I was absolutely looking forward to the screening because of it, but I sat in
my seat watching in the film and was just bored.
Not exact matches
I had the privilege of
watching the
film while
seated behind a family that included four boys, who ranged from about six to 14 years
in age.
All 53,896
seats in Harvard Stadium were sold for the game — it was the largest crowd ever to
watch a Brown team perform — and special
films of the game (a rarity
in the»20s) were to be made for showing
in not one but four Providence theaters.
Once
seated behind his desk and served his morning cup of coffee by a pretty receptionist, he attaches a roll of
film to a projector and, one by one,
watches every game played
in the NFL the week before.
In fact, anytime I see a
film with people inside a building — whether it's a log carbin, a fortress, a castle, a school, etc. — being charged by terrifying outside forces, I hold on to the arms of my theater
seat for dear life, just as I did as a child
watching that old John Ford flick.
It's not the greatest
film in the world however, the
film is action packed, leaving you at the edge of you
seat at times, and I left the cinema feeling pretty satisfied and looking forward to
watching the sequel.
I know my refusal to get up out of my
seat even after almost three consecutive hours of sitting —
in considerably cramped quarters, I might add — is pretty weak testament to the fact that Boyhood just may be one of the coolest
films this reviewer has had the privilege of
watching.
Even
in the middle
seat you'll be more comfortable than anything the exit row
in economy could offer, and you get to pass the time
watching a wide range of
films and programming on new 13 - inch HD displays.
Set
in the Dodge vehicle
in which it was initially
filmed, The Van will be screened while visitors can sit on furry pink
seats and
watch the artist depict three art - world personae.
But
in contrast to the video installation format employed by many of her peers, Dean's
films are shown
in a traditional environment with viewers
seated in a darkened space facing a screen, and are intended to be
watched as
films.
About Janet Cardiff and George Bures Miller Cardiff and Bures Miller represented Canada at the 49th Venice Biennale with Paradise Institute (2001), a 16 -
seat movie theatre where viewers
watched a
film, becoming entangled as witnesses to a possible crime played out
in the real world audience and on the screen.
Visiting Better Place HQ
in Tel Aviv (You Can Go, Too)
Seated in an impressive theater with a giant screen and comfy
seats reclaimed from old cars (I settled into a 1995 Suzuku Baleno), our group, which was visting oin behalf of the Israeli Ministry of Tourism,
watched a
film flash by on the massive screen
in front of us.