passes: Lot 87 was a thunderbolt design of fluorescent tubes by Dan Flavin that was one of his finest works in that it was an appropriate concept; Lots 122 and 130, large and excellent paintings by Sandro Chia (b. 1946); Lots 203 and 205, a good painting and a superb sculpture by Nancy Graves (1940 - 1995); Lot 223, a good gouache on paper by Sam Francis (1923 - 1994); Lot 242, a very good wood and paper collage by Louise Nevelson (1899 - 1988); Lots 279, 281A, 293, and 309, works by Andy Warhol, and Lot 299, «Fast Sketch Still Life With Abstract Painting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), shown below.

There are dozens of half - finished canvases and sculptures, as well as cut - out geometric patterns, paints and found materials, such as the colorful collection of plastic bottle caps awaiting assemblage.

From 2008 to 2010 Silverman collaborated with Nader Tehrani on «Boolean Valley», a conceptual, installation piece that traveled from the San Jose Museum of Art to MOCA Los Angeles, to the Nasher Sculpture Center, in which they made a cone - shaped form on the wheel, slip cast it 200 times, then cut each cone horizontally in two and laid out the resulting 400 pieces as a complicated, topographic, landscape installation that responded to each of the architectural spaces within which is was installed.

In the gallery, the sculptures create imperfect angles as they play against the corners of the room; cut - out circles are set against a large glass window; steel tubes seem to mirror pre-existing light fittings.

Paul Kasmin Gallery is pleased to announce a solo exhibition of «Cut Outs» sculpture editioned by Alex Katz.

Following the enthusiastic public response to Balloon Flower (Blue), the large mirror - polished stainless steel sculpture installed in Potsdamer Platz in Berlin in 1999, the Deutsche Guggenheim commissioned the first seven of the Easyfun - Ethereal paintings: mural - sized tableaux that combine cut - out photographs of packaged foods, fragments of faces, limbs, and hair, amusement park scenes, and paradisiacal landscapes into images of convulsive beauty.

At its 27th Street space in New York, Paul Kasmin Gallery presents a solo exhibition of «Cut Outs» sculpture by the American artist Alex Katz.

The cut out paper, newspapers, found objects, and assemblage sculptures became some of the most influential pieces that helped shaped the art today.

That «something» would turn out to be a mermaid, the first of Liautaud's cut - metal sculptures, which would over several decades spawn a cottage industry of curio knockoffs in Haiti.

In the 1920s and 1930s, direct carving — cutting figures out of a block of stone or a lump of wood — was seen as the purest, most challenging way to make a sculpture.

A sculpture comprised of a cut - out of a muscular, young Karl Largerfeld and a small pile of dried beans can be placed in the gallery in such a way that the object flattens, merging with the other assemblages in the room.

The two - person booth paid off as the gallery sold six of the eight cut - out sculptures by Moffett, priced at $ 65,000 to $ 85,000.

Each is conceived as an exploration between drawing and sculpture and each is completed when viewed with and within their architectural surroundings; the cut - out sections of the drawings invite the wall behind to become part of the work.

It includes prints, collages, cut - outs, reliefs, small models of walls, hedges and other garden fragments and gloriously unnatural, life - size sculptures of trees and shrubs, cast in latex and foliated in flock.

By the late 1970s the visual conundrums on canvas became cut - out physical forms of painted aluminum, collaged and assembled into wall - hung sculpture.

Calder's mechanized works gave way to his mobiles and stabiles, sculptures whose disparate metal elements — made from bent wire and flat sheet metal cut - outs — were constructed with such masterful equipoise that their movements occurred naturally and unpredictably in response to the energy of the surrounding atmosphere.

No longer sculpture rendered in monochrome bronze, Jones» cut - out sculptures and reliefs exhibited the bold colours and painterly application of the Pop Art era.

In addition to making cut - out wood and steel panels that functioned as monochromatic paintings, he composed works from two or more overlapping canvases, effectively creating a hybrid of painting and sculpture.

Over time, the sculpture reveals itself as a detail from an imagined topographical map, seemingly a section cut out of a landscape, lakes and mountains changing with the weather.

Installed amongst athletic bronze nudes in the upstairs sculpture garden were three digital prints on thin aluminium sheets by Katja Novitskova: Approximation (Toucan)(all her works are from 2014), is a giant bust of a bird, and two works from the series «Branching (green forest)» are cut - outs of trees against sky.

Special exhibitions informed student research projects as well as provided an opportunity to see concentrations of major artworks not always accessible to the public; these included, «Carl Andre: Sculpture as Place, 1958 - 2010» at Dia: Beacon; «Virginia Overton» and «Zhang Huan: Evoking Tradition» at Storm King; «Zero: Countdown to Tomorrow, 1950s - 60s» and «Kandinsky Before Abstraction, 1901 - 11» at the Guggenheim; «Robert Gober: The Heart is Not a Metaphor» and «Henri Matisse: The Cut - Outs» at MoMA.

Thea Djordjadze (b. 1971, Georgia) will populate unexpected spaces within Frieze London with a new series of mobile sculptures, incorporating the Monstera Deliciosa plants that inspired Henri Matisse's «cut - outs».

This exhibition features large sculptures by Victoria artist Nick Brdar, involving cut - out and modeled images of bodily segments grafted on to structures and discarded consumer objects.

Some of the cut - outs became sculptures in their own right, while the resulting spatial relations in the building were documented on photographs.