Sentences with phrase «secession did»

The SCC also opined that the international law on secession did not apply to Québec's situation because international law does not address the situation where component parts of sovereign states want to legally secede unilaterally from the «parent» state.

The final word on slavery and secession did not come from the Supreme Court's decision in Dred Scott v. Sandford.

Not exact matches

I don't see secession as a legitimate point of leverage except as a last resort.

Just because the constitution says secession is illegal, it doesn't mean it is under international law.

And by doing so, it and fellow travelers like Twelve Years a Slave helped to catalyze the anti-slavery sentiment that brought Lincoln into office and the South into secession.

It doesn't try to define what might make for consensual secession.

NO, but there are people that doesn't support independence that come with an hypotetical secession of a place called Tabarnia (part of Barcelona and Tarragona provinces).

Personally, I don't like secession and if this country disintegrates, I shall pack up my things and go.»

And of course, that a party that you do not like wins the elections is not considered a valid reason for secession, anywhere.

«I was very surprised he didn't veto the secession bill.

Eastbourne voted for Brexit, as did Ansell, who has argued secession negotiations mean «this is no time for protest voting».

Unilateral nuclear disarmament did not cause the secession of the SDP, since it did not become Labour Party policy until two years and a General Election after that direct intervention in the British electoral process by a President of the European Commission as such, a true betrayal of Gaitskell, Bevan, Bevin, Attlee, the lot.

I am from the south west but I am neither in support nor against Nnamdi Kanu's secession bid for the east or the old eastern region because what the fulani herds men and their cows are doing in my farm at Ile - ife is terrible.

2008 Aurum, Gold in der zeitgenössischen Kunst, Centre PasquArt, Bel - Bienne, Switzerland German Angst, Neuer Berliner Kunstverein, Berlin, Germany 7 + 1 Project Rooms, Museo de Arte Contemporánea de Vigo, Vigo, Spain Unmomumental, New Museum, New York, USA La Bibliothèque de Babel, Centre International d'art et du paysage, Ile de Vassivière, France Locked - in, The Image Of Humanity in the Age of Intrusion Casino, Luxembourg Carnegie International, Pittsburgh, USA Peripheral Vision and Collective BodyMuseion, Bolzano, Italy Lost Paradise, Zentrum Plaul Klee, Bern, Switzerland Procession in Art, MMKA, Museum of Modern Art, Arnhem, The Netherlands SECESSION, Vienna, Austria Zones of Conflict 1, Pratt Manhattan Gallery, New York, USA The Artist's Library, Centre international d'art et du paysage, Ile de Vassivière, France The Impossible Prison, The Police Station, Galleries of Justice, Nottingham, England 2007 Dedica, Palozzo delle Arti, Pan, Napoli, Italy Airs de Paris, Centre Pompidou, Paris, France Into Me / Out of Me, MACRO Museo d'Arte Contemporanea Roma, Rome, Italy Art is an Idea: The Moquai Collection, Scottsdale Museum of Contemporary Art, Phoenix, Arizona, USA Swiss - Made I and II: Precision and Madness.

Montana Moshi Moshi Mind Museum of Ceramic Art Denmark MUUTO The National Museum of Denmark National Museum of Women in the Arts New Carlsberg Foundation NN07 O'Keeffe Rabens Saloner Secession Skagen's Museum SMK — National Gallery of Denmark Stavanger Art Museum Stine Goya Thames & Hudson Publishers Vero Moda We Do Wood Wonhundred

I realized that unlike a similar frieze of twenty - two paintings measuring 94,1 x 152,4 cm each that I made for Morning, Chapter 30, at MOCA, Los Angeles, these Secession paintings did not hold together quite as seamlessly as the previous ones had.

Althamer has taken part in numerous exhibitions of contemporary art, including: Forget Fear, 7th Berlin Biennial (2012); Paweł Althamer with Urs Fischer, Jacob Kassay & Jakub Julian Ziolkowski, DESTE Foundation (Athens, 2012); Almech, Deutsche Guggenheim (Berlin, 2011); Les Promesses du passé, Centre Pompidou (Paris, 2010); Skin Fruit, New Museum for Contemporary Art (New York, 2010); Pawel Althamer and others, Secession (Vienna, 2009); The Fifth Floor: Ideas Taking Spaces, Tate Liverpool (2008); Skulptur Projekte (Münster 2007); One of Many, Nicola Trussardi Foundation (Milan, 2007); Pawel Althamer, Musée National d'Art Moderne — Centre Pompidou; (Paris, 2006); The Grand Promenade, NMCA (Athens 2006); 4th Berlin Biennial (2006); Pawel & Vincent, Bonnefanten - museum (Maastricht, 2005); Dreams and Conflicts: The Dictatorship of the Viewer, 50th Biennale of Venice (2003); Pawel Althamer, Kunsthalle Basel (1997); Documenta X Kassel (1997).

1999 Museu de arte Contemporanea de Serralves, Porto Some Negociations, Kunstverein, München, Munich Museum of Art, Santa Monica, California L'ellipse, Index, The Swedish Contemporary Art Foundation, Stockholm Le Procès du Temps Libre, Wiener Secession, Vienna Motion Study, a Choreography, Institute of Visual Arts, Milwaukee, Wisconsin Kunstmuseum, Aarhus

Exhibitions include Things We Don't Understand (Generali Foundation, Vienna, 2000), The Government (Witte de With, Rotterdam; Secession, Vienna; 2005) and Not Dressed for Conquering — Ines Doujak's Loomshuttles / Warpaths (RCA, London, 2012).

Major exhibitions have appeared at Dia Art Foundation (2013); ICP Triennial (2013); Istanbul Biennial (2013); Musée du Quai Branly (2012); Palais de Tokyo Triennial (2012); Venice Biennale (2011, 1999); Power Plant (2011); Secession, Vienna (2008); Museo Tamayo (2008); Carnegie International (2008); Musee d'Art contemporain de Montreal (2007); São Paulo Bienal (2006); ICA Boston (2005); CCA Wattis Institute for Contemporary Arts (2005); Palais de Tokyo (2004); Documenta (2002); Centre Georges Pompidou (2001); Kunsthaus Zürich (2001); the Renaissance Society (2000); Art Institute of Chicago (2000); and the Biennale de Lyon (2000).

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texdo something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TexDo the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Selected recent solo exhibitions, projects, presentations and performances have been held at Motive Gallery, Amsterdam; Musée du Lourve, Paris; Centre Pompidou, Paris; CAPC, Musee d'Art Contemporain, Bordeaux; Song Song, Vienna; Air de Paris, Paris; Artists Space, New York; Temple Gallery, Philadelphia; CNEAI, Chatou; Ecole des Beaux - Arts, Bordeaux; Secession, Vienna and elsewhere.

I disagree with him about the notwithstanding clause — hardly ever used outside Quebec, and I don't think that's a problem; about property rights — an open invitation to fight every kind of government action on the basis that one's property (i.e. right to do whatever one wants without regard to others) has been infringed (the US took over 100 years to fight that one out, and the right to govern is back under attack there); and about secession — in fact the SCC managed to give a reasonable interpretation of the Constitution (not the Charter in particular) on that point.

Governance mechanisms illustrate the point that self - determination does not necessarily entail secession or the creation of separate states, but can be articulated through the restructuring and renewal of existing relations between Indigenous organisations and government to create arrangements to reflect and support a diversity of Indigenous circumstances.