Sentences with phrase «sea at your new school»

The complete post is well worth reading in full if you're feeling a little at sea at your new school (or if you're hoping to offer some guidance to the college student in your life), but here are a few of his tips in brief in get you started.

You will be a little fish in the sea at your new school.

Not exact matches

Rounding out the new ships is a Ripcord by iFly indoor skydiving school and a Northstar observation tower, which lifts up to 14 guests at a time 300 feet above sea level for a 360 - degree view.

A new transparent, bioinspired coating makes ordinary glass tough, self - cleaning, and incredibly slippery, a team from the Wyss Institute for Biologically Inspired Engineering at Harvard University and Harvard School of Engineering and Applied Sciences (SEAS) reported online in the July 31 edition of Nature Communications.

But a new type of lens created at the Harvard School of Engineering and Applied Sciences (SEAS) turns conventional optics on its head.

A team of researchers at the Harvard John A. Paulson School of Engineering and Applied Science (SEAS) has engineered a new, soft actuator that harnesses the power of instability to trigger instantaneous movement.

«These self - healing, bioinspired actuators bring us another step closer to being able to build entirely soft - bodied robots, which may help to bridge the gap between humans and robots and open entirely new application areas in medicine and beyond,» said Wyss Founding Director Donald Ingber, M.D., Ph.D., who is also the Judah Folkman Professor of Vascular Biology at Harvard Medical School and the Boston Children's Hospital Vascular Biology Program, as well as Professor of Bioengineering at Harvard's John A. Paulson School of Engineering and Applied Sciences (SEAS).

«The collaborations that the Wyss Institute enables and nurtures between disparate fields, like mechanical engineering and molecular biology, foster new approaches to old problems that can lead to truly paradigm - shifting results,» says Donald Ingber, M.D. Ph.D., the Founding Director of the Wyss Institute and the Judah Folkman Professor of Vascular Biology at Harvard Medical School and the Vascular Biology Program at Boston Children's Hospital, who is also a Professor of Bioengineering at the Harvard Paulson School of Engineering and Applied Sciences (SEAS).

Inspired by natural cellular structures, researchers at the Harvard John A. Paulson School of Engineering and Applied Sciences (SEAS), the Wyss Institute for Biologically Inspired Engineering at Harvard University, and MIT have developed a new method to 3D print materials with independently tunable macro-and microscale porosity using a ceramic foam ink.

«This is expected to be the first of many new innovative therapies made possible by the Wyss Institute's collaborative model of translational research that will enter human clinical trials,» said Wyss Founding Director Don Ingber, M.D., Ph.D., who is also the Judah Folkman Professor of Vascular Biology at Harvard Medical School and Boston Children's Hospital, and a Professor of Bioengineering at Harvard SEAS.

Cambridge, Mass. — February 19, 2014 — A new bioprinting method developed at the Harvard School of Engineering and Applied Sciences (SEAS) and the Wyss Institute for Biologically Inspired Engineering at Harvard University creates intricately patterned, three - dimensional tissue constructs with multiple types of cells and tiny blood vessels.

Reported in Science Robotics, a new design, the milliDelta robot, developed by Robert Wood's team at Harvard's Wyss Institute for Biologically Inspired Engineering and John A. Paulson School of Engineering and Applied Sciences (SEAS) overcomes this miniaturization challenge.

The Center for Integrated Quantum Materials (CIQM), based at the Harvard School of Engineering and Applied Sciences (SEAS), will receive up to $ 20 million over five years to fund research and education programs that explore the unique electronic behavior of quantum materials, including graphene, topological insulators, and nitrogen - vacancy center diamond, with the goal of achieving new breakthroughs in electronics, photonics, and computing.

A new study led by researchers at the University of Miami (UM) Rosenstiel School of Marine and Atmospheric Science found that even in the absence of oxygen, the chemical and biological processes occurring in the Black Sea resemble those in the oxygenated deep ocean.

So far, the climate science used in courts has focused mostly on overall trends and gradual processes such as sea level rise, said Michael Burger, executive director of the Sabin Center for Climate Change Law at Columbia Law School in New York, who said he has no financial stake in climate change litigation.

New wound dressings have been created by researchers from the Harvard John A. Paulson School of Engineering and Applied Sciences (SEAS) and the Wyss Institute for Biologically Inspired Engineering that has the ability to accelerate the healing process quite significantly while improving tissue restoration at the same time.

On Friday the field school said goodbye to our camp at Ileret where we've lived for the past 7 weeks and got on the TBI plane to fly over the «Jade Sea» (Lake Turkana) to our new home, the Turkwel campus.

A new study from the Harvard John A. Paulson School of Engineering and Applied Sciences (SEAS) and the Wyss Institute for Biologically Inspired Engineering at Harvard University suggests that mechanically - driven therapies that promote skeletal muscle regeneration through direct physical stimulation could one day replace or enhance drug and cell - based regenerative treatments.

Now, students in the computational science and engineering master's program offered by the Institute for Applied Computational Science (IACS) at the Harvard John A. Paulson School of Engineering and Applied Sciences (SEAS), are applying the latest data science techniques to help scientists shed new light on supernovae.

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It's dark when I get up at 6 am, the first hint of a new day on the horizon; the forest floor has turned gold and green as the cedars shed their summer cloak; honeysuckle leaves litter the boardwalks and garden ground; bright red honeysuckle berries are being plucked by tiny wrens; jays are sitting in the apple tree, feasting on the fruit we imagined as apple pie; the last roses are fading; fronds of great bull kelp are landing on the beach, food for next year's garden; the sudden daybreak howl of sporty boats heading to the hot fishing spots where we have our hydrophones has gone; sea lions are beginning to heave their huge bodies onto haul - out rocks along the way; most of our assistants have left, heading back to school or home; and in their absence we are spending more time in the lab at night, recording the voices of the orcas, who are still here.

The newer Marina and Riviera also feature the «Culinary Centre», the first hands - on cooking school at sea.

Balancing the minutiae of figures with wide sweeps of land, sea and sky, they shun the dashing theatrics of Abstract Expressionism, which Mr. Katz was heir to as a New York School painter; what's more, they are representational at a time when the figure was anathema.

Motherwell speaks of his relationship with his parents; attending prep school; studying philosophy at Stanford University and Harvard University; his theory of automatism; European and American painters in post-war New York; teaching at Black Mountain College; teaching at Hunter College; his retrospective at the Museum of Modern Art and other exhibitions; his collages with Gauloise cigarette packages; the photograph The Irascibles; his membership in American Abstract Artists; his marriage to Helen Frankenthaler; his use of color and light in his paintings; spending summers in Provincetown, MA; beginning printmaking; playing poker; working with the art dealers Kootz, Janis, and Frank Lloyd of Marlborough; his series Elegy for the Spanish Civil War, Je t «aime, Beside the Sea, Open, and Lyric Suite.

John Walker: The Sea and The Brush at New York Studio School — 8 West 8th Street, New York, NY [phone] — December 11 to January 21

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch