Not exact matches
A few
jump out of your
seat moments, but mostly due to loud music blasting through the speakers.
The presentation is top - notch, with tight level design and no shortage of
jump - out - of - your
seat moments.
As with most PG - 13 shockers, the frightful
moments are merely a collection of
jump - scares, reliant on sudden noise and movement to try to unnerve you in your
seat.
The
moment was so awesome it had «Room» star Jacob Tremblay
jumping out of his
seat for a closer look.
It provides more than a few
moments that will have horror genre devotees
jumping out of their
seats.
It's not often you hear an audience of movie critics gasp out loud at something on - screen, but Toni Erdmann, the new comedy of forced familial closeness from German director Maren Ade, has a comic
moment so perfectly timed that it got the civilized cinema - set of New York City to
jump out of their
seats like this was an Evil Dead movie in 3D.
More importantly, he pays off enough of the teases with enough
seat -
jumping moments to keep viewers on edge throughout.
Nearly every one of its
jump - in - your -
seat moments is a fake - out and even that doesn't strike one as the tacky design it could have.
It Follows starts strong and shocking, the pace holding up as it progresses, peppered with unexpected
moments and scares that will have even the most hardened of horror viewers
jumping out of their
seat.
Get out has a good number of «
jump back in your
seat»
moments which is always a good thing in a horror movie.
Moments like O'Brien and his friends
jumping from a skyscraper window feel like the kind of sequence that shouldn't go with something technically dubbed a young adult movie (a term I really despise, as it shoots franchises like this in the foot before they even begin), yet here we are, gripping the edge of our
seats, mouth agape at the severity of the action.
But it's no fun to be constantly reaching for the remote to adjust from larger - than - life gun firings down to hushed, muttered dialogue and then back to flaring score or the quietude that precedes
jump - in - your -
seat moments.
For every
moment of the nearly two - hour ride, I clung to the edge of my
seat, wincing and
jumping at the sheer brilliance of Sang - ho's thriller.
in my not so humble opinion the X assist excels at the most every single aspect of what makes a horror movie good whether it's a well - developed sense of dread, incredible shock
moments that make you
jump at your
seat, well presented themes that make you think about the movie long after it's over, well developed characters that you care about, special effects and make up that contribute not detract from the movie, etc. one of the good examples of the latter point is how William Friedkin who in my opinion is one of the 10 greatest directors of all time used a refrigerated room for some of the scenes.
I have made some amazing dribbles with Messi that ended up in a goal; I should have been
jumping out of my
seat for those
moments.