Sentences with phrase «sea floor before»

And Mariko Sato of the Japan Coast Guard in Tokyo and colleagues actually measured the motion of the sea floor before and after subsea GPS observations.

The team wanted to know how often trawlers can rake over a section of muddy sea floor before habitats can no longer recover.

Not exact matches

They note that it is completely buried by sediments from more recent eras, which indicates it was formed long before its surroundings, and that it has no topographic expression on the present sea floor.

One incident that is emblematic of the problems occurred on 8 March, a month before the accident, when BP discovered that drilling fluid had leaked into rocks 5000 metres below the sea floor instead of returning to the surface via a pipe.

The first sea - floor lab to test the effects of CO2 (top) on deep - sea animals didn't kill these caged eelpouts and an octopus, but sea urchins died and their spines dissolved (bottom, before and after

«They haven't been found before now because the sonar on the previous Marine National Facility (MNF) research vessel, Southern Surveyor, could only map the sea floor to 3,000 metres, which left half of Australia's ocean territory out of reach.»»

Before, during and after the PETM, these sediments were laid down on the sea floor at the edge of the Atlantic Ocean, at depths of ~ 1000m, on the boundary between the continents and the open ocean.

Other tests indicate that the long - lost peak — now dubbed Kaena volcano — grew from the sea floor and broke through the ocean's surface about 3.5 million years ago, eventually reaching a height of about 1000 meters above sea level before it began sinking back into the sea.

On the sea floor you will run through your skills for the first time under water before moving off with your guide on your introductory dive experience.

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, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Most recently, she was an Artist at Sea aboard Exploration Vessel Nautilus where she collaborated with scientists mapping out never - before - seen ocean floor topography from the Galápagos Islands to California, and on the Research Vessel Falkor where she created art alongside scientists exploring uncharted territory from Vietnam to Guam.

Methane that escapes the sea is generally a small fraction of methane that is released from clathrates at the sea floor, though if the concentration rose high enough so much could make it to the atmosphere that the impact of methane as a GHG in air (before it devolves to CO2 in air) overwhelmed the negative effects of methane decomposing to CO2 in the oceans..

(This is setting aside oxidation of organic C that has settled to the seafloor; there is a significant amount (about 50 times the marine biota) but the flux is very slow — the total C added to the sea floor each year is about 0.2 Gt, which is a tiny fraction of the 50 Gt cycled through marine biota; even if that were all organic C (I think it is actually mostly inorganic), the rate of oxydation of organic C in the ocean would still have to be almost equal to the rate of organic C production, which is the approximation I used before in calculating the rate of O2 uptake by that process.