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Taking a monochromatic grey palette as its organizing principle and aesthetic theoretical vehicle, this exhibition reveals the emergence of that which subtracts or divides — a polemics of black and white or the search for a middle ground, a shade of grey — in the work of artists from around the globe: including Shiva Ahmadi, Yasima Alaoui, Ayad Alkadhi, Afruz Amighi, Reza Aramesh, Shoja Azari & Shahram Karimi, Bruce High Quality Foundation, Dilip Chobisa, Seth Cameron, Arthur Carter, Noor Ali Chagani, Nick Farhi, Nir Hod, Rachael Lee Hovanian, Joseph Kosuth, Liane Lang, Farideh Lashai, Shirin Neshat, Enoc Perez, and Dan Witz, Grisaille: originally derived from a 19th century term for monochrome painting, especially the portrayal of three dimensional objects in two dimensional form, of which the work of British based Liane Lang in this exhibition approaches the closest contemporary example of this art historical origin, the gris or grisaille is updated in this exhibition to reflect the embattled gesture of not simply the monochromatic, but also any opposition to color as such, in at once its aesthetic and political modes.
Taking a monochromatic grey palette as its organizing principle and aesthetic theoretical vehicle, this exhibition reveals the emergence of that which subtracts or divides — a polemics of black and white or the search for a middle ground, a shade of grey — in the work of artists from around the globe: including Shiva Ahmadi, Yasima Alaoui, Ayad Alkadhi, Afruz Amighi, Reza Aramesh, Shoja Azari & Shahram Karimi, Bruce High Quality Foundation, Dilip Chobisa, Seth Cameron, Arthur Carter, Noor Ali Chagani, Nick Farhi, Nir Hod, Rachael Lee Hovanian, Joseph Kosuth, Liane Lang, Farideh Lashai, Shirin Neshat, Enoc Perez, and Dan Witz,
A selection of emerging international artists from the Ernesto Esposito Collection», Museo Nazionale di Capodimonte, Naples 2014 «Unbound: Contemporary Art After Frida Kahlo», Museum of Contemporary Art, Chicago 2014 «Many Places at Once», CCA Wattis Institute for Contemporary Arts, San Francisco 2014 «Unsparing Quality», Diane Rosenstein Fine Art, Los Angeles 2013 «The Unicorn», Transformer Station, The Cleveland Museum of Art, Cleveland 2013 «The Black Moon», Palais de Tokyo, Paris 2013 «Search for the Unicorn», The Cloisters, The Metropolitan Museum of Art, New York 2013 «They might well have been remnants of the boat», Calder Foundation, New York 2013 «The First and the Last Folding», Swiss Church, London 2013 «Notes on Neo-Camp», Office Baroque Gallery, Antwerp 2013 «Opinione Latina», Francesca Minini, Milan 2012 «Qalandiya International», Palestine 2012 ««allez - y!»
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