Sentences with phrase «sculptures out of wood»

Joel Shapiro has built his sculptures out of wood, wire, and cast bronze, relying on space and the position and proximity of the viewer to play with perception.

Also interested in exhaustion as a mechanism, Raul De Lara makes sculptures out of wood and, through hard - carving, transforms the material to make ironic, eerie, or funny social - political commentaries.

He designs playground apparatus and makes sculptures out of wood.

Not exact matches

I design and create one of a kind found object sculpture, wood carvings, furniture, mirrors, paintings and other colorful, wacked out artwork.

Carving and sculpturing of wood, sandstone, stone and various other material are fascinating aspects of traditional Thai art; none more so than the art of carving beautiful floral designs out of soap!

In Toconao you can purchase handicraft, the local speciality being items sculptured out of volcanic rock and cactus wood.

site - specific installation in existing kitchen - kitchen cabinets, appliances, sculptures made out of polymer clay, nylon thread, and wood, 7» x 10» x 14»

She stopped carving sculptures out of raw material like wood and resin and began to piece them together them from bric - a-brac.

When I saw his architectonic relief paintings of the early seventies with new materials like wood, felt, and different levels, slopes, and planes they struck me by their relationship to Picasso's Synthetic Cubism and Picasso's Cubist sculpture and Jackson Pollocks» cut out paintings like Out of the Wout paintings like Out of the WOut of the Web.

In the artist talk held at her solo exhibition in 2009, Otake remarked that when she tried to create a face out of wood, it was quite frightening that the sculpture could look like a face very easily with a nose and a mouth.

His sculptures are carved out of wood and assembled into objects and landscapes pulled directly from the unconscious — a house on tall stilts rises out of a whale or a mountain rises out of a boat.

This honest approach to art making is strongly evident in a new column sculpture by Stephan Balkenhol whose human form is hand - carved out of a solid block of wawa wood.

Under the new leadership of Rodman Primack, who made his mark in London as chairman of Phillips de Pury & Company, the tented design fair translated the branding sponsorship of Perrier - Jouët, Audi, Fendi, Louis Vuitton and Swarovski into the dazzle of such over-the-top showpieces as a glittered sculpture of King Kong climbing Dubai's Burj Khalifa hotel, a monumental wood - hewn structure commissioned from Seattle architect Olson Kundig to house the cafeteria, furniture commissioned by Herman Miller from French modernist Pierre Paulin circa 1972, but realised only now, and a stream of technology - driven works involving a table whose motor sensors raised handcrafted metal flora at the viewer's approach, a clock spinning out countless time zones beforesettling on local time, and an installation by architect Jeanne Gang and photographer James Balog involving a resin iceberg, pierced with brilliants and set against an Arctic panorama.

Marcasiano's sculpture practice, which often employs recycled wood and discarded and short - lived materials such as cardboard; her history of making site - specific temporary work (both indoors and out); and her interest in responding to different conditions make her an excellent first candidate for the residency.

Abstract white sculpture made out of paint, paper, wood, metal, plastic, tape, fabric, clothing, and caulking...

Select highlights include: Lehmann Maupin's sale of several McArthur Binion works ranging from $ 50,000 - 175,000 to trustees of two leading U.S. museums, as well as collectors new to the gallery; Galerie Thaddaeus Ropac's sale of two works by George Baselitz in a range of c. $ 599,000 - 838,000 each, a Robert Rauschenberg work for $ 725,000, a Tony Cragg sculpture for c. $ 210,000, and a metal and wood piece by Jack Pierson for $ 190,000; Royale Projects sold three Clinton Hill paintings at around $ 95,000 each to collectors from New York and California; David Kordansky sold out its booth of photography by Torbjørn Rødland in the range of $ 14,00028,000 each; Jack Shainman's sales of recent work by Hank Willis Thomas, including a major sculpture, a retroflective, and one of Thomas» iconic flags in the Live section, and works by Lynette Yiadom - Boakye, Becky Suss, Enrique Martinez Celaya and Geoffrey Chadsey; Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 100,000.

Working in a range of mediums such as digital animation, slide projections, light boxes, paper cut - outs, collage, print, and wood sculptures, Ezawa maintains a keen awareness of how images shape our experience and memory of events.

So does Reverón's sculpture of the time, slightly misshapen guitars and household items fashioned out of wood.

Instruments final tuning and surface finishing, as well as all machining, metal and wood sculpture is created in Brooklyn primarily out of Aaron Taylor Kuffner's studio.

The exhibition pairs stand - alone sculptures and wall reliefs with installation elements, such as functional seating made out of hand - cut wood and black wooden wall sconces holding mint green candles.

There were many surprising passes: Lot 87 was a thunderbolt design of fluorescent tubes by Dan Flavin that was one of his finest works in that it was an appropriate concept; Lots 122 and 130, large and excellent paintings by Sandro Chia (b. 1946); Lots 203 and 205, a good painting and a superb sculpture by Nancy Graves (1940 - 1995); Lot 223, a good gouache on paper by Sam Francis (1923 - 1994); Lot 242, a very good wood and paper collage by Louise Nevelson (1899 - 1988); Lots 279, 281A, 293, and 309, works by Andy Warhol, and Lot 299, «Fast Sketch Still Life With Abstract Painting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), shown below.

Carl Andre (b1935) became a leading artist in the emergence of Minimalism in the United States in the mid-60s, making sculptures out of ordinary industrial materials — wood, bricks and metals — arranged on the floor in simple linear or grid - like patterns.

Entering the gallery the viewer is almost walking into Map of China, a large sculpture made out of Iron wood (Tieli wood) that Ai Weiwei has collected from dismantled temples of the Qing Dynasty (1644 - 1911).

Working with anything from sea worn plastic toys, clay pipes, wire, painted drift wood to cloth, carpet and leather, Nelson's sculptures have an improvised and makeshift attitude, forming part of a curious world of «possible objects» which defy critical context by reaching out through their physicality.

Walking among his sculptures in the Linbury Galleries at Tate Britain, where an exhibition opens to the public on Wednesday, the eye keeps snagging on all the bolts and exposed screw - threads, the metal plates and braces, the congealed patches of glue that have oozed out of Deacon's laminated layers of wood, hardboard, lino and other materials.

During his residence at MacDougal Alley (1942 — 1949), Noguchi made twenty - six interlocking sculptures out of marble, wood, and slate.

Within her practice she engages with the history of 20th century architecture, design and art, and creates complex but fragile installations and sculptures out of metal, leather, finest woods, and nets.

At 315 Gallery, Amy Brener's hanging silicone sculptures feature casts of everyday objects; nearby in the same booth, Brendan Smith and Henry Barrett offer furniture carved out of Corafoam, a synthetic wood.

Paris's Matthieu Haberard brings five new pieces — with a dark wood, epoxy, acrylic painting titled «Screen, where the touch, is a real sensation» (2015), a can - and - water sculpture called «Combine painting» (2015), a wood - and - electric cable piece called «Your time is running out» (2015), as well as two sculptural installations made of steel, plexiglas, acrylic on canvas, titled «Marcel; Where the bulbs are?»

Hite's sculptures — described as «hand - made habitations» — are constructed out of found materials like reclaimed wood and metal.

In the 1920s and 1930s, direct carving — cutting figures out of a block of stone or a lump of wood — was seen as the purest, most challenging way to make a sculpture.

Carving sculpture out of a block of stone or wood was central to Henry Moore's practice throughout his career.

Sculpture is the act of creating a form through carving a material such as wood or stone or by casting it out of a material such as plastic or metal or by shaping it out of a material such as clay.

In 1931 - 1932, as a member of the Abstraction - Création group, he made pictures out of bits of twine and torn paper and executed his first sculpture in the round of stone and wood.

His works are naturalistic equine sculptures crafted out of luxurious and rare materials such as swarovski crystals, silver threads, elk antlers and rare woods.

In 2012 this artistic quest resulted in his famous Wood Sculptures, a playful series of hundreds of very loosely painted faces and creatures carved out of wood.

Every day she added to the sculpture made out of reclaimed wood from different parts of New York City.

A number of other sculptures also embody music from that era, such as Jitterbug Djinn (2016), a dancing figure carved from wood rises out of a vintage brown jug like a genie from a bottle.

These sculptures subverted an object's form and function because I made them out of wood that was literally falling apart.

The Harrison Gallery is also wonderful, with jewelry, crafts, wood carvings, and sculptures made out of palm [825 White St.; 305-294-0609].»

Three quirky wooden sculptures emit mysterious sounds to an audience of peeping - Tom portraits whose eyes gaze out meekly through holes drilled in planks of wood.

In addition to making cut - out wood and steel panels that functioned as monochromatic paintings, he composed works from two or more overlapping canvases, effectively creating a hybrid of painting and sculpture.

EXHIBITION ART 358 UTILITARIAN SCULPTURE by students in Nick Hunsinger's class Aug. 21 — Sept. 8, 2017 Commons Gallery Exhibition Information: ART 358 Utilitarian Sculpture is a class focused on teaching students how to design and create functional objects outSCULPTURE by students in Nick Hunsinger's class Aug. 21 — Sept. 8, 2017 Commons Gallery Exhibition Information: ART 358 Utilitarian Sculpture is a class focused on teaching students how to design and create functional objects outSculpture is a class focused on teaching students how to design and create functional objects out of wood.

Kota Ezawa's diverse projects take the form of digital animations, slide projections, lightboxes, paper cut - outs, intaglio etchings, ink drawings and wood sculptures.

Her architectural sculptures, constructed out of industrial materials such as steel, wood and automobile paint tied with her interest in the complexity of human connection led her to create dynamic sculpture in which individual components are in communication with each other.

This section features five distinct sensibilities: Michael Dee with his large star sculptures made from heated plastic cups; David Kiddie collaborating with Michael Reafsnyder creating ceramic platters, and Reafsnyder alone, crafting mermaid goddesses out of clay; Heimir Björgúlfsson sees nature and culture as inseparable in his enigmatic found object works; and Wayne White continues to confound us with his unique brand of humor and skill in new ceramic work (PORKGREASE) and painted wood sculptures.

The works on view (through June 9) are the tensile, squared - off sculpture of Christopher Hewat, carefully built out of wood that the artist stains and burnishes until it often resembles old steel or iron.

This short documentary shows Rashid Johnson's decades - long aesthetic and professional development, from his early portrait photographs to his later conceptual sculptures made out of glass, wood, and tile.

Wooden sculptures carry a vintage command, where a shape is cut out of a wood log, for the purpose of decoration.